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Revel in Flesh into a state of slumber: “…album No.6 won’t be released as they were supposed to be”

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Ralf “Haubersson” Hauber made the following statement:

Servants of the Deathkult,
Haubersson speaking:

The evolution of 2023 and a bunch of long-term conflicts within the band finally marked the end of the last known line-up. Fabian, Magge and Henrik announced their departure from Revel in Flesh and the common firm that connected all four core members. This line-up reached its interpersonal and creative end. All further live appearances have been canceled and at the current stage the last remaining recordings of what should have been album No.6 won’t be released as they were supposed to be. Obviously because it would be nothing more than a compromise that no one really wants.

Of course this announcement will be a shocker to all supporters, but the music of the Revel in Flesh discography lives on. And most of all your support will always be a part in a decent box of good memories. Thanks from the bottom of the heart!!!

At the current stage I am the only remaining core member of the lineup. We wanna thank session member Jonas for his contribution since 2021.

There are still a lot of mixed emotions, but parting ways offers new possibilities in life for all of us.
I wish well to everyone.

Revel in Flesh will embark now into a sort of slumber status. I need a break to get back to strength again (health issues) and to think about how the legacy of the Deathkult could develop or not. Since we deal with DEATH METAL you never know when the corpses come back from the dead.

Burial Remains and Raw Skull Recordz announces new album: “The dynamics between fucked up thrashy riffs and pounding midtempo parts on this album really gets the best out of these songs.”

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Risen from the unholy grave, and more alive then ever… Burial Remains.

We are excited to finally show you the sickening artwork for their brand new upcoming album ‘Adversarial’
Dutch Death Metal powerhouse Burial Remains offers us 9 tracks of crushingly, heavy old school Death Metal with a saw that’s ready to buzz. Some of the songs on the tracklist are ‘King Of Kings’, ‘Soulreaper’, ‘Rejoice The Fall’, ‘Miasma Of Guilt’ and ‘Know Thy Kingdom’. ‘Adversarial’ will be released by Raw Skull Recordz (CD) and Into It Records (cassette) on October 25th.

For buyers of physical formats, there is a bonustrack that will not be on spotify or any other shitty streaming service. So you’d better be buying!

With a new drummer in their ranks they entered the FDMP studio for the recordings of their third album. Mixing and mastering was in the hands of multi-talented youngster Xander Bridge (Eternal, Blood Loss) this time around.

Wim de Vries (vocals/guitars) commented: “The dynamics between fucked up thrashy riffs and pounding midtempo parts on this album really gets the best out of these songs. We really wanted to capture the energy of our live shows on this album. I think Xander Bridge really got that in the mix and made sure the intensity will explode from your speakers while listening.”

NO COMPROMISES!

Lucifericon to release new EP via Invictus Productions: “Sabatraxas’ is about heralding the darkness, finding yourself in it and finally becoming it…”

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Invictus Productions is proud to present a special EP from Lucifericon, ‘Sabatraxas’, on 12″ vinyl format.

For 15 years now, the Netherlands’ Lucifericon have been crafting a noble Metal of Death that’s both traditionally rooted and boundless in its inspiration. From early EPs ‘The Occult Waters’ (2012) and ‘Brimstone Altar’ (2016) to the breakout debut album ‘Al-Khem-Me’ in 2018 and its masterful follow-up ‘The Warlock of Da’ath’ in 2022, Lucifericon have never been ones to rush this craft; each recording is deliberate, imparting a particular sensation unique from the last but always somehow sounding like the same band. Inertia Metal this is not: deeply personal occultism given sonic form, free-flowing yet focused, has been their stock in trade for a decade and a half.

To celebrate this particular Left Hand Path, Lucifericon are now releasing a special anniversary EP titled ‘Sabatraxas’. Evenly split into two halves, the first three songs are leftover tracks from ‘The Warlock of Da’ath’ sessions, which impart lurking dread and hulking surge, dusted with tastefully fleeting lead work – muscular, serpentine, sooty, and unmistakably Lucifericon without a whiff of the over-familiar or retreading past glories. The three tracks that follow are live readings of ‘Khidir’s Urn’, ‘Qliphotic Trance’ (both from ‘The Warlock of Da’ath’), and ‘Sevenfold’ from ‘Al-Khem-Me’. Passionately performed and powerfully rendered, Lucifericon prove they are as potent live as they are on record.

“‘Sabatraxas’ is about heralding the darkness, finding yourself in it and finally becoming it,” the band expound. “It is walking the solitary and lonely road – exactly as we have been doing since Lucifericon’s inception. It is about the lore and custom of this cunning arte.”

Skelethal ready with new album: “…over the past decade, the quartet have finessed that style of Death Metal into one that feels classic rather than simply “old””

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Hells Headbangers is proud to present Skelethal’s highly anticipated third album, ‘Within Corrosive Continuums’, on CD, vinyl LP, and cassette tape formats.

