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Phantom and High Roller Records reveal new album: “The new record marks a tour de force through the genre’s much cherished traditions – think Razor, Dark Angel, Merciless, Living Death and, of course, Slayer for reference”

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Phantom are a Speed/Thrash metal band from Guadalajara, Mexico, formed in 2021 as a project just for fun. After having cut their teeth on three demos and a split album with four likeminded groups, the four-piece released their debut full-length ‘Handed to Execution’, which was followed one year later by the EP ‘Transylvanian Nightmare’. While both were well-received by critics and fans alike, Phantom now up the ante with their second album ‘Tyrants of Wrath’.

The new record marks a tour de force through the genre’s much cherished traditions – think Razor, Dark Angel, Merciless, Living Death and, of course, Slayer for reference – while adding a fresh spin on things, be it in the shape of ‘Nimbus’ – a tribute to Phantom’s most old-school influences from cult acts such as Manilla Road, Gotham City and Heavy Load – or regarding the off-kilter structure of ‘Nazguhl’, one of many ventures into the unconventional that surprisingly enough never compromise the Mexicans’ Extreme Metal outlook.

‘Tyrants of Wrath’ was recorded and mixed at Nehtron Studios Mexico by the band and Héctor Northen, mastering was done by Patrick Engel at German Temple of Disharmony. Phantom will tour Europe in September/October 2025 with Brazil’s Evilcult. “It’s gonna be our first European tour, and we are very excited,” gushes front man J.C. “You can expect total devastation and absolutely merciless, breakneck performances!”

Haemorrhage returns with new EP on Hells Headbangers: “on’t be a canoe and miss out on this new record by one of the few ‘90s Death Metal bands that hasn’t wimped out!”

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Hells Headbangers is proud to present a brand-new mini-album from Spain’s Haemorrhage, ‘Opera Medica’, on CD and 12” vinyl formats.

Spain’s Haemorrhage should require no introduction. Alongside Mortician, there is no other gore-obsessed Death Metal band who’ve been around longer and been more influential – or, perhaps most importantly, never wimped out for more commercial aspirations. As such, while they’ve undoubtedly drawn influence from the immortal early works of Carcass, it could be argued that Haemorrhage have in many ways bested the original. Or, simply, rarely does goregrind get as disgusting AND catchy as these Spanish legends.

Alas, it’s been eight long years since Haemorrhage released the full-length ‘We are the Gore’, and the only brand-new material they’ve released since then was the three-way split with Hemdale and Meat Spreader the following year. Therefore, it is with no small amount of ceremony that ‘Opera Medica’ arrives, courtesy of longtime fans Hells Headbangers (who recently reissued on vinyl 1998’s classic ‘Anatomical Inferno’). Thankfully, Haemorrhage are as sick and depraved as ever, serving up their characteristic Goregrind with utmost catchiness, crushing power, and a charisma otherwise elusive to their contemporaries. Featuring five exclusive songs in 19 swift minutes, ‘Opera Medica’ sounds exactly as it should – like Haemorrhage, sewer-drenched and slicing / sluicing and yet with a focus that’s (still!) frightening to behold – but the uniquely strutting “Nomenclator Pathologicum” surprises with its sleazy groove, and is bound to become one of the band’s new live standards.

Haemorrhage’s ‘Opera Medica’ will be exclusively available on CD and one-sided 12” vinyl, with a silkscreened side B. Don’t be a canoe and miss out on this new record by one of the few ‘90s Death Metal bands that hasn’t wimped out!

Disfuneral unveils new album ‘In Horror, Reborn’, to be released via Redefining Darkness Records: “‘In Horror, Reborn’ delves deeper into themes of death, gore, and horror, encapsulating the band’s signature archaic Death metal sound…”

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10 years after their formation, their newest offering and second full-length album ‘In Horror, Reborn’ will be released via Redefining Darkness Records on April 25, 2025.

Formed in 2015 in Nancy, France, Disfuneral emerged from the remnants of the band Herpes, embracing a raw and unfiltered approach to Death Metal. Disfuneral crafts a sound that pays homage to the early days of Death Metal while infusing their unique sense of humour and personality. Their self-titled EP, initially self-released in 2017, caught our attention here at Redefining Darkness Records, leading to us re-releasing it in March 2021. That partnership culminated in their debut full-length album, ‘Blood Red Tentacle’, released in April 2022. The album showcased the band’s commitment to the foundational elements of Death Metal and showcased their artistic creativity, earning them recognition within the European Metal community.

