VM-Underground

Underground Extreme Metal Fanzine


A new review section: Buried by Time And Dust

We added a new review section, coincidentally another Mayhem reference following 'The Past is Alive', with the title 'Buried by Time and Dust'. Over the years, a lot of promos have been gathering dust simply because a fresh wave of promos arrived the following month and they were consigned to oblivion. We will review them here to make a clear distinction with our other reviews. We will also use it to complete a discography in terms of reviews. Feel free to contact us if you would like to submit your music or would like to join the staff.

Latest Updates

+

Interviews

Info

Amorphous Dominion – “We are proud to be the Eastern Sons of the Northern Darkness!”

A few weeks ago I came across this band from Thailand, Amorphous Dominion. Their first demo, simply named ‘Demo 2022’ is a pretty good example that on all corners of the world great Symphonic Black Metal is being made. Surprisingly this band also sounded rather European to me. Besides the quality that the demo offered, my curiosity also led me to turn to the bands’ main man Sunrize Eclipse to ask him some questions.


Since Amorphous Dominion is quite a new band, can you introduce the three of you a little?
Darkest Hails to VM-Underground, we are “Amorphous Dominion” which we play kinds of 90’ classic way of Atmospheric Fast BLACK METAL Holocaust and we are from THAILAND.

I’m Sunrize Eclipse – drums / Master of Disharmony on guitars / Despairing Poems / Mastermind of the horde and the others are Winterpath on guitars and LuX Aeterna on bass & vox. I’m so pleasure to answers and let you guys know more about us. Hellcome and enjoy our darkness prevails.

I thought that ‘Demo 2022’ really sounded great and was played really skilfully. My guess is that you are not entirely new into the world of (Black) Metal. Are the three of you also active in other bands or musical projects?
Thank you very much for your kind of those words. Everything started and formed by me, I just want to create and play from what I feel / my passion is beyond the dark horizon under the despairing twilight. As far as it’s more than 33 yrs. that I’ve listened to metal music and I’ve been involved with the metal scene in Thailand as show organizers, label and bands since’ that time.

Well, I actually supposed to be one man band in the beginning but later I was thinking something more like performance/touring and more serious dedication for this band then mid of 2021 I invited my metal brothers: Winterpath and LuX Aeterna joined in my path of darkness apocalypse. After they listened to the songs I wrote, they totally possessed and agreed my invitation, we mostly have the same direction. Me and Winterpath have played in other bands, Lux Aeterna he had disappeared from Thailand’s metal scene over 16 yrs. before his disappearance he was in the band which released an important Black Metal album released in Thailand’s metal scene history as the first Black Metal band in Thailand even he was the same family tree with me in that band but different generation in that band, until’ mid of 2021 when I think about the Amorphous Dominion’s horde then I call him and invited him return to play music again.

How do you look back upon the process of writing, recording and releasing your demo? Are you satisfied with how things turned out?
I create the song on guitar first even as far as I’m mainly on drums. Actually, I don’t know about the guitar chords I just feel and follow the melodies of darkness in my head which it’s taken from my own instinct as I know what it should be. This may wrong or stupid way about professional song composer But I don’t care and don’t give a fuck……….. My own intention as I realized as I won’t to know the basic or guitar chords. That pretty fun and challenging my music skills, that you can hear my deeply dimensional feeling detonation.

I don’t know any other bands in the world of darkness has anyone do it like me before or not?? But I do this way, THAT’s IT hahaha. Just keep straight forwards to do from what I want to play. Then I recorded guitar guide and take the guitar tracks to practice on drums at the rehearsal room, then I recorded my practice video clips to show the rest members how the song structure’s gonna be like.

What is the meaning behind the name of ‘Amorphous Dominion’?
Where the forgotten souls belong to…. which liberal ideology against the light, It’s our darkest path, spiritual dominion through Despair, Cold, Hatred, Mysterious Wing of Suicide.

NO KING OF THE CONCUPISCENCE!!!!!!
NO QUEEN OF THE ABSURD EMPTINESS!!!!!!

Where do you draw your main influences from? The music on your first demo sounds rather European to me. Is your Thai background of any influence on your music?
In 90’ era as second wave of BLACK METAL established which mainly based on European dominations: Norwegian Black Metal and Swedish Black Metal were rising blazingly; of course, we’ve definitely got a huge influence from the motherlands of BLACK METAL, we are proud to be the Eastern Sons of the Northern Darkness!!!

But I try to play with Thai Traditional Folk elements/rhythmics on guitars, but if I directly straight put Thai traditional instruments on our music I think that too nonsense and not special meaning for me….. I want to make its sounding like those instruments vibes, but it comes from guitars which variously driven from Thai Isan (Thai-Northeast style) and Lanna (Thai Northern style) elements emerged becomes kind of like European vibe meets Asian vibe through guitar distortion instead.

Being quite some miles away and never been to any Asian country before, it is hard to imagine how  the (Black) Metal scene in Thailand looks like. Can you tell us about it?
BLACK METAL scene in Thailand still very small and need to get developed itself. For me not only music skilled but also ideology / attitude / image / passion is much more important than ever.  Everything must be delivered to the right way of the darkest path. If you are in-depth and possessed by darkness about BLACK METAL, own having the high taste in details with nice composition you can make it as epic releases…..666%  Do you think so?

Are there any bands from Thailand that are very much worth checking?
I won’t to recommend who is the best or suck, but you can check these bands out and judge from what you hear by yourself, here we go: Surrender of Divinity, Zygoatsis, Dark Mystery, and some newcomers as they still need to improve themselves are like: Lotus of Darkness, Dei Tetra, Awicha, Genocidal Sodomy, กาฬพราย (Kan Prai), อัฐิ (At Thi).

Can you tell me what is on your recent playlist or what records you have recently bought?
Well, these are bands I’ve listened to so far…..and still keep listening and collecting psychical formats: Mayhem (early), Immortal (early), Emperor (early), Darkthrone, Enthroned (early), Hecate Enthroned (early), Odium, Dissection, Naglfar (early), Mork Gryning (early), Marduk (early), Vinterland, Drowning the Light, Cataplexy, Satanic Warmaster, COF (dusk and her), Setherial, Throne of Ahaz, Funeral Mist, Sarkom and many fucking more…….

Do you have any plans for the future? Anything we can expect from Amorphous Dominion?
Right now, we already have our own 13 tracks which each songs probably 8-10 minutes with ton of riffs and we would like to get signed with the labels that they want to work with us to release EP or split or full length album. If possible, for touring we definitely want it!!!! We want to spread our darkness anthems out there and share any experience together and drink beers!!!!!! Hahahhaha.

To close off this interview, do you think I forgot anything or do you have any last words to share?
Our gratitude and thanks to VM-Underground for giving us a chance on this interview. You can check and keep update about us through these platforms:

Facebook.com/amorphousdominion
Bandcamp.com/amorphousdominion
YouTube: Amorphous Dominion Chanel
Email: amorphousdominion@gmail.com

Dark Regards and Hailing from Infernal Golden Axe county: THAILAND.

Sunrize Eclipse / AMORPHOUS DOMINION

Info

  • Bands: Emperium
  • Review Date: October 1, 2022

Emperium – “In our region, there are countries that imposing strict restriction of metal shows due to religion like Malaysia for example”

Filipino Technical Death Metal band Emperium are currently in the studio working on a brand new album, and they are taking their time in doing, making sure everything is just right. I caught up with the band to get their thoughts on the Filipino Metal scene, surviving the Pandemic and more. (Marksson)

Greetings to you from the UK. Thanks for taking some time to answer my questions. How is life currently in The Philippines? 
We are already adjusting to the new normal post pandemic life here. The public transportation have changed but were are coping up on it in our everyday lives. The shows here in Manila is started more earlier compared to pre-pandemic era because of what I mentioned earlier. Plus many of the venues closed due to pandemic. The ones left is in outskirts or far end of Manila. We are hoping that more venues will open soon.

I was under the impression that a lot of countries in your region have restrictions or outright bans on Extreme Metal. What kind of restrictions, if any, do The Philippines authorities impose? And how do you get around them?
Yes that’s right. In our region, there are countries that imposing strict restriction of metal shows due to religion like Malaysia for example. But in Philippines, we have no any restrictions like that. It’s just metal is not mainstream here so authorities overlook or letting it in even the bands are morbid, gruesome, satanic, etc. Plus we have a small percentage of event attendee of extreme music. It’s just a community only appreciate extreme music. We are open country. It’s not necessary here to impose restriction on metal shows.

