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Underground Extreme Metal Fanzine


A new review section: Buried by Time And Dust

We added a new review section, coincidentally another Mayhem reference following 'The Past is Alive', with the title 'Buried by Time and Dust'. Over the years, a lot of promos have been gathering dust simply because a fresh wave of promos arrived the following month and they were consigned to oblivion. We will review them here to make a clear distinction with our other reviews. We will also use it to complete a discography in terms of reviews. Feel free to contact us if you would like to submit your music or would like to join the staff.

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Interviews

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Grief of Emerald – “I don’t care if it is a big magazine printed worldwide or a local Fanzine that is printed 100 copies, I always answer interviews…”

1998, The year Grief of Emerald surprised the metal-scene with their “Nightspawn”. It took a while but their follow-up is good as well. Rob is kind enough to tell us all about it!

When did it all start?
Sending along a flyer from Listenable …sorry but I’m lazy and I don’t have any good bio… formed from the ashes of Mandatory back in 90, Emerald was given birth by Johnny (ex-Decameron, Oderu) and Anders (ex-Necrofeast, Mastema). It was only in 1996 that they stuck to the name of Grief Of Emerald. A mini-CD, now completely out of print, followed on a Scottish label. In September ’96, the band entered the studio to record their debut ‘Signs from a stormy past’ which, due to some financial problem from the said label, never saw the shadow of the dark. Two years later, the band got hooked up by Listenable and their debut album and they decided to re-record some songs from the previous album and some new shots. Haunting and intricate, Grief Of Emerald’s debut definitely showed a band with potential thanks to their heavily loaded guitars, gun machine like double bass, haunting keys and tortured vocals. This successful ear slaughtering piece came out in October ’98 bearing the title of ‘Nightspawn’. After some fights with the drummer Fredrik (Now ‘Obligatorisk tortyr’) he was replaced by the drummer Jonas Blom (From Runemagick, Deathwitch) they recorded their second full-length album ‘Malformed Seed’. Engineered by band’s keyboard player Robert Bengtsson, the new album benefits from an even more smashing production. It also blows the offering with its added intensity, it’s 7string down tuned guitars and those particular stomping slimy parts that crush the whole place. with massive audio torture like ‘Threshold to fire’ or the unrelenting majestic ‘Wingless’, the wicked ‘Life has lost’, Grief Of Emerald have now found their niche in the overcrowded Black/Death Metal scene and are establishing their own style in a very clever manner. The band have also expanded their lyrical style to bloody topics like in ‘Nightstalker’ dealing with a serial killer, or the huge sounding ‘Beaten beyond recognition’, (no, it doesn’t deal with nice girls as you may suggest) like razor blades, they slice, and slay. The current line-up is: Johnny Lehto : Guitar & Vocals, Anders Tång : Bass, Jimmy Karlsson: Guitar, Jonas Blom: Drums, Robert Bengtsson: Keyboards.

A mini-CD called ‘Signs of a stormy past’ was recorded but never was released. Could you tell us about it and are you still satisfied with the songs?
Actually that was a full-length CD for a Scottish label called Deviation Rec. (they did release our first demo as a mini-CD) but the full CD was never released… I was pretty satisfied with the result back then but nowadays… I’m not. It was recorded in a small studio called Studioljudet (Studiosound) by Alex Losbäck (Decameron, Cardinal Sin) and if I remember right, it is was 10 tracks… I don’t remember the titles but some of them were re-recorded and released on the ‘Nightspawn’ album… we decided to do this because the CD wasn’t representative for us anymore …

In 1998 you released your debut album ‘Nightspawn’, where did you record it, who produced it, and are you still satisfied with this one and how were the reactions?
We recorded it in a semi-pro studio called Fullmoon/Musikhuset studio that is located about 10 meters from our rehearsal room…We are lazy I know ..hahaha. I did the recording, mixing and producing myself. I’m pretty pleased with the result of the CD. I think nowadays the sound is a little bit too weak, but there are some really great songs on that album. The artwork for ‘Nightspawn’ was made by a guy called Chad Michael Ward, Digital apocalypse design… we almost used him for ‘Malformed Seed’ again but we didn’t . The reactions were 98 % great… reviews like: maybe the best release this year… Melodies that are sticking like spikes in your head… can’t wait for next release…etc.