Formed in 2012, Skelethal have been at the forefront of the now-fertile French Death Metal scene. While many of the band’s primary influences have been Swedish – Entombed, Carnage, and Dismember – over the past decade, the quartet have finessed that style of Death Metal into one that feels classic rather than simply “old”. Call it intrinsically understanding what makes Death Metal DEATH METAL or simply possessing the songwriting nous to add to such a hallowed canon rather than merely milking, but Skelethal have proven to be contenders to the throne. First full-length evidence was 2017’s ‘Of the Depths…’, followed by 2020’s ‘Unveiling the Threshold’, which saw a lineup change and bold steps beyond Swedeath (and both released by Hells Headbangers), and now arrives LP#3 to all but assure that ascent to the throne.

Tellingly titled ‘Within Corrosive Continuums’, Skelethal’s third album equally encapsulates their past and builds upon it in noble ways. While it’s predecessor saw a slight uptick in clarity, here do Skelethal carry forward that clarity with a conspicuous dirtying-up of tone. The production’s as powerful as ever, so it could be argued that that rediscovered grit & grime come more in the band’s execution – or, more accurately, the songwriting itself. ‘Within Corrosive Continuums’ immediately sounds like the same band who unleashed those prior two (celebrated) LPs, but Skelethal flex a bit differently here, opening up a number of (still-Death Metal) influences and transforming them into riffs and rhythms that ever so slightly more adventurous, all without (crucially) losing their characteristic directness. As such, the bulk of these largely-five-minute-long songs feel twice as fast, so feverish is the band’s intensity, but dread-draped hooks and crushing heaviness still rule the day. Put another way, Skelethal take on textures that are more personal and somber, but keep the expression resolutely Death Metal. Simply witness the 13-minute closing juggernaut, appropriately enough the title track: hearing is believing, and Skelethal will make believers out of even the crankiest “old school” diehards.

Third albums are always a gamble when it comes to Death Metal; you either sell out, or get stuck in inertia for the rest of your days. Skelethal defy this convention and continue to push their limits, culminating in a deep trip ‘Within Corrosive Continuums’.

Goat Semen to release new EP: “…here’s nothing to hide behind here; there’s simply no escape from ‘Fuck Christ’.”

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Hells Headbangers is proud to present a brand-new EP from Goat Semen, ‘Fuck Christ’, on CD, 12″ vinyl, and cassette tape formats.

At ground zero of the rebirth and resurgence of South American black/death at the dawn of the new millennium, Goat Semen delivered one of the most classic demos ever with their self-titled 2002 demo, which has seen countless re-editions in the past two decades. As their legendry grew to enviable levels, so, too, did the anticipation for these Peruvian devils’ debut album. But alas, time passed and the fervor ‘n’ anticipation for that first full-length reached critical mass in the metal underground, taking on almost mythical status (not unlike Sadistic Intent’s long-promised debut LP). Finally, it saw the unlight of day in 2015 as ‘Ego Svm Satana’: the ultimate Goat Semen statement, in the making for literally a decade, the album became something of a veritable travelogue across the history of South American metal barbarity the prior three decades. The very end, and also the beginning, ‘Ego Svm Satana’ was suitably CLASSIC, as expected.

But, Goat Semen are never one for half measures, and much like that full-length took at least a decade before it emerged from hellfire fully formed, they’ve only released live albums and a couple splits since then – nothing as substantial as a fully-new recording. Now, nearly a decade after that momentous debut album, Goat Semen return with a comparatively quick-hitting EP in ‘Fuck Christ’. Much like its unapologetic & unadorned title, the Peruvian devils waste no time, kicking in immediately with a swirlingly sulfurous maelstrom of classic Goat Semen proportions.

For a record that comprises five stout songs in 19 electric minutes, ‘Fuck Christ’ feels simultaneously longer and quicker than that runtime suggests, so respectively satisfying and urgent is that hammering barbarity. Naturally, it wouldn’t be Goat Semen if everything wasn’t attacking from every angle all at once, the feeling of imminent implosion lurking around every dark ‘n’ diseased corner; compared to ‘Ego Svm Satana’, ‘Fuck Christ’ exacerbates that mania to an almost overwhelming degree even when the intensity dips down to a doomed trudge. But perhaps the most unique element on this new record is how relatively clean and clear its recording is, with each and every instrument sounding sharp and powerful – nothing “muddy” about Goat Semen fucking Christ here – which in turn makes the band’s inherent grit & grime sound stranger and more depraved. Put another way, there’s nothing to hide behind here; there’s simply no escape from ‘Fuck Christ’.

For those who still hail the old gods of equally early Sarcofago, Krisiun, Hadez, Sextrash, and Mystifier, no matter when their records arrive, you can always count on Goat Semen to ‘Fuck Christ’!