You have just unleashed a new single release entitled ‘The Majestic Goat’, and you are currently working on a new release. What details can you give regarding the new release? Will it be an EP or album? Is there a name yet? Also what kind of lyrical themes will be explored?
So far, we don’t have a title of the album but definitely it will be the name of one of our tracks. Yes it is an album consists of maybe 8 to 10 tracks I think. It will be the evolved form of our previous album. It is much more shreddier, more audible basslines and solos, and more excellent production. There will be a 15 mins long symphony inspired song. And also, a strong neoclassical power metal and more 80s power metal vibe in the works. I’m considering to stick on our dark theme on lyrics and anime references. Unlike before, we just focus on playing prowess, but now we are more focus on technical song writing and arrangement. Maybe death metal purists or metalheads wants only a heavy guitar tones will not like or appreciate our future tracks but its okay. We are bound to cross genre but still sticking into aggressive technical death metal style unlike in our previous album which is is diverse in every track.

How are you enjoying your time in the studio? Is the recording phase something that you enjoy? Where are you recording the new release? Also, when can we expect a release date?
We are just recording drums in a professional studio in the heart of Manila. After that, all will be recorded in our home studio/HQ. We enjoy this process more than we record outside because we are not worried on time we consume. We correct and polish every detail we think off in our ears. The tentative release of this release will be last quarter of 2023 or maybe 1st quarter of 2024. We can’t say final target date because we are just bound to look a good record label deal for our release.

You play a fast style of Technical Death Metal. How did your sound come about? Was the plan always to be a tech Death band or has the sound progressed through practice?
When we reformed in 2014, I already planned to introduce our band as technical death metal. But we started so rough. Maybe we can call it as ‘caveman techdeath’ haha, or lets say old school techdeath approach. Our sound progressed and able to evolve our playing in time. The techdeath scene itself also evolving so I can say we are just going with the flow but not uprooting our main roots.

How did you come together as a band? And how did you choose the name Emperium?
Me and Chok are high school bandmates. Our band started as high school band and playing battle of the bands and gigs around our area. Our former bassist named our band Emperium from the popular RPG game in 2000’s: ‘Ragnarok; War of Emperium”. Back in the days, me and him are very addicted in that game and he find it cool to become our band name haha.

Which bands did you all grow up listening to? Which bands would you say have the most influence over the Emperium sound?
Generally speaking for our band, we have different bands we grow up listening to. But i can say, we’re all getting along with thrash metal, melodic death, and metalcore bands that we have started like Megadeth, Metallica, Trivium, Arch Enemy, Children of Bodom, etc. BUT we witnessed the emergence of modern techdeath in 2000’s thru the release of Epitaph of Necrophagist and Noctambulant of Spawn of Possession. This album is the main influence and bible of the band. Obscura and First Fragment came along because of its heavy neoclassical influence plus they are one of the heavyweights today in the genre.

Are any of the members of Emperium active in other projects? Now is your time to plug your stuff!!
As of now, our drummer have a metal side bands, Loosearms who play Death Metal and Mortalwounds plays metalcore. I also had a side project named Katubi, a Brutal Death Metal band focusing on old school BDM approach and upcoming band in the works; Abysmal God, a Melodic Black metal band. I can’t focus on my sidebands right now because we are in process of song writing for Emperium that’s why we don’t have any release on my sideband yet haha.

How about the Extreme Metal scene in The Philippines? Do you have many crazy fans over there? What local bands would you recommend?
The scene here is very much alive though the promoters are still in process of recovering because they loss a lot so much due to pandemic cancellations. Maybe in time, the scene will go back to normal again. Yes the metal events is going on here all over the country but i can say its much better when pre pandemic times, the foreign bands show is constant. Check out some killer bands here in Philippine underground: Legion, Armaros, Pathogen, Mass Hypnosia and Down From The Wound.

Thank you very much and more power!!!

Info

  • Bands: Ofnus
  • Review Date: September 30, 2022

Ofnus – “We’re confident having already rehearsed the material that it will translate well into a live environment too, so we are very much looking forward to proving that in January.”

It’s always exciting to discover new music, but in the case of Welsh Atmospheric Black Metal band Ofnus, they are still in the process of creating said music. However, with a much anticipated live debut in York this coming January, it felt like a good time to get the lads thoughts on studio life, life in Wales, recording in heatwaves and much more. Read on… (Marksson)

Greetings from Empyrion. Thanks for answering a few questions. How is life currently in South Wales?
A: Thanks for having us Empyrion, we are grateful to you for approaching us. South Wales is glorious, and we are happy that the heat has buggered off, we prefer things damp, the recent storms have provided a wonderful backdrop for our recording process.

E: Following on from A we’re all very happy the heat has gone away and we’re experiencing the usual Welsh weather we love here.. cold, windy and wet! Life in South Wales is great and we’re fortunate to live in such a beautiful part of the world. Wales has very rugged and bleak coastlines, rolling green hills, mountains, forests and waterfalls, all of which are right on our doorstep and we think all of this natural beauty filters into our music.

I’ve seen a lot of social media activity showing you guys in the studio. How is your first release coming along?
E: The recording is well underway, I visited Woodcroft Audio studio in July and recorded the drums for the album with Timothy Vincent (during the hottest days of the heatwave might I add!) over the course of 2 days. Recording the drums for Ofnus was an amazing experience and it was one that really pushed and challenged me to do better and to say “I’m well chuffed” is an understatement as this was the most intense and diverse drumming I’ve committed to record so far and I can’t wait for people to hear us!

A: We’re making good progress without rushing. E has long since finished tracking the drums which he managed in a mere two day studio stint, and our vocalist W is handling the mixing so being able to manage a good amount in-house is an advantage we’re fortunate to have both financially and also in managing our own expectations with time. Once we’ve got the record mastered we will be approaching select labels for support in releasing – we are tentatively thinking that will be early next year but that will likely be subject to any scheduling offered by a label.

Your social media describes you as Atmospheric/Melodic Black Metal. Now that you are in the studio, how is your sound developing? Are you staying true to your original plan or are there going to be a few surprises when your release comes out?
A: I think we were prepared and thorough enough with our original demo ideas whereby studio time has largely become a case of just re-recording what was already there without the need for too many wholesale changes. We have definitely added or removed things as we have gone about the final recording process though as whilst the bulk of the original material was written by myself, certain parts have changed when ideas have been input and performed by the other lads – and it’s for the better with them bringing their own twists, influences and ideas to the table. The inclusion of W’s lyrical input in particular has really enhanced the experience from our shared view. Ultimately though, the vision is still the same but the final product is going to have more of a collective creative input than what my initial song writing provided and I for one can only welcome that.

As nothing is out there at the moment, I guess the entire record will be a surprise, but in light of that perhaps some sounds like or for fans of references would help, so think along the lines of Can Bardd, Ellende, Saor, Grima, Ultar etc. It will forever straddle that fine line of uplifting and wholly miserable, but it’ll definitely feel epic.

How did you manage to wangle your way onto such a stacked card for the Jorvik: Bridge of Destiny show, without a release? Is it who you know, not what you release? Haha
A: In this industry there will always be an element of “who you know” when it comes to opening the right doors, and we are somewhat fortunate to be reasonably well connected from inception – however in this case certain promoters have had opportunity to sample some of our demo tracks and we’d like to believe that the potential has been recognised rather than this being a case of piggybacking on our contacts. That said, we are definitely lucky to have been invited to perform as part of such a prestigious line-up so early on in our existence as a band and have had other show offers we are actively considering, but the record takes priority so we are being selective. We’re confident having already rehearsed the material that it will translate well into a live environment too, so we are very much looking forward to proving that in January.

What details can you give about the debut release? What length will it be, format? Also what kind of lyrical concepts? Does it have a name yet?
A: We’ve gone straight in at the deep end and gone for a 50+ minute full length, and true to the genre’s form that’s over a mere 7 full tracks. As regards to format that’s probably not a question we can definitively answer beyond CD, however we’d love to go down the vinyl route – given the current state of affairs with vinyl though that might be 2025 before you see it! With regards to title, nothing that we are nailed down on announcing just yet but that date might not be far in the future.

W: Lyrically we have gone for a style befitting of the music – sorrow. A large part of the lyrics are written with depression in mind, but also of the struggles and trappings of life, of grief and bleakness, trepidation and anxiety, and the journey we each face to live. I have born in mind the meaning of “Ofnus” and the colour grey when creating lyrics and themes for the material.

Do you have any label interest lined up or are you starting by self-releasing?
A: We will definitely be approaching labels once the release is mastered. As much as entertaining the idea of a self-release is enticing to some degree, there’s an element of prestige and of course PR that we would love to tap into with a label that would be out of reach if we went solo. That’s a very watch-this-space situation though!