Recently you’ve released your latest piece of art called ‘Malformed Seed’. Are you satisfied with the songs, production and artwork? How were the reactions on this one?
Yes I think so, I was a little bit worried about how the reactions would be towards this album… but most of them have been very positive. I did the recording and producing myself on this one too… I said after the last album that I would never do such thing again as playing and producing myself. But… you know how things are… one day you don’t feel like it and the next day you want it…The artwork was done by Graal from Poland he has also done the Theory in Practice, Mutant and Behemoth ‘Satanica’ covers… I’m pleased with his work especially the layout concept…

Both your albums are released on Listenable Records, how did you get in contact with them? For how many albums have you signed? Are you satisfied with their work and promotion for you?
As I said we did have a contract with Deviation Recs but after been waiting for 1.5-2 years we decided to record 2 new tracks and sent ’em out… Listenable were 1 of many to offer us a deal and because of their fast reply’s , phone calls etc. we thought that he was the right man for us… I think we made a great choice. We have signed for 3 albums and yes I’m very satisfied with ’em.

Who writes the lyrics? Are the lyrics an important aspect of the band or are they just there to guide the music?
I write the most of the lyrics nowadays, but Fredrik (former drummer) did help us out with 2 tracks on ‘Malformed Seed’. On ‘Nightspawn’ he did almost all of the lyrics but… time changes, you’ve got to earn your place in the band and he didn’t… I think the Music is the most important thing… I mean if a song is really shitty it won’t be any better with a great lyric… but if the song is great it could get even greater with a good lyric…

How is the underground in Sweden, is everyone familiar with each other? Are you in contact with other (metal) bands, and bands who play different kinds of music? What’s the band’s opinion of today’s underground- or metal scene?
Is there any??? I don’t know really … in Sweden there isn’t much to talk about, but I don’t care if it is a big magazine printed worldwide or a local Fanzine that is printed 100 copies, I always answer interviews for ’em (at least I try to). Bands that we are in contact with…Well I talk on the phone sometimes with Peter Lake (Theory In Practice) because he will do the next recording. Besides that…Soulreaper, Suicidal winds, Obligatorisk Tortyr …Runemagick etc… I don’t have so much time to spend hanging around with people, you know sometimes you take a glass or two and you meet some of them on the pub…

To what bands do the band members listen to and by what bands is Grief Of Emerald influenced? I hear some Morbid Angel and Samael influences, would you agree?
NO!!!! yes hahaha …we all love Morbid Angel and Samael is a great band (maybe not all but the most) We always try not to take any influences but I think that’s kind of hard …you will always take influences of what you hear even if you like it or not… it’s how you arrange the songs that is important…

Could you give me a top 5 of your favourite albums of all-time and a top 5 of your current favourite records?
Hard… don’t know really but I’ll give it a try… I don’t know about the order but here are some CD’s that I like very much. 1) Morbid Angel – Domination, 2) Samael – Passage, 3) Split-CD – Emperor/Enslaved, 4) Mayhem – De Mysteriis Dom Sathanas, 5) Marduk – Those of the unlight.
current: 1) Mutant – The aeonic majesty, 2) Theory In Practice – Armageddon theories, 3) Hollenthon – Domus mundi 4) Immortal – Damned in black, 5) Iron Maiden – Brave new world ( yes I like it …ALOT !!!).

How many times have you played live already and are there plans for a tour as a support for a ‘bigger’ band? Tell some of your experiences playing live. What are your expectations for Grief Of Emerald in the future?
I hope there will be some kind of a tour…we have done a mini-tour in Belgium and Holland + some gigs in Germany, France and Finland. It would be great to go on the road as a warm up for bigger bands.