‘In Horror, Reborn’ delves deeper into themes of death, gore, and horror, encapsulating the band’s signature archaic Death metal sound that will appeal fans of Autopsy, Entrails, Entombed, Necrot and Death Breath. The album comprises nine relentless tracks that blend ferocious riffs, guttural vocals and pounding rhythms, reflecting Disfuneral’s strict dedication to the genre’s roots.

Dead Chasm ready with new album ‘Spectral Tyranny’: “Dead Chasm have come up with a bunch of songs that are virtually faultless but more importantly are of the kind that would resonate with any true fan of Death/Doom metal”

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Italian Death/Doom metal band Dead Chasm bring forth their latest material that promises to be their most potent output yet. There’s not a second wasted on these three songs which are dense with stomach-churning riffs and doom passages that are all but enveloping, while the execution remains tighter than ever before. They make everything work like clockwork as a three-piece unit and there’s not a single area where they leave something to be desired. The songs are more elaborately structured than usual in this Death/Doom style and it’s particularly noteworthy how they take the time to flesh out the riffs and go about it all in a natural way rather than forcing it or coming across as ostentatious at any given point of time. Be it during the slower sections building up the thick, ominous atmosphere or the faster, pummelling parts, it’s all done in a sincere manner and that too with the right organic sound that retains some of the rawness. Dead Chasm have come up with a bunch of songs that are virtually faultless but more importantly are of the kind that would resonate with any true fan of Death/Doom metal.

Signal Rex prepares release Abyssal Vacuum’s self-titled debut album: “Whether one’s soul has the fortitude to venture forth…well, such is the Rubicon one must dare to cross”

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Signal Rex is proud to present Abyssal Vacuum’s highly anticipated debut album, ‘Abyssal Vacuum’, on CD, vinyl LP, and cassette tape formats.

Ecstatic fervor. Mesmerizing heft. Atmosphere ripped asunder, both above and below. Infinity transformed into sonic delirium, slipstreaming latitudes and longitudes of voidal landscape… France’s Abyssal Vacuum are almost too perfectly monikered.

From where darkness is not an absence, but a hallucinatory, guiding, and nourishing force, Abyssal Vacuum emerge once more with their self-titled debut album. After four EPs, the veil of silence fell upon their subterranean congregation – but quietness doesn’t mean stagnation.

Now, the time has come to ascend to the surface after an ecstatic descent into the hungry abyss, following the inevitable transformation of a project that started in the murk of the underground. This first full-length is the logical extension of their journey, the first offering testifying to the convergence of a full lineup, tracing the steps of their souls navigating an uncharted Katabasis, a labyrinth where the eroded walls reverberate and echo with haunting and exhilarating visions, pulsing deeper into the boundless chasm, the void between worlds.

Her Womb is our Temple.
His Light is our Blessing.

Keys to understanding Abyssal Vacuum are contained in the six component track titles to ‘Abyssal Vacuum’, each one pinpointing a particular locale doubtlessly portending considerable occult energy. Whether one’s soul has the fortitude to venture forth…well, such is the Rubicon one must dare to cross.

Flagg and Purity Through Fire announces new album: “Those pining for an authentic throwback to mid/late ’90s melodic Black Metal of a most blastbeaten nature will salivate at the prospect of this ‘Diabolical Bloodlust'”

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urity Through Fire is proud to present Flagg’s highly anticipated third album, ‘Diabolical Bloodlust’, on CD format.

Flagg are one of Finnish Black Metal’s most unsung gems. Rotten and regal, the band is the work of two scene veterans: selfsame multi-instrumentalist Flagg, who was a part of reanimated old Finnish cult Annihilatus, and vocalist Tyrant, whose hordes include the esteemed likes of Malum, Infernarium, and Kalmankantaja. Together, Flagg’s two full-lengths – 2020’s ‘Nothing But Death’ and 2021’s ‘Cosmic Chaos Manifest’, both released under the banner of Purity Through Fire – flew in the face of prevailing Finnish paradigms, presenting an ultraviolence largely steeped in the ancient ’90s whilst evincing a palatable sort of modernity.