What kind of influences filter into Ofnus, both musical and none-musical?
A: I can only speak on behalf of the instrumentation as we let W have carte blanche with the lyrical content, but I’ve always approached the song-writing with a story telling element and an aim of evoking the gamut of emotion. Whilst it’s fair to say that other bands from the genre have had an influence on the writing and due nods should be given to bands like Winterfylleth, SAOR, Blindead, Can Bardd, Grima etc…, there’s probably an influence from classic film score and as it happens certain video games like Little Nightmares (before this is widely panned, listen to the soundtrack). The latter two non-musical influences in particular assist with building that story-telling element and song progression rather than opting for a stricter or more formulaic approach. It has definitely helped us sculpt a particular sound that we could label “Ofnus” and call our own which what we’ve wanted rather than exclusively paying homage to other artists.

W: As A mentioned, there is definitely a large element of Grima in the harsh vocals, but I’ve also taken some inspiration from Borknagar and also some less conventional out-of-genre sources. I’ve found myself making vocal layers, and pushing to limits I have not really explored before musically including clean baritone sections which are something I’ve not ever played with, and I’m excited to have these new ideas realised on record.

Also, how did you come to choose the name Ofnus?
A: It was a name chosen based on the sound we were creating at the time of inception really. Ofnus is Welsh for “fearful” or “frightened”, but also has the underappreciated benefit of being somewhat easy to pronounce, spell, and memorise compared to other Welsh words. We went through a number of ideas but ultimately kept coming back to this. We have also been reliably informed that in some Scandinavian dialects this translates to “Wood burning stove”, so our working titles for our tracks were all named after brands of oven… which makes things entertaining when you’re asking the bassist whether they’ve recorded their parts for “Smeg” yet…

Can you tell me if you follow your local extreme metal scene? Are there any bands or labels you would like to recommend?
A: Given the project is an amalgamation of different musicians from other established local bands, it would be remiss of us to not shout out our other projects. Notably, Agrona, Black Pyre, Blind Divide, and Democratus. Our vocalist also has a solo project that is worth discovering too, the absolute mouthful that is “Asbjorn Daemonium de Noctis”.

Outside of our own projects though, we will always recognise the UK talent of Ruadh, Ante-Inferno, Abduction, Necronautical, Fuath, Ard,… the list could very well go on! For labels, personal favourites are Northern Silence, Naturmacht, Debemur Morti & Vendetta, but Candlelight in particular have been a real boon for the UK scene as of late, and I have my own good experiences with UKEM who have supported my other band well.

Info

  • Bands: Kings Rot
  • Review Date: September 30, 2022

Kings Rot – “One comment that stuck out was “the only downside of this album is its length, it should be a 6 hour record! Fuckin awesome!”

Last year Canadian Tolkien/Fantasy inspired Black Metal band Kings Rot unleashed their debut album entitled ‘The Shadow of the Accursed. I fired some questions over the Atlantic and the band got back to me with their thoughts on said album, dark fantasy as opposed to trve Satanic Black Metal, creating fantasy worlds and much more… (Marksson)

Greetings to you from the UK. Thank you for agreeing to answer some of my questions. How is life currently over in Canada?
Greetings from Canada! Thanks for asking us! Life in Canada is great, despite all the bullshit regarding COVID and politics over the last couple years, we’ve managed to stay strong and stay focused on the important things in life like our music and families.

Let’s get straight into the album. You released ‘The Shadow of the Accursed’, your debut album last year. Having had time for the dust to settle, what are your thoughts on how the album turned out?
I think the album turned out great, we had a good reception from lots of new and old fans from across the world. We’ve managed to get our tapes and CD’s out to a wide range of countries and that’s all we can really ask for. During COVID it was hard to find the time to practice and jam as a band, but we always had the ideas flowing individually as well as collectively to bring the album to light.

What feedback for the album have you received from critics and fans? Any comments that particularly stick in the memory?
Black Metal Promotions was kind enough to upload our album on their YouTube page which gave us some great reception and comments regarding the album. One comment that stuck out was “the only downside of this album is its length, it should be a 6 hour record! Fuckin awesome!” We were concerned that having our first record push close to 50 minutes was already a bit overkill for a debut, but obviously some have enjoyed it enough to be left wanting more which is very gratifying.

I know that Worship the Void in Belfast have released the album on cassette over this side of the pond, and American Decline Records over there. How did those collaborations come about?
Those collaborations wouldn’t have come to light without the support of our friends that run the label Lavender Cacophony Contraband. They also play in a raw atmospheric, black metal project called Upir who have been working as hard as anyone else we know to get their music out and support other bands alike. G.G and B.L are amazing musicians and great people who have been some of our biggest supporters within recent years. Thanks to them, they helped get us in contact with Worship the Void and American Decline Records to release our tapes. Our sincerest gratitude goes out to them and the fans who have shown their support and bought merch from us.

You seem to take a lot of lyrical inspiration from the work of Tolkien, as well as other fantasy based authors. The intro to opening track ‘Fall of the Witch King’ I believe is the voice of Sauron from the Lord of the Rings films. What is it about the fantasy genre and Tolkien in particular, that lends itself so successfully to Black Metal?
I think the idea behind a dark fantasy world is very intriguing and lends a sense of imagination into the world of black metal. There are so many bands still striving to stay true to the origins of black metal with the satanic imagery and lyrics as well as the ritualistic atmosphere portrayed through their music and live shows which we also enjoy and pay homage to in one way or another, but we have never felt that it fits within our musical style and ideas. We certainly draw inspiration from the works of Tolkien but we try our best to create and expand our own world within.

Can you tell me what other fantasy series or novels have been used for inspiration during the writing of ‘The Shadow of the Accursed’?
K.P draws a lot of inspiration for his lyrics through other authors like Edgar Allen Poe and H.P Lovecraft as well as many other forms of gothic horror. Steven Erikson’ Malazan series and the Dark Souls series have also been influential.

Previous to the album release you had a couple of demo releases and an EP. How do you feel your sound and song-writing abilities have progressed from your earlier demo work, compared to the album?
Our sound and song writing abilities have really improved over the last 5 years as a band, we’ve all grown much tighter and stronger as musicians and as a collective entity. Our guitarist and vocalist A.S is our main lyricist and songwriter, but as the years have passed K.P and myself have written riffs and lyrics to help guide the direction of the band to keep moving forward. We’ve all played in a number of bands over the years from early high school until now and when you find the right friends/musicians that have the determination and fire in them, it makes it easy to keep that fire burning bright.

How did the writing/recording process differ for the album compared to the demo releases? Also, where was the album recorded and who did the producing/mastering?
The demos and the EP were all written by A.S and K.P, we tracked it all live off the floor as opposed to recording everything individually and mixing it as such. It helped reveal a very raw, black metal tone in which we were striving for from the beginning, staying true to our inspirations from the Finnish scene from bands like Sargeist, Behexen, Horna, and Archgoat. The full length album itself was much more collaborative then the demos and EP, we all had a say in the lyrics as well as the riffs. We are fortunate enough for K.P to be able to record and mix everything we’ve done, and we’ve recorded most albums within our rehearsal spaces or at K.P’s home studio. Our good friend Rolando Rodas who runs Cavern of Echoes Studios did the mastering on our full length, he is a phenomenal musician and sound engineer and we plan to continue doing business with him in the future.

Looking at your social media I can see that you’ve had some killer looking gigs this year. What do you feel you bring to a live performance and what can people expect if they go and watch you live?
We love playing live, it’s one of the greatest and most rewarding experiences of being a musician. I think we all manage to channel a certain level of intensity and ferocity into our live performances that keeps things interesting and intriguing. We always put 110% into our live shows because we work so hard at perfecting our songs and playing them well with as much power and emotion as we can. We try not to bore the crowd with banter and bullshit, so what you can expect is a solid 30 minutes to an hour worth of unrelentingly fast, and powerful melodic riffs with a dissonant feeling of gloom and doom.

Are you working on your next album? What plans have Kings Rot got coming up? Will you be staying true to the overly dark, ravenous sound on the debut album?
The second album has been written in full musically, we are still working out the lyrics at the moment but we plan to start recording in the next couple months. We hope to have an even greater reception for the second album and are in talks with a label for a hopeful vinyl release for sometime next year. We would love to get on the road and do some tours or festivals if things work well in our favour, but nothing is set in stone for the moment. Absolutely, we will continue to evoke our raw and melodic sound within our recordings, but things can always change as to how we will approach the actual recording process itself. Only time will tell.

Can you explain how you came by the name Kings Rot?
K.P had the name in a list of various projects when we first formed back in 2017. It seemed to be the most fitting for the message we wanted to convey, as it sounds like a disease or can allude to how nobility and peasants suffer the same fate in death, in that one day we’ll all be rotting away. A lot of our lyrics have also been written about the Nazgûl and we felt that the name fit really well into that aspect as well.