I know your album has just been released but have you already written any new songs? If so, in what way do they differ from the ‘old’ stuff if they differ at all?
Yes we have some new songs ready, we are always doing songs when we rehearse except when we are close to a gig… It seems like we are going even more Death Metal and blast beats again… More brutal tunes and less melodic stuff… The new songs are really great I think, maybe not so ‘easy’ listening, but still with catchy riffs and some horror theme to the keyboards, you all gonna see…

What do the band members do in order to make a living? Are they studying or do they have a job?
We all work (but I don’t want to, but who wants that) except for Jonas, the poor bastard …

What’s your opinion on Black Metal? Are there bands you like and some you don’t like or do you hate them all, musically, production-wise and band-image?
I try to listen to everything… In metal I mean … Pop shit and stuff can just fuck off!!! I can’t stand a bad sound quality!! The sound can be very rough and stuff like that but if the mix sucks I just turn it of… like when you get tons of guitars and no drums or the vocals cannot be heard. I turn the shit of, sad but true… I always think it’s funny (yes, FUNNY) to read about how very EVIL and TRUE everyone is. When a band proclaims that they are eating babies and sleep in coffins and stuff like that… hahahaha come on… Just look how Mortiis looks… troll ??? Old rag if I would say so haha!!!!!!!!!! Hip hoppers are more evil than that hohohoho. But if the band can play and do good songs I would respect them for their music anyway… Bands: Marduk, kicks ass live !!! Morbid angel rules and I don’t get tired of the Samael – Passage CD, that’s for sure.

What’s your opinion on the Internet? Some say it doesn’t have the underground spirit, other say it’s a great way to have contact with all kind of bands. One problem….If you don’t update it often, it is not worth mentioning!
I think it’s a great way to communicate… e-mails and web sites etc. It’s really good when you want to watch porn hahaha… We will have an official homepage soon I hope… we have one guy working on it right now… I totally agree with you a site that doesn’t get updated regularly is DEAD and doesn’t deserve attention… We will try to have a ‘living ‘ homepage with free giveaways and gig stories with pics and stuff like that…

Bizarre stories…share it with us!
It will be on the homepage… hehehe (and photos of the whole shit) But for the moment, …hmmm it was pretty fun when we had a party at the hotel in Oss, Holland. They had some kind of a Disco bowling… we made it to a metalbowling arena … Boots on such a floor… black marks… The hotel manager came to us 5 o’clock in the morning all red in his face and said ‘-if you don’t go to sleep RIGHT NOW you won’t be even allowed to sleep at the parking lot ‘ hahahaha he was mad! When I woke up that morning a glass of piss was standing on my bedroom table and all chairs and stuff was on the outside on the lawn. All windows and doors where open and I was all naked with a bottle of beer half empty besides me… it was expensive to pay for some damaged lamps and stuff like that… but it was really fun to be a ‘Rockstar ‘ hahahaha.

Thanx for this interview, here’s some space to give your best Jerry Springer final thoughts or whatever you wanna let us know!
OOOohhh Jerry springer !!! Well Mom I’m into animal sex and I have an affair with my dad hahahaha… Thanx as hell for the interview and all fuckers out there …Hope we meet you on the road sometime… In the meantime make sure to check the ‘Malformed Seed out’. Hails

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Altar – “The value to have the Altar demo is for the fans of the first hour, I think.”

The year 2000, as we have transformed from a xeroxed zine into a webzine and we have more possibilities, we’re going to do things a bit differently with interviews. Besides the normal underground “in-depth”-interviews we are also going to ask some questions to more well known bands who just released something. We only asking about the new release, so no history questions and such. Marcel of Altar is the first one to talk about their new release; ‘Until Heaven Forbids’.

Hello! How are you?
Fine!!

Almost 42 minutes worth of Altar I have in my hands here at a price of a MCD. There are many releases with the duration of 30 minutes (and some even less) and are sold as a full-length, with the price of a full-length. What is your opinion? Have you received positive reactions about this?
I have got great reactions on this, this is a true ode to our fans and we are proud in doing this!

The new song ‘I am your provider’;  reading the lyrics it’s like it’s about a demonic creature that will haunt while you are asleep. But I can also be described as talking about the evil aspect of the internet,  especially using the phrase “The highest score”. Am I right or…?
No, you are right, it is a story about calling the evil through internet, I like the story a lot!