Memento Mori and Krypticy to release new album: “…the quartet seek an evolution towards a more unique personality whilst retaining the classic edge that always defined Krypticy’s approach to the genre”

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In their endless quest to push and support current underground acts that perpetuate the odor of vintage Death Metal, on July 22nd internationally, Memento Mori is proud to present Krypticy’s highly anticipated second album, ‘The Non-Return’, on CD format.

Krypticy was founded by main composer Alex Guerrero (vocals/guitar) in Málaga, Spain, back in 2013. The band’s debut EP, “Necronomicon”, captured their fondness for old-school Death Metal, most specially of the Floridian kind (Morbid Angel, Obituary, Death, Cancer). By the time they released their debut full-length, ‘Hideous Being’, a few years later, the band was already exhibiting a larger range of influences (Suffocation, Malevolent Creation, Deicide, Decapitated) and had begun to play live, sharing the stage with bands such as Lapidated, Avulsed, Wormed, Aposento, and Necrophiliac, among others.

With the band solidifying their lineup by the end of 2022 – Guerrero alongside Pancho Vázquez (drums), Thomas Schenk (bass/backing vocals), and Sergio Álvarez (guitar) – Krypticy signed with Memento Mori for their sophomore full-length. And now it arrives, bearing the ominous title ‘The Non-Return’. As forecasted by its stark cover artwork (courtesy of Cardaver Art) and cryptic nomenclature, ‘The Non-Return’ sees Krypticy aiming to push the limits their already consolidated sound. Undoubtedly still tried & true Death Metal, there’s nevertheless a strive for something more spiritual here, as the quartet seek an evolution towards a more unique personality whilst retaining the classic edge that always defined Krypticy’s approach to the genre.

Mind you, this isn’t doublespeak for going all-out “prog” or leaving behind Death Metal altogether (and still calling it such); rather, the band have begun to more fluently speak different dialects within the same language, producing a multilingual approach that can only but strengthen the sum effect. So, while the traditional tropes of late ’80s thrashing and early ’90s grinding are well and accounted for, there’s a markedly angular aspect to Krypticy’s songwriting on ‘The Non-Return’, which works up a fever & fury when riffs and riffs and riffs attack, one mercilessly after the other, the rhythm section surging and staying linear and ultimately producing a memorability that easily evades verse/chorus structures.

So, for those who willingly have their minds warped by such unfussy sleepers as Suffocation’s ‘Pierced From Within’, Malevolent Creation’s ‘Stillborn’, Decapitated’s ‘The Negation’, and Diabolic’s ‘Infinity Through Purification’, prepare to arrive at your destination with Krypticy’s ‘The Non-Return’!

Intolerance ready with second full-length: “Still a Death Metal record for Death Metal maniacs, by Death Metal maniacs, but somewhere a crucifix is being turned upside down!”

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In their endless quest to push and support current underground acts that perpetuate the odor of vintage Death Metal, on July 22nd internationally, Memento Mori in conspiracy with Godz ov War Productions are proud to present the highly anticipated second album of Spain’s Intolerance, ‘Waking Nightmares of an Endless Void’. Memento Mori will release the CD version while Godz ov War will release the vinyl and tape versions.

The Death Metal mongrels collectively known as Intolerance hail from Zaragoza, the same city that Ataraxy are natives of. Spawned back in 2015, this quartet’s intent is to pay homage to timeless Death Metal and the fetid stench that exuded from the malicious tones of the bands that populated the scene and helped define the genre back in the late ’80s and the early ’90s. Nothing fancy or wimpy here: only demise and putrefaction to be found when you creep in Intolerance’s mortuary.

After a demo in 2016 and an EP in 2020, Intolerance made good on their massive potential in 2022 with the celebrated debut album ‘Dark Paths of Humanity’. Aligned again with Memento Mori, the Spaniards continue to honor the old ways of Death Metal whilst adding their own gutted & grimy personality to it with the follow-up ‘Waking Nightmares of an Endless Void’. If their debut album was in the wheelhouse of 1991, then Intolerance’s second album is perhaps time-stamped 1992 or even ’93. Which is to say, while their noble foundation is as firm as ever – classic Bolt Thrower, Grave, Asphyx, Morgoth, Entombed, Convulse, Obituary, and Unleashed – there’s daresay a bit more groove or at least swagger to their streamlined surge here. Whereas those Dark Paths crushed bones underneath tank treads, these Waking Nightmares gallop and grind with a catchiness that cannot be denied. Granted, Intolerance were subtly nuanced and surprisingly dynamic already, but the ever-darker hues and almost-evil melodicism they touch upon here puts them closer to the likes of classic Unanimated, Dismember, Hypocrisy, Desultory, and earliest Necrophobic. Still a Death Metal record for Death Metal maniacs, by Death Metal maniacs, but somewhere a crucifix is being turned upside down!