Are there any bands or labels from your part of Canada that you feel more people should be checking out? Who would you recommend?
As we had mentioned, Lavender Cacophony Contraband is putting out some amazing bands and it has been a pleasure working with them. Hypnotic Dirge Records has released some really cool bands as well. As far as bands, there isn’t a ton of black metal on our side of the mountains but we are good friends with Arctos and Sorguinazia hailing from Edmonton, AB who are absolutely phenomenal musicians and people. Begrime Exemious, Stench of Death, Upir, and Snakepit are some local favourites of ours that are nothing short of incredible at what they do. Very diverse in their musical endeavours and always pushing the limits.

That’s all I have for you. Thanks for answering my questions. The final words are yours.
Thanks for your time.

 

 

Info

  • Bands: Vacuous
  • Review Date: September 29, 2022

Vacuous – “The beginning of the band feels like a very long time ago even though it was less than 3 years ago, but a lot has happened since then.”

With a superbly melancholy yet crushing new album about to be unleashed, I spoke with Michael of UK Death Metal band Vacuous about relationships with labels, their bleak new album and much more. (Marksson)

Greetings guys. Thanks for taking some time to speak with me. How is everything in the world of Vacuous right now?
We’re doing well, thanks for asking. It’s a fairly busy time for us, both in our personal lives and with the band.

Your brand new/debut album, ‘Dreams of Dysphoria’ is about to drop. What are your feelings towards your new opus on the verge of it being unleashed?
I think we’re all a little relieved to finally be approaching the release date. We recorded it back in October 2021, so we’ve been sitting on it for almost a year, due to current vinyl production times, which has been a little frustrating and altogether maybe more difficult than writing and recording the LP itself. A year on, I think we’re all still really proud of it, it holds up as an accurate reflection of us as a band. I think it shows a nice bit of growth from Katabasis, our previous EP, and feedback on the singles that have been released so far has been very positive. So yeah, fingers crossed it all goes well!

Dysphoria is best described and a great dissatisfaction with life. Does the album represent a personal journey through your own Dysphoria, or does it come via that of a third party telling a story of a general malaise with life and society? Would you say that the album has one main concept?
Jo (vocals) writes the bulk of the lyrics, but we discussed the overall themes and how we wanted it to have a very dark, introspective and emotional side with a very unsettling and harrowing atmosphere The title itself actually came early on in the process and I think set the tone for how the songs ended up sounding. Jo originally had an idea for a more tightly knit narrative concept across the album, but that was eventually scrapped, and it turned into more of a patchwork type thing. It’s not my place to go into detail on each song, but anyway, as you
can probably tell from the music, none of it is positive.

I found the album to have a very intense, bleak sound. How did you manage to maintain the fine balance between crushing Death Metal brutality and the melancholic elements that bled into the albums sound?
Thanks! That’s more or less what we were after. When it comes to the intense bits or the “brutality”, we generally like to push things as far as we physically can, in terms of tempo and performance to where we are almost going off the rails and falling apart. In a way that’s more of a punk, grind or power violence thing, but that’s the kind of energy we find exciting. To contrast that, we wanted to bring in some brooding, emotional and melodic stuff like Paradise Lost, Disembowelment and even Crowbar into the mix. I guess then the more traditional death metal stuff like Incantation and Autopsy is probably the glue that holds everything together. Mixing it all together comes pretty naturally to be honest, as all these bands exist in the same universe for us, so drawing parallels between them isn’t that much of a stretch.

Wayne Adams recorded the album and I think he managed to find that right balance in the. We recorded it in a pretty stripped back way, no triggers or studio trickery but we gave ourselves enough time to play around with some effects and layering to add to the overall atmosphere.

The album art for ‘Dreams’ is very intricately designed. Who designed the artwork, and what instructions were they given? How happy are you with the final piece?
The cover was done by Luke Gilchrist, who is an artist based in Wales. He was originally a supporter of the band and we ended up becoming friends. When we saw his work, we realised he was the guy for the job, as we wanted something abstract, yet intricate, that would be quite emotionally charged. We sent him the music and the lyrics and he had some guidance from Jo about the emotions and the intentions behind the album. After that we left him to his own devices and he did his thing. We trusted him with it but he still exceeded our expectations and I think it perfectly encapsulates the energy of the record. I generally think of Luke as kind of a kindred spirit, someone who “got” us very early on. He is ridiculously talented so it’s an honour that he accepted to do this for us.

How do you feel that you have progressed and matured as a band from 2020 when you put out a demo and an EP, compared to now with the new album?
The beginning of the band feels like a very long time ago even though it was less than 3 years ago, but a lot has happened since then. The demo we did was more of an exercise for us to find our chemistry as a 3 piece, rather than a release we ever intended to fully stand behind and promote. Katabasis was done in lockdown and to me that’s where we honed our song writing chops. In early 2021, we expanded . I think the rehearsal sessions for “Dreams of Dysphoria”, as well as our first live shows are probably where we really became a “proper” band. The
album feels like the culmination of all that.

Do you have plans to extensively tour the new album? What plans do you have in the pipeline? Any overseas dates?
We do plan to play some shows to promote it. I doubt it will be anything extensive as we all unfortunately have day jobs and other boring commitments which will limit what get to do. There will definitely be a run of UK shows at some point next year and there is scope for some international dates, but I can’t really give anything away now. We are however playing an album release show in London on 8 October at Engine Rooms with Subdued, Casing and Mutagenic Host.

You stuck with F.H.E.D for the cassette release of the album, and also on board are Dark Descent and Me Saco Un Ojo Records. How did your relationships with these labels come about?
Me Saco Un Ojo is one of the labels that Jo and I bonded over when we first met, as they’ve released some modern classics by Undergang, Phrenelith, Krypts, etc…that were all bands we discussed when forming Vacuous. With them being London based, it seemed like a natural first choice when we were looking for a label to work with for the album. We sent Jesus, who runs the label, an introductory email and he liked what he heard enough to invite around to his office and discuss plans. He also passed on our stuff to Dark Descent Records, who he regularly collaborates with, who expressed an interest in doing the CD release.

FHED is one of our oldest allies and supporters, as they released our demo and our EP and I’ve known Jim, who runs the label for years. We wanted to still have them involved in some capacity as there is that element of trust of familiarity with them which is important to us. Luckily, they were happy to handle the cassette side of things, so it all worked out! Overall, it’s an arrangement we’re happy with. Being on MSUO/Dark Descent means has probably exposed us to a wider audience, which is great, but we also get the comfort and familiarity of having FHED’s support.

Do you tend to take much interest in your local Extreme Metal scene? What bands or labels would you like to recommend?

In terms of the local “extreme metal” scene in London, I think Atvm is probably the main band that we all like and we have a good connection with them. Super talented guys. There’s still a lot of brutal/slam/technical death metal stuff going around in London, which we can’t relate to at all. We tend to generally share the stage with punk, hardcore or sludge bands, like Casing, The Annihilated, Stingray, Imposter, Wallowing etc… and I think we probably feel more comfortable at those shows at the end of the day.

Looking at the wider UK, there are definitely a handful of death metal bands that we really like, such as Mortuary Spawn, Slimelord, Vaticinal Rites, Coffin Mulch, Burial Rot, Penny Coffin and a few others. There is a new London band called Gorgon Vomit, who have just released a very promising demo.

How did Vacuous come together as a band? Was there a mission statement from the very beginning or has your sound and lyrics evolved organically through practice and the writing process?’
We officially formed in January 2020, although we had been discussing the project for a few months prior to that. We were originally just a 3 piece with Jo doing drums and vocals, our original bass player Dame and myself. We didn’t form with an explicit stylistic goal, like “let’s play old school death metal in the style of…” but instead we spent some time discussing the types of vibes, atmospheres and emotions we wanted to convey. We knew we wanted something really visceral, raw and harrowing but also quite riff centric and catchy. We come from pretty
different musical backgrounds from one another so there was a lot of time spent in the rehearsal room experimenting with riff styles, different beats. We recorded a demo in March 2020, which mainly just an exercise for to use as a baseline to work on new stuff.

The sound has pretty much evolved organically from there and the more time passes, the more comfortable we are with bringing a wider range of influences into the songwriting . Like I said, we didn’t form with the explicit goal of being a death metal band – that just ended up being the vehicle or the canvas for us to channel our influences, so we’ll see where things take us in the future, but we haven’t reached our “final sound” and we do intend to keep evolving.