Now, four years after that not-inconsiderable second album, Flagg return with arguably their best record yet, ‘Diabolical Bloodlust’. Those pining for an authentic throwback to mid/late ’90s melodic Black Metal of a most blastbeaten nature will salivate at the prospect of this ‘Diabolical Bloodlust’. With a production style that’s palpably vintage – gleam and grime locking horns, harmonious in their hellish result – underpinning these eight firestorms of nightsky melodicism, Flagg proceed to flay the listener with overwhelming-yet-entrancing intent, stacking fucking riffs upon riffs and coating them in the freezing fire of olde-worlde melody. No more but definitely no less, ‘Diabolical Bloodlust’ sticks to its rigorous template with monomaniacal focus, stacking up well alongside such late ’90s touchstones as ‘On Twilight Enthroned’, ‘Towards the Skullthrone of Satan’, ‘Lords of the Nightrealm’, ‘At the World of Untrodden Wonder’, and ‘Onwards to the Spectral Defile’. Those who know, know, and Flagg most definitely know!

Memento Mori and Me Saco Un Ojo team up to release new Morbific album: “Lumbering and stomping, with well-timed bouts of disgusting gallop or even ragged blasts…”

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On April 21st internationally, Memento Mori and Me Saco Un Ojo Records are proud to present the highly anticipated third album of Finland’s Morbific, ‘Bloom of the Abnormal Flesh’. Memento Mori will handle the CD version while Me Saco Un Ojo will handle the vinyl version.

Finland’s Morbific is a rotten-to-the-core Death Metal trio deformed in the filthy and profaned boneyard of Kitee in early 2020, featuring Olli (guitar), Jusa (vocals/bass), and Onni (drums). The band’s ‘Pestilent Hordes’ demo was unleashed in the summer of 2020, and it rapidly gained them some following amongst the finest gourmets of the variety of festering, moldering, and disgusting Death Metal that’s malignantly influenced by Autopsy, Rottrevore, Deteriorot, Mortician, Grave, Maimed, Undergang, Impetigo, and ancient Finnish masters of death and decay such as Funebre and Disgrace. Shortly after, in the spring of 2021, the debut full-length ‘Ominous Seep of Putridity’ saw the odious light of day to unanimous praise by both the fans and the media. Just a year later – and now aligned with both Memento Mori and Me Saco Un Ojo – Morbific released their second full-length, ‘Squirm Beyond the Mortal Realm’. Aptly titled, the album quickly became a cult favorite of utterly uncomfortable, slimy Death Metal.

Now, Morbific are prepared to eclipse such a sewer-dwelling “highwater”(!) mark with ‘Bloom of the Abnormal Flesh’. Whereas its not-inconsiderable predecessor confronted the listener with a blown-out, almost demo-level feel, the Finns’ third full-length proves that they can move and mesmerize and maim no matter what the soundfield is. And on ‘Bloom of the Abnormal Flesh’, it’s a raw-yet-robust show of strength, “classic” Death Metal production in a most late ’80s fashion; just witness that gurgling, fuzz-tinged bass and feel its radioactive waves envelope you. But production is one thing and songwriting is another, and with the latter, Morbific are truly hitting their stride here. Lumbering and stomping, with well-timed bouts of disgusting gallop or even ragged blasts, their songwriting twists and indeed squirms with off-kilter insanity; some would call it chaos, if not for the exceptionally tight musicianship on display here, with the sum result being an uncomfortableness that bubbles up from a deeper gutter. Thankfully, ‘Bloom of the Abnormal Flesh’ conveys its dark, disgusting, and unconventional aura across every element – said chops simply heighten these sensations – and is, thus far, Morbific’s best melding of form and content.

Cro-Magnon as ever but somehow enlightened in the creepiest sense possible, Morbific continue their reputation as Finland’s filthiest and Death Metal’s untrendiest weirdoes. Vividly captured by Chase Slaker’s cover artwork, ‘Bloom of the Abnormal Flesh’ is the foulest stench only for the brave!

Insineratehymn reveal details of new album, to be released by Memento Mori and Rotted Life Records: “Scuzzy, slicing, clanging, angular, brutal beatdown, ignorant stomp, or just straightforward killshot: no weapon is left aside”

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On April 21st internationally, Memento Mori and Rotted Life are proud to present Insineratehymn’s highly anticipated third album, ‘Irreverence of the Divine’. Memento Mori will handle the CD version while Rotted Life will handle the vinyl and tape versions; the vinyl version is slated for June 20th.