Once again graced with haunting cover art, this time courtesy of Juan Alberto Hernandez, and yet another devastating production, Intolerance continue their masterful march with ‘Waking Nightmares of an Endless Void’ – and find themselves in the embrace of evil!

Hyperdontia set to release new album ‘Harvest of Malevolene’: “Although they are inarguably merciless and intense, there is such dynamic strength on this new record…”

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Danish / Turkish Death Metallers Hyperdontia are back with their third album. As one of the forerunners in keeping old-school extremity alive, this promises to be a savage listen.

Firing on all cylinders from the get-go, their relentless brand of pulverizing guitars and punishing drums with intricate bass lines cut only by monstrous vocals spew forth. Monolithically mixed to grant us the most viscerally lacerating blows of Death Metal might, those who salivate for true morbidity will revel in the ecstatic putridity that immediately grips you. From the gut-wrenching rhythmic torment to the phenomenal soloing, aside from sheer brutality, Hyperdontia have technical abilities that far surpass most of their contemporaries while never feeling obnoxious with their utilization. Some utterly mad bass guitar moments or ripping solos show a band who clearly know their way around a fretboard while the consistently savage drumming doesn’t let the rhythmic battery relent. As we heard on their prior works; Hyperdontia are a confident and unforgiving entity and that continues here.

Although they are inarguably merciless and intense, there is such dynamic strength on this new record from the maelstroms of grooves to the more otherworldly sections, all tied together to plunge headlong into abhorrent chaos. Barbaric and yet precise, each blow lands with ferocity and yet a cleverness to every moment is present too. If you value Death Metal being of the highest quality but without sacrificing the true macabre spirit of old, Hyperdontia is the perfect middle ground and their new album showcases that formidably. Promising a harvest of malevolence and ultimately delivering much more, Hyperdontia decimate all in their pathway with some of their most violently intense and cyclonic Death Metal to date.

Darkness Shall Rise Productions ready to release the Desultory’s demos: “a must listen for anyone into Swedish Death Metal of the highest order”.

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For the first time ever, Darkness Shall Rise Productions releases a compilation, ‘Darkness Falls (The Early Years)’, on LP/CD/3-MC box and digital gathering the three demos from melodic Death Metal pioneers Desultory.

Commonly cited and appreciated as one of the trailblazers of melodic Death Metal, Swedish Desultory`s roots are deeply buried in Thrash Metal. Wearing their influences on their sleeves, their first demo From Beyond features songs in the vein of Kreator, Testament or Merciless.

Apart from Klas Morberg`s eery howlings which bear semblance with early Tiamat and the fact that the demo was recorded in legendary Sunlight Studios in 1990, ‘From Beyond’ is basically a Thrash Metal demo, albeit a very enjoyable and strikingly well-played one.

It was with ‘Death Unfolds’ from 1991, the rabid pack`s second demo, that Desultory really came into their own as far as style and sound are concerned.

Again recorded by Tomas Skogsberg in his renowned Sunlight Studios, the demo showcases most of the band`s typical trademarks they would go on to be admired for. Bangers like ‘Passed Away’ and ‘The Chill Within’ both of which would end up being re-recorded for Desultory`s debut album are top-tier swedish Death Metal with downtuned guitar riffs in abundance and a particular sensitivity for melody.

Simply titled ‘Visions’, the 3rd demo again recorded in Sunlight Studios in 1992 logically continues Desultory`s trajectory.

Building on the fundament laid out on ‘Death Unfolds’ some of the ingredients only hinted at previously are extended and fine-tuned on tracks like ‘Forever Gone’ and ‘Depression’. Aided by the strongest production of their demos giving the songs that certain extra punch this demo is victorious on all fronts and a must listen for anyone into Swedish Death Metal of the highest order.

Mastered from the original master tapes by Patrick W. Engel at Temple of Disharmony in February 2024. A long interview with Klas Morberg was specially conducted for this demo compilation.

Available as limited vinyl in 3 different colors, jewel-case CD, 3-MC tape box, merchandise and digital.

Pestilence cassette box to be released by Into It Records: “This is Dutch Metal history captured on tape”

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Into It Records is very excited to announce this awesome release of which is set in June.

The 1987 demos, ‘Dysentery’ and ‘The Penance’ from Dutch plaguelords Pestilence, presented in a double cassette box with o-sleeve, special artwork and remastered audio.

On these demos Pestilence did in no way sound like they would on the groundbreaking ‘Consuming Impulse’. It’s full on Thrash influenced by Slayer, Sodom and some Possessed and old Sepultura. On the 2nd demo mastergrowler Martin van Drunen joined although his voice still had to develop into the iconic throat he’s known for nowadays!

This is Dutch Metal history captured on tape!