Are the members of Vacuous active in any other bands? Now is the time to plug your other stuff!
Yes, we all like to keep busy with various projects. Our drummer Max plays live drums for the band Hellripper and does a fair bit of touring with them. He’s also just recorded a full-length album with another established UK death metal band, but that hasn’t been officially announced yet. Our vocalist Jo has got a new death/grind project called Nerve Centre, which will be releasing stuff in the near future. Our new bassist Zak has released some black/death metal stuff as Hapless Wretch as well as playing in a sludgy band called Snot Otter. Ezra has got a couple projects brewing. He’s also an illustrator and has a semi-regular zine that he runs called “Charred”. As for myself, I have another band called Thundering Hooves, which is in more of a black metal vein, but with a lot of traditional heavy metal influences thrown in (think Dissection, recent Darkthrone). Our second album “Radiance” is actually coming out on October 7 th via Mercenary Press.

Info

Blasted Heath – “Humanity exudes a lot of self importance but we’re less than ants or even bacteria in the grand scheme of things.”

One of my outright album of the year contenders is ‘Vela’ by Indianapolis Black/Thrash band Blasted Heath. I spoke with guitarist/vocalist Kyle Schumaker about why we should always have one eye on the sky! (Marksson)

Greetings to you from the UK. Thanks for taking some time out to answer my questions. How is life State-side right now?
Things are good! There’s a general sense of anxiety I have living in the United States at any given moment, but I’m chilling with the dog on my porch right now drinking coffee and the weather is unusually nice today in Indiana, so I’m content.

You have unleashed your debut album, entitled simply ‘Vela’. Why did you choose the name ‘Vela’?
Vela is the name of a pulsar wind nebula, it was a picture I found online when I was looking for more information on neutron stars. I think I was drawn to the image because it had a passing resemblance to a human head. I don’t exactly remember who thought of what but our drummer Conrad may have already been playing around with an image of an astronaut with a cracked space helmet. I think the concepts kind of got combined for the album cover, with the nebula incorporated into the “space ape” image that Conrad did a magnificent job bringing together.

The album itself appears to me to be one concept, focusing on outer space and the fears and paranoias created by the great unknown. How close to the mark am I? Can you shed more light onto the theme of the album?
Yes you pretty much nailed it. I spend a lot of time watching YouTube videos about space these days and trying to wrap your mind around the scale of the universe is extremely humbling. Humanity exudes a lot of self importance but we’re less than ants or even bacteria in the grand scheme of things. Trying to ponder this and also the finite nature of things can feel scary and overwhelming, so it became a natural thing to try and write about.

You released the album through Wise Blood Records. How did this collaboration come about?
The curious luck of timing! Sean Frasier started Wise Blood Records during the pandemic around the same time we started Blasted Heath. He’d already established it a bit around the time we got a break playing our first show opening for Nunslaughter at Black Circle in Indianapolis. A few friends who caught the show talked us up to him and he reached out. The album was already in progress at this point and he liked what he heard. We were initially just planning to release everything independently, but really liked the idea of a home grown label in Indiana just starting out, and getting to be a part of that. It was a great opportunity for us and we think Sean is definitely going places with his label.

Is the outer space concept something that will continue into your next release, becoming in a way the bands identity? Or will the next release have a fresh perspective?
That’s a good question. The lyrical content and sound kind of developed simultaneously and organically, where as now the theme feels intertwined with the music a bit! Initially the idea was more like punk Bathory, but some of the post-metal vibes of previous projects found their way in and even dominated in places. I’m wary of the “space” thing becoming a gimmick, but I think at this point there is more to explore with it. I like to think about big picture stuff and I’m very into science content, so it could take the shape of human evolution or technological apocalypse, not strictly outer space but likely within that science fiction/reality ballpark.

How hard was it blending hard hitting Black/Thrash with the more progressive/space/ rock elements? Was there a grand plan for the bands sound or did it blossom organically?
So we had a previous band, Crown Hill Vulture which was more post-metal sounding. It wasn’t explicitly the intention but I think some of that definitely carried over into this project. Our guitar player Billy also has a ridiculous pedal board, so tonally his options are like endless and it would be a waste not to take advantage of that. The most simple version of the concept for Blasted Heath was just something like early Bathory, where it almost has this punk Discharge sort of feel. So the black metal vibe is meant to be distinctly first wave and infused with a punk attitude. I started in with the space lyrics and I think the sound just sort of evolved naturally from there, with us putting more emphasis on the psychedelic elements as the writing went on.

What kind of feedback, fan/critic, has the album received so far? Any comments that particularly stand out?
It seems like people really dig the infusion of psychedelic elements, so that’s cool! Especially since it wasn’t exactly what we set out to do but just sort of happened. I think one reviewer did not care for the production, haha. It was recorded in my basement as stated on the album. I think if you’re trying to capture the feeling of first wave black metal you can’t come in sounding all pristine, that just fucks it up. We went for raw and most of the album was recorded live in the room (drums and guitars live, bass and vocals dubbed in) Billy was our producer and has a background in punk and hardcore, and so we wanted that approach. We then took it to a studio and ran it to reel to reel tape, which gives the sound a quality that I really love. It’s rough around the edges and there’s a chaotic feel to the performance I think that comes from recording it live. I think it sounds like people actually playing music in a room, and that’s not how most albums are recorded these days,
which is a pity.

What are the origins of the bands name, Blasted Heath?
You got me! It’s from H.P. Lovecraft’s The Colour Out of Space. Obviously the themes of existential dread seemed fitting. I’m sure people would probably consider living in Indiana something like living in a “Blasted Heath” so we’re embracing that.

Do you have any special rituals or stage sets to help re-create your concepts on stage? What can people expect from a Blasted Heath live performance?
I do videography for a living, so I decided to start experimenting with some video projection at our shows. It’s in the infancy stage at the moment, and I’m not really a projectionist, but I think it’s coming along. We’ve been using images of Saturn from the Cassini probe and projecting them onto the stage and onto the band. Just working on giving our live show more of a vibe, which otherwise is a pretty no frills affair (we aren’t doing any costumes or makeup, haha, it’s a t-shirt and jeans deal)

Do you keep an eye on your local scene at all? What bands or labels for the Indianapolis area should we be listening to?
Well I’ve looked up to the guys from Demiricous forever and they represent the scene here in Indianapolis extremely well. I even worked with some of those dudes at the same local pizza restaurant. Dustin their drummer is the main show promoter as well and gave us our break opening that Nunslaughter show, for which we are grateful. I would say also that Obscene is a death metal band on the come up and you should watch out for any band on that Wise Blood Records roster, which are not strictly all Indiana based but Sean does a great job repping the scene here. Mother of Graves for example has an album about to come out you should look out for if you like that gothic death doom sound like Katatonia. In fact I think Dan Swano mastered all of our albums this year haha!? We love Dan Swano here in Indiana.

That’s all I have for you. I’ll let you end the interview by telling us what comes next for Blasted Heath. Thanks again for answering my questions.
We have had some very productive jam sessions here recently and are about to get serious about doing some writing for the next album. Hopefully we get a chance to play some out of state shows or even do something like a little mini tour next year but we’ll have to see how that all shakes out! Thanks for checking it out much love to you all in the UK!
Best Regards,
Kyle

Info

Black Knife – “This band is my outlet and my driving force. Life can’t be all work, pay taxes, die. That being said I am always writing and would not know what to do with myself if I didn’t have it.”

I recently heard US Black Metal/Punk band Black Knife for the very first time, and so impressed was I by their rawness and savage tunes, I decided to fire some questions at them. They only went and got back to me straight away, jolly nice of them. Here is what was discussed with guitarist/vocalist Hellwulv. (Marksson)

Greetings to you from the UK. Thanks for taking some time to speak with me. How is life in the US right now?
Life in the U.S.A. is good overall. Very happy to see live music returning after the long break from Covid. Lots of shows and tours popping up left and right these days.

I’ve only recently heard your music, on the new four way split release through Wise Blood Records. How did you come to be a part of the split release?
This split was a pretty natural one in many ways as Black Knife is based in Kentucky and Wraith and Graveripper live only one state away from each other. We had crossed paths many times and became friends through the scene. As for Unholy Night, they are from Russia, but style wise a perfect fit. They have been on my radar for quite some time. I am a big fan of their music and was stoked to include them on this one.

Have you had a chance to listen to much of the other three bands’ work? What are your thoughts on the bands you share the release with?
I have actually listened to all the bands on the split quite a bit before the release. I am a fan of every band involved. I always enjoy that side of splits and you get to work with bands you are a fan of and solidify a bond of evil music together.

You play Black Metal/Punk and so your sound fits in well with the rest of the split. Who would you say are Black Knife’s main musical influences?
We have quite a few, but we always go back to Venom, Celtic Frost, Abigail, Slayer and the like. Not to mention anything weird/sleazy and out of the box.