Hailing from Los Angeles, Insineratehymn have managed to position themselves in the taste of underground extreme metal fans with their powerful Death Metal clearly influenced by classic bands, giving a masterclass in ’90s Death Metal, from the spiraling vortexes of early Tampa to the sewage to come from New York, through to eerie emanations from Europe and the dissonance at the dawn of the new millennium. Naturally, the band bend those classic tropes in a variety of ways, all of which bespeak their own identity. Scuzzy, slicing, clanging, angular, brutal beatdown, ignorant stomp, or just straightforward killshot: no weapon is left aside. Simply, Insineratehymn are Death Metal for Death Metal maniacs, by Death Metal maniacs who understand and appreciate the rich-yet-codified history of the genre. Handy references to be made include Sadistic Intent, Monstrosity, Suffocation, Grave, Edge of Sanity, Demigod, Sentenced – and of course, Deicide, who provided their namesake.

And while it seemed – at the time, at least – that they had hit a fever pitch of Death Metalled perfection on 2022’s ‘Disembodied’ full-length, along comes Insineratehymn’s third album to set the gold standard that much higher. Evocatively titled ‘Irreverence of the Divine’, Insineratehymn’s third full-length goes all in on the evil that should be at the forefront of true, classic Death Metal. Right after its mood-setting acoustic intro, ‘Irreverence of the Divine’ sets forth an atmosphere of all-consuming, unmitigated diabolism and possession, put into sonic form as Death Metal of a most early ’90s vintage. In many senses, Insineratehymn here expand the extremes of their sound; their attack is tighter and more calculated but never sterile, while the songwriting itself steps over the threshold into berserker territory with increasing regularity. Eerily melodic solos likewise crop up more often, really plowing that furlough too often forgotten by nowadays “OSDM” bands. All those aforementioned tools are used – savagely, stylishly – and with the album’s eight central songs totaling 40 minutes, ‘Irreverence of the Divine’ never feels too short nor too epic.

Gracefully completed by unholy cover art courtesy of Edgar Roldan, Insineratehymn once again stake their claim as classic Death Metal masters with ‘Irreverence of the Divine’!

Darkness Shall Rise announces Hersir’s debut album: “If classic outputs from Darkthrone, Enslaved, Emperor, or Isengard et al. make your blood boil…”

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If classic outputs from Darkthrone, Enslaved, Emperor, or Isengard et al. make your blood boil, you should make sure to purchase Hersir’s album and immerse yourself in its Northern Black Metal excellence.

Despite having already been incepted in 2016 by Grim Vindkall, who is primarily known for his band Domgård, Swedish Hersir have up until this point kept a rather low profile. With only three demos to their name – none of which released physically – the horde has remained a rather obscure entity. Once released, chances are that the sheer quality of Hersir’s first full-length effort, ‘Hateful Draugar From The Underground’, will rectify that situation in no time, though. Completely devoid of unnecessary gimmicks of any sort, Hersir are all content and no show.

For a change, everything – the well-written lyrics dealing with Nordic spirituality of the shadow side, the music, the visual presentation – feels genuine and without any infantile pretence.

Nightwalker unveils new EP ‘The Eternal Flame of Death’ and will be released by Amor Fati Productions: “…mainman Noxathra concertedly returns to the band’s beginning”

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Amor Fati Productions is proud to present a new EP from Nightwalker, ‘The Eternal Flame of Death’, on CD and 12″ vinyl formats.

A prolific force in the always-interesting German Black Metal underground, Nightwalker has created its own dungeon of spectral experience over the past decade. With the new 19-minute EP ‘The Eternal Flame of Death’, mainman Noxathra concertedly returns to the band’s beginning. While last year’s ‘Grimoire Tenebrarum’ remained a straightforward old-school Black Metal album, ‘The Eternal Flame of Death’ shows the other (haunting) side of the coin. Here, Noxathra uses dissonant and eerie chords, piling high the reverb, and emphasizing grueling slow-paced passages again. This stylistic recipe was used on Nightwalker’s first EP, 2016’s ‘The Witches Sabbath’ – on the song “Shrouded in Darkness,” especially – and now Noxathra flexes those songwriting muscles again in a manner most morbid.

To coincide with the release of ‘The Eternal Flame of Death’, Amor Fati will reissue the aforementioned ‘Grimoire Tenebrarum’ on CD and vinyl formats as well as the EP compilation ‘Dark Sorcery / Witches Sabbath’ on vinyl. The time of Nightwalker is nigh!