How about influences from outside of the musical sphere? Do you let real world issues filter into your lyrics? Do you let your views on political climates filter into your music?
I do, but it is usually done in a way that is not so on the nose. I let the listener decide what is fact and what is fantasy or escapism and the lyrical content is generally pretty wild. I try to not get overly political with the lyrical end, but will definitely tell people where I stand if asked. Just has to be the time and place for it.

You have been active since 2016 and since your inception you have been very prolific on the releases front, with a couple of albums out as well as myriad split releases. Where does the inspiration and energy come from to release so much music but at such a high standard?
This band is my outlet and my driving force. Life can’t be all work, pay taxes, die. That being said I am always writing and would not know what to do with myself if I didn’t have it. So that creates a big output of music, but I am pretty critical on myself to also keep the standards high. So I appreciate you noticing that!

How would you describe the Extreme Metal scene in your area? is it pretty active with lots of bands and fans all getting involved? Also, do you play any Punk shows or do you stick to the metal ones?
I would say the Metal scene in my hometown of Lexington, Kentucky is slowly returning. After the hiatus of shows from COVID, many bands venues dissolved. Great to see them slowly returning though. We play as many Punk shows as we do Metal shows honestly. And I think we are a great fit for either. We enjoy the energy of both!

I’d like to ask you about your band name. How did you come to choose Black Knife? It sounds like some underground rebel movement!
It is! We are unlike every band and we embrace it! That being said, I really liked the name because I thought it was simple but effective. It is memorable and also does not tie your sound to any one style which is very fitting for us. You could be a Death Metal band or a Punk band and the name works just the same.

What are your future plans for Black Knife? What can we expect from you in the next 12 months?
We have tons of plans and goals for the future. We have started working on the next full length album. So next year we are going to release the next full length, then play a Westcoast tour as well as some fests we are already booked on. Then we have a 2024 European tour in the works which we are beyond excited for as I have never been outside of the US. Lots of exciting stuff in the works!

Thanks very much for answering my questions. The last words are for you!
To the fans : We always appreciate the interest in Black Knife, and stay tuned for lots more to come. STAY EVIL/STAY WEIRD

Info

Unholy Night – “Of course, propaganda works well and there are many people who believe in the state and think that this war is good, but there are also many people who disagree with this, but cannot do anything about it.”

One of the most exciting bands I have heard recently are Unholy Night from Moscow, Russia. Here is my interview with the band in which we discuss their participation in a new 4 way split release, the war in Ukraine and how the Russian public have responded to the crisis. (Marksson)

Greetings to you from the UK. Thanks for taking some time to speak with me. How is life in Moscow right now?
Hello! Life in Russia is now a continuous problem, we are isolated from the rest of the world, but we are trying to find a way out of this situation

I’ve only recently heard your music, on the new four way split release through Wise Blood Records. How did you come to be a part of the split release?
The guys from Wraith and Black Knife offered us to participate in this split, of course we agreed. At that time, two members left the group and all production fell on the shoulders of our guitarist Pavel. Due to lack of funds for recording in the studio, we decided to record at home. As a result due to the lack of high-quality monitoring and experience in mixing, our sound is a little weaker than the others on the release and we hope that this is compensated by the quality of the tracks themselves haha. ​​Now we have two new cool members joining us and in the future we will definitely re-record them in full force

Have you had a chance to listen to much of the other three bands’ work? What are your thoughts on the bands you share the release with?
We have been familiar with the music of Wraith and Black Knife since their first releases, and we learned about Graveripper a little later. We really like everything that all three bands do and we are proud to be on the same release with them

You play Black/Speed Metal and so your sound fits in well with the rest of the split. You also have a huge Punk influence. Who would you say are Unholy Night’s main musical influences?
The main influences were bands like Motorhead, Discharge, Venom, Bathory and Midnight. That’s the core of our sound. But we listen to a lot of different music in general and it also influences us in one way or another. Thus there are for example inspired by Slayer and Sepultura, Ancient Rites or blues rock, mark of the beast. I think there will be more such experiments in the future

How about influences from outside of the musical sphere? Do you let real world issues filter into your lyrics? Do you let your views on political climates filter into your music?
In addition to music, we draw inspiration from books, movies and video games. Lovecraft and King, old horrors from VHS times, horror games are all food for the lyrics of our songs. By the way, even the name of the band was taken from an old Super Nintendo game! Speaking of political agenda, then it affects us only emotionally, we don’t know how to write songs about politics

Speaking of real world issues, what is life currently like in Russia with the current war against Ukraine on-going? How do the Russian public feel about the hostilities?
Now it sucks to live in Russia. Everyone who could, have already left here. When the war had just begun, there was a wave of protest, people said no to war by all available means, but very quickly the punishments were tightened and for the poster there was no war, people were imprisoned or issued huge fines. in this regard, the protest gradually ceased. Of course, propaganda works well and there are many people who believe in the state and think that this war is good, but there are also many people who disagree with this, but cannot do anything about it.

I briefly mentioned in my review of the split release that there is a ‘Hate/Cancel Russia’ agenda right now, cultivated by the western media and governments. As a Russian band, what kind of experience, if any, have you had of any kickback from people outside of Russia when trying to promote Unholy Night to a wider audience?
No, we did not encounter any kind of hostility for our nationality, I think this is because the metal and punk communities around the world are quite close-knit. We often see videos on the Internet with polls on the streets where they show that Russians almost without exception support the war in Ukraine, but this is not so, the percentage of dissatisfied is quite large. People are simply afraid to say such things on camera.

To date you have put out demo, EP and split releases. What plans do you have for a full length release in future? Or is it a conscious decision to keep to more underground release formats?
At the moment, we have gathered a new line-up, learned the old material and started writing a full-length album. We hope to have it ready by the end of next year!

I’ve been having a look at some of your gig photos on your social media. You look like you have a crazy scene over there. Who would you say you play live with more? Extreme Metal bands, Punk bands or is there a nice mix? Also, are there any Russian Extreme Metal or Punk bands that you would like to recommend? Which Moscow bands should we be listening to?
Yes, we have a good metal punk scene. Most often the concerts here are a mix of metal and punk bands. Of the Russian bands, I would advise you to evaluate Fatum, Vendel, Mystic Storm, Tanator, Duke Nukem if you like metal, and Regime, Further Charges, & Swinger Killers if you like punk

Thanks very much for answering my questions. The last words are for you!
Thanks for the interesting questions Luke! Long live rock’n’roll!

Info

  • Bands: BrainBath
  • Review Date: September 23, 2022

BrainBath – “When looking in the rooms of the basement, they noticed an old bathtub with a tarp on top. Thinking nothing of it, they pulled it off and there was this bathtub absolutely full to the rim of human brains!”

One of my favourite bands right now is the Glaswegian Old School Death machine BrainBath. The lads very kindly took some time out to speak to me about their new EP, horror films, crazy live shows and the explosive Scottish DM scene. As well as the reasons why you shouldn’t overlook Scotland! Enjoy! (Marksson)

Hails to the mighty BrainBath. How is everything up in sunny Scotland today?
Kendo: Doing well, been on my travels a lot recently… so it’s good to get home where I can talk normally (as I’m too Scottish apparently), plus get to enjoy small things you cant get elsewhere like a good roll and square sausage and a bottle of Bucky!
Kwondo: Fucking Pish, I’m working too much, hahahaha – Ach, keeping the head down running my business which is a kennels that I do with my wife as the day job which can be some graft, although it does allow me to listen to an obscene amount of metal!

Without trying to blow smoke up your arses, the debut EP you dropped earlier this year is an outright banger. What are your own thoughts on it now that a few months have elapsed?
Kendo: Absolutely blown away with the response, it’s all completely unexpected! Due to lockdown’s effecting studios opening and closing and not being able to record when we would’ve wanted. We were almost kind of accidental old-school in the way it panned out, by playing gigs before recording any music tail end of 2021… and then eventually recording and releasing the EP April 2022. The gigs helped us build up a little bit of a following, although we weren’t expecting anything like we did when the EP released. Blows our mind that we managed to sell out of our Blood Red vinyl pre-orders with orders from all around the world and additionally the support for our shows has been insane, with most of them being sold out bills! We’re so fortunate and really grateful to everyone who picks up a copy, buys merch or comes to a show! Genuinely still pinch ourselves, and so pleased people enjoy the EP.

Kwondo: Personally, there’s a lot of things when I hear it back that I could have maybe done better, but in the way it was recorded basically being straight up mic’d with all the instruments and with one takes in the studio etc. pure DIY or DIE – I can honestly say it’s the best experience of making a record I’ve ever done. Definitely things we’ve learned and we may do different on the next one, but what a brilliant experience we had and just so chuffed folk like it

How about external feedback? What kind of comments are you getting from outside the band about the EP?
Kendo: Well, we’re just five mad alchy metal punks from the Lanarkshire and Greater Glasgow area of Scotland and if we’re honest, we wrote the music for ourselves with no expectations – So to see so many comments, listens, questions and reviews come in from multiple countries and support from a wide range of different bands absolutely blows our mind. I get messages all the time with people saying they bang their head to ‘Stripped Clean’, or that they yell the end chorus to ‘Stench of Burning Human Flesh’… It makes what you do so rewarding, we never expected our first release would have such a wide reach!

Kwondo: The response has been sensational and it’s took as all by surprise! It’s not just the amazing feedback but people, bands and labels being so supportive of what we’re doing, they love our brand of old-school and 80’s inspired death metal that’s came from Scotland. Audiences have really enjoyed our unique style, there’s also YouTube channels such as ‘Marc G with a C’ or ‘Death Doom Metal Head’ and zines that review metal that have included us in their favourite releases or put us together with some major acts as music to check out, and it is something I don’t think any of us would have thought would have ever happened.

You play an old school death metal sound. What kind of influences were you channelling into the EP?
Kendo: I feel the influences within the band members are what has helped us discover our sound… Traditionally, myself, the drummer Gillen (Blooter) and Barrett were probably most used to playing more black, first wave or war metal. Kenny (Warmaster Kwondo) was in a thrash band for years, and Blacky (Lobotomizer) mainly death and thrash fan who was new to rehearsing and playing music at gigs or recording. So we had no real basis or specific band we were trying to sound like. Just all jammed out riffs or rhythms and played along with lyrics and what came out, came out. Listening back or talking after the jams, we noticed it had that mid-80’s extreme metal sound where it was blurred whether it was Death, Black, Thrash, Punk, etc. and we just continued in that vein.

Kwondo: I think the thing about ourselves that the reviews and people have picked up on, is BrainBath and the bands from Scotland seem to have our own sound. Of course there’s bits of our favourite OSDM bands that we get compared to with a lot of nods to Autopsy, Impetigo, Hellhammer, Repulsion, Obituary, even Discharge etc. – But what’s been to our surprise, is that whilst there’s references, most of the reviews have said they get the vibe of those bands, but that we don’t actually quite sound like them, or that we’re not a clone or trying to sound like anyone, we have our own sound and that’s just the biggest compliment you can get when making music…

Some of your recent live dates have looked unmissable. (Says the guy who missed them) Any interesting or funny stories from your recent shows?
Kwondo: In terms of the crazy side, Fuuuuuuck, where do we even start, haha… Our third ever gig at the ‘Flying Duck in Glasgow, with Slimelord, Rancid Cadaver and Penny Coffin where there isn’t a big stage it’s like a step at most, and the pits where lethal, looked like a Royal Rumble or MMA fight out there. Folk were going wild, so wild in fact, John McDade (singer of another Glasgow OSDM band, Embolism) flew into the drum kit mid set. We somehow managed to put the drums back together seamlessly and play on as if it was meant (still don’t know how that worked). The other belter was in Hartlepool, the power went down on one side of the stage and Blacky’s (Lobotomizer) amp went down and we couldn’t climb behind mid set to plug everything back in, so he just went straight out and crowd killed the pit whilst rest of the band completed the set much to both the surprise and pleasure of the crowd, Haha.

Kendo: Hands down my favourite gig is when we got to play with the mighty ‘Eternal Champion’ who me and the guys in band are big fans of. I believe it was Manorfest that had went wrong, cancelling too late for them to stop flights, so they were coming to the UK without any equipment. The great guys behind Damnation festival on short notice managed to get a tour sorted in cities around UK and we got asked if we would support them in Glasgow and if they could borrow some gear (they had guitars, but needed amps, drums, cabs etc. which we were happy to help out with). When the guys got to Glasgow, we wanted to show the world class hospitality Scottish people are renowned for, so we made sure there was plenty of Buckfast and lets just say something to smoke on the night… To the point where there’s videos of the guys, who had never tried the stuff downing it on stage and the audience loving it chanting BUCKY, BUCKY! haha. On paper, I don’t think anyone would put Epic Heavy Metal and Death Metal together, but the venue was packed, the audience was loving the free booze flowing from the stage and it was just an incredible vibe. I mean EC have members like Arthur Rizk who’s a Grammy winner and played in other big acts like ‘Power Trip’, so to become friends with these guys, see them jump about to our songs, share beers, food, and have such a brilliant show and great memories is just amazing for a new band such as ours.

I’m loving the Death Metal coming out of Scotland right now. Which bands local to you would recommend to our readers?
Kendo: Well with the focus on Scotland and having mentioned the New Wave of Scottish Death Metal, here’s some of the excellent bands that make it up… Firstly, ‘Coffin Mulch’, who’s debut EP was on many favourite 2021 metals list with an HM-2″ chainsaw sound and killer groove. The pummelling ‘Rancid Cadaver’ who are just crushing live. if you want laser precision 200bpm drums and stylish rhythms and leads, look no further than ‘Penny Coffin’… on top of these guys, here’s a list of Scottish bands tearing up the scene with recent killer records or performances: Chestcrush, Tymvos, Embolism, Putrid Fate, Sacrificial Burial, Rend Them Asunder, Tempered, Night Fighter, Caustic Phlegm, Tyrannus, plus more established acts who have been going a while that are a massive support to ourselves and the overall scene in Scotland, like Party Cannon and Scordatura… So yeah, not bad for place that supposedly doesn’t have a scene or any bands!

Kwondo: I’ll cover the the wider bands who have been very supportive of us and are just top bands to see right now, the likes of Coffin Rot, Seven Doors, Blood Rage (who all share members), ‘Slimelord’ & ‘Cryptic Shift’ again sharing members who are great guys, ‘Burial Rot’ with a brilliant putrid sound, plus the brilliant dark ‘Vacuous’ from London. From the north east closer to us, we can’t leave out our boys from ‘Live Burial’, ‘Vulgar Dissection’ & ‘Vacivus’. Then we’re fortunate to have great pals like Dave Ingram from Benediction who’s like death metal royalty that’s really championed us from day one!.. Also a nod to Liam from ‘Consecration’ who has a great band, but also does a great job shouting up the UK bands on YouTube… it’s a great time for underground metal in UK!

What would you say has contributed to the explosion of all the high quality Death Metal bands shooting up in Scotland right now?
Kendo: Two things I feel has driven it, obviously the lockdown has effected everyone’s lives where they couldn’t leave their homes and it meant for guys that loved live music or gigs, if they wanted the next best thing was to create and write or be creative with their instruments at home… But I believe the second factor which has resulted in a positive out of a negative situation, is bands and tours often miss Scotland. When big Metal acts come to the UK for a tour, Scotland can quite often get missed. Sometimes there’s the odd Glasgow or Edinburgh date, but a lot of the times – people often have to travel to a Newcastle, Leeds, Manchester or even further south for bands or metal tours (we know that can happen in England too where it’s just a London date). I think Scottish people have actually got fed up of being dismissed or treated like Scotland doesn’t have a metal scene or any bands, and that’s grew into people picking up their instruments and creating the music they want to see and hear. So yes, that’s what has birthed if you like the ‘New Wave of Scottish Death Metal’ and with gigs being packed and a real appetite for that music here, Glasgow and Scotland really is the place to be right now for underground Death Metal!

Kwondo: I think there really is a massive appetite for old school metal here in Scotland… Not just Death Metal, but Black, Speed, Thrash, etc. – If it’s got that almost 80’s early 90’s metal sound, Scotland really has it covered in terms of the bands that are up here just now, which is brining in the people to gigs, not even from just Scotland anymore, people actually coming up here and mainly it comes down to the audiences in the underground who really want an older school style of metal rather than the contemporary or what you would perhaps call modern or core! Although yes, Scottish folk want old school metal, and bands have switched on to it, and we’re starting to notice people and bands coming north of the border to experience it!

Getting back to BrainBath, how did you all come together to form the band? How did you choose the name? Was old school Death Metal always going to be your sound?
Kwondo: I’ll let Kendo answer that one as it’s unorthodox, maybe a bit long winded, but it has to be told and gives the reason why we started.

Kendo: The band primarily kicked off around end of summer 2020 during lockdown. At that time in Scotland (and I’m sure pretty much the entire world) it was not permitted to go to someone else’s house, although certain businesses were allowed to operate, one of those being a studio. So originally, it was a way to see our friends via lockdown in a legal way… We grabbed our instruments, a bag of cans and met up in the studio/rehearsal space – there was no real plan to be Death Metal or any style really, like I mentioned earlier, just jam, have a good laugh and drink some tins. In terms of members, or who was involved – it originally started out with myself on guitar, Kenny (Warmaster Kwondo) on vocals, Blacky (Lobotomizer) on 2nd guitar and David McLennan of ‘Coffin Mulch’ (drums).

We met up in a small drum rehearsal space called the DrumpadML in our home town Wishaw, Lanarkshire and started jamming. Kenny put a snippet of what we were doing via video on Facebook and the response was mad! People we didn’t even know asking if we were a band, or if we would be doing CD’s, shirts, etc. – we were stunned as it literally was just pals jamming ideas!? From that video, our good pal Sean Barrett of ‘Nyctopia’ seen what we were up to and wanted to join in with playing and drinking cans, so joined up on bass and that was the line-up originally.

Dave was unfortunately unable to continue on drums, so our other good friend Sean Gillen (Blooter) came in on drums and that’s been the line up since: Vocals: Warmaster Kwondo, Guitar: Kendo, Guitar 2: Lobotomizer, Bass: Barrett & Drums: Blooter.

Kwondo: In terms of how we got our band name. I’m sure you’re aware of the hobby where people urban explore. Well people were exploring this old hospital/mental institute which was abandoned in late 90’s or early 2000’s. I think they lost funding and people just didn’t go back to work and the building was shut (something like that). So there was loads of equipment, furniture and items that have been left. When looking in the rooms of the basement, they noticed an old bathtub with a tarp on top. Thinking nothing of it, they pulled it off and there was this bathtub absolutely full to the rim of human brains! Blacky was messing about with his phone showing us pictures from Reddit or similar and there it was, this picture of brains in a bath. when we discovered the above story and the more we thought about the bodies or people that have since been buried and their brain was left in a bath somewhere, the more mad and morbid it got – I mean, there’s no exactly name tags on these things, who knows who these brains belong to or why they were stock piling them? Mad, eh?.. So that was that, band was called BrainBath – still have the picture if you want to see it! haha (*Luke has messaged the band for the picture haha)

The horror film influence is obvious from your music. Which classic horror flicks have contributed to the BrainBath perversion we hear today?
Kendo: Just like the previous question, I’ll pass it on and let Kwondo answer that as he is the real horror aficionado!

Kwondo: I got into horror though grindhouse films old kung fu films then into old school Italian horror and 80s obscure slashers. Stuff like creeping zombie flesh, Body Melt, The Stuff even cross over things like Shaw brothers and Hammer Horror co-productions like Legend of the seven golden Vampires or Shaw Brothers kung fu serial killer Human Lanterns. There is a wide range out there beyond the normal fare of jump scares and remakes just got to look for it (chances are I probably already own it though, haha)… Most of the Kung Fu movies were shown as double bills that came with a horror movie, I seen my first horror movie which was Return of the Living dead, and the rest is history, I genuinely couldn’t put a number on it although between video and DVD I probably own over 400+ movies so the influences are probably more subconscious than deliberate, just comes out me!

That’s all we have space for. Thanks for answering my questions. I’ll leave the final words to you.
Kendo: Just a big thankyou for taking the time to speak with us, we’ve had a blast answering the questions… Got some killer shows playing with outstanding acts around UK for remainder of 2022, then focus will turn to writing the full length which we’ve had many questions and requests about, so if you haven’t already – Give us a follow on BrainBath Facebook, Instagram and Bandcamp for all the latest updates, and we hope to catch you at a show soon… KEEP IT MACHO!

Info

Ante-Inferno – “Like all small, Northern towns, Scarborough is full of wankers. But my existence nowadays is so enclosed that I’m barely required to register them.”

One of the UK’s most exciting, artistic and talented Black Metals, Ante-Inferno are currently riding the waves of their new album release. I spoke to K.B. about ‘Antediluvian Dreamscapes’, musical progression, strange Northern towns and much more! (Luke Hayhurst)

Greetings to the members of Ante-Inferno. You guys are supremely busy these days, so I appreciate you taking some time to get back to me. Are you able to divulge what you are busy with?
Album three.

You are fresh off releasing ‘Antediluvian Dreamscapes’. My first question regarding the album is, who designed the artwork? It’s unbelievable. What instructions did you give to the artist and how happy are you with the result?
The artist is Stefan Todorović. We gave Stefan a rough outline of what we wanted, which was something roughly in line with the lyrical themes present in the album. The cover art most strongly links up with the song, ‘Beyond the Immemorial Veil’, in terms of the visuals it depicts. We suggested a lonesome figure standing on a barren moorland landscape, with a great portal in the sky seeming to lead to another world. But what Stefan did with that brief was really awesome.

I found that the lyrics on ‘Antediluvian Dreamscapes’ to be focused on death, a mixture of thoughts on life after death but also the very real, down to earth, physical elements of death and its aftermath. Are you a band who prefer to let the audience decipher your lyrics in their own way, or would you rather let them know the exact message behind your words?
I have no problem with people interpreting the lyrics in their own way. After all, the ambiguity of the lyrics naturally invites interpretation. But yes, death and morbidity feature prominently, and this is something I have greatly expanded on in the lyrics for the next album, in which death, suicide, putrefaction, the afterlife, depression, and the contemplation of one’s own demise are entirely the focal points. On “…Dreamscapes”, I wanted to examine the terrible, corruptible, and cruel nature of humanity throughout the ages, from the darkest past to the distant future. The watcher of these crimes and miserable occurrences is a discrete individual, disconnected from time and place in the manner of one dreaming. In “Fane”, and in “Antediluvian Dreamscapes” also, I was very much inspired by William Hope Hodgson’s The House on the Borderland. It’s a work I repeatedly return to, and a fine example of creeping, macabre horror.

Stylistically, I found a great difference between your debut album ‘Fane’ and this year’s opus. Also, whilst I did think there were some similar themes on both albums, the artwork also differed greatly. How conscious were you that the two albums should be very different in sound and presentation? Was it even a conscious decision or something that occurred organically?
I would say that “Fane” was the best music we could create at the time, and the following album demonstrated a continuing advancement from that starting point. I wouldn’t say the difference in sound was deliberate, except that we knew the second album had to be better and we did not want to recreate the first. I tend to go with whatever comes out of my head, honestly; I find it difficult to consciously write in a specific style or direction.

Can you tell me where the name Ante-Inferno comes from and how you came to choose it? I’ve been wanting to know for ages.
The name is inspired by a passage in Dante Alighieri’s “Inferno” and refers to that realm in the underworld which cannot be considered Hell proper, but which is still an accursed, dank and miserable domain to which souls who did not accept Jesus Christ are bound. A world of Pagan thinkers and philosophers who lived good lives yet are now cursed to an existence of despair and degradation just beyond the gates of Hell – spared the agony of the flaming fire but left to a psychological torment that can never cease.

I mentioned in my recent review that Scarborough holds a special place in my heart. Rose tinted glasses are all very well, but I know these days it’s rather chav infested. How on earth did you manage to gather four like-minded people in Scarborough of all places and form a Black Metal band?
Well, only Gary and I live in Scarborough. Nate and Ben live in Leeds and Hull respectively, so perhaps there’s your answer. Like all small, Northern towns, Scarborough is full of wankers. But my existence nowadays is so enclosed that I’m barely required to register them.

I once attended a rock festival in Scarborough Castle. It was a decent venue if you could tolerate the wind. Any chance of Ante-Inferno or Reaper setting up a Black Metal even in the castle? Any plans for gigs in the future in more unorthodox locations, like Fellfoot in Cumbria for example?
In short, yes. But you would have to ask Reaper Agency about that.

I always like to ask this question. Do you follow the UK extreme metal scene closely? What bands or labels do you feel people should be paying attention to?
Personally…yes and no. I am a voracious devourer of black and death metal CDs and records, but I don’t make pains to always seek out the newest bands or the hottest, new, best-selling albums. My willingness to discover new music is also indelibly tied to my mental health. Lately, I have been all-but incapable of listening to any music whatsoever. Depression is a world beyond even the darkest and most sombre music, where only emptiness reigns. So, what UK bands have I listened to, currently, bearing in mind I only listen to bands whose records I have bought in physical format? Heathen Deity, Burial, The Meads of Asphodel, Mithras, The Wolves of Avalon, Forefather… are any of these bands particularly new or topical? Nope. But I don’t really care. Actually, one slightly more current band I’ve listened to of late is Ethereal Shroud. Very good, emotionally driven black metal with a lot of depth. There are others, I’m sure. But my weary mind draws a blank, I’m afraid…

That’s all I have for you. Thanks for taking the time to answer. I shall let you have the final words.
Thanks for the interview and the support. We appreciate it greatly.