You have included your ‘And God Created Satan to Blame for His Mistakes” demo as a bonus on this compilation. According to your explanation, many were looking for this. It’s nice to release it for your fans, but originally the demo got lots of notice through tape-trading. Would it cross your mind to say something like “hey, there are a lot out there who got it, maybe try tape-trading again and maybe you will meet a lot of interesting people….”?
No, why? And listen to a tape which is played over and over again while you can get a quality of CD? Tape trading to meet a lot of interesting people? There must be other ways….

Fortunately you didn’t put it on the web as mp3 or even worse, only on mp3. Did you consider this? Do you also think the value to have the Altar demo in the collection will be less, because of that?
We had thoughts about it, but there will be people who`ll put in on the net anyway, the value to have the Altar demo is for the fans of the first hour I think.

Edwin Kelder made the front cover, right? Does he paint a lot? Are there any people who said to you; “it’s nice, but after the S.O.D.’s paraody on ‘Number of the Beast’, it’s not that special anymore.”?
Yes, Edwin paints a lot and if you have noticed any other cd`s of ours he did every artwork on them. We did not have any reaction of metalheads (only you, hahaha) which compared our cdcover with SOD, SOD does a parody on Iron Maiden, we honour Iron Maiden.

How about the new full-length? Have you recorded some more tracks? Same style? By the way, Spitzenburg Records….who are they and are there more bands connected with them?
We are rehearsing songs for our new CD which will be recorded in October. Spitzenburg records is a label of Zomba. They are dealing with some other bands.

Thanx for your time….any last words?
I hope everyone stays healthy in this fucked up world and keep listening (any kind of) music!

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Polluted Inheritance – “In hindsight it might have been ‘to much’ but this was what we wanted at that time”

An attempt to keep this great Dutch Technical Death Metal band in the minds of the Metal fans…
200Yes, the cliché question: your biography. How long does Polluted Inheritance exist, line-up changes, former bands?
You can read the bio on URL on our website.

Could you tell me how many demo’s Polluted Inheritance has released, how much were sold and how are your feelings about it nowadays?
We released 2 demo’s:  ‘Afterlife’ of which 400 copies were sold and ‘Demo ’94’ of which 600 copies were sold. The reactions on the demo’s always were very positive and for me they’re still masterpieces.

How did you get in contact with West Virginia Rec., how do you look back on your debut album ‘Ecocide’ and WVR? How were the reactions on ‘Ecocide’?
We got in contact with WVR via an acquaintance of ours who also was acquainted with the people of WVR. They were interested in our ‘Afterlife’ demo. After we had visited them in Germany they offered us a contract. The ‘Ecocide’ CD is still highly estimated and our fans made it become a collector’s item. When we look back on it, we think it could have been much better. But as it is our first album we are very proud of it.

After ‘Ecocide’ the next release was in 1994, when a promo with 4 songs on it was released. Was it primarily meant to raise interest of labels and fans? Are all songs also on ‘Betrayed’ included?
The promo was a real demo which was thus named demo ’94 en was meant to bring the new stuff back into interest. All the songs are on ‘Betrayed’ but they were re-recorded.

In 1995 you signed a contract with DSFA and in June ’96 your second album ‘Betrayed’ was released. Are you still satisfied with the production  and the songs on it? Personally I think it’s overproduced.
‘Betrayed’ was the next step for us. The deal with DSFA Records included that we our- selves had to pay for the studio and since we didn’t have a big super production budget, it didn’t turn out to be a super production. On ‘Ecocide’ we had a problem with the drum sound. We corrected this on ‘Betrayed’. In hindsight it might have been ‘to much’ but this was what we wanted at that time. The reactions were very positive but it went to far for some people and they probably didn’t like it. The sale numbers did not come up to the expectations so that the contract was not extended.

In 1997 Polluted Inheritance played on a tour through Holland. I saw you play a great show in the Fenix in Sittard. However most visitors couldn’t keep track of the songs and some said that Polluted Inheritance played too spastic to bang on. What impressions/experiences has the tour given you and how were the reactions? Have you played recently?
We learned alot from this tour and most concerts were very cool. We played in sold out places but we also played in front of less then 20 people, but that’s all part of it. Recently we played in ‘Het Paard’ in Den Haag with Blo.Torch and Reborn. We are very busy with our new songs so we only play live once a while.

After the tour it got very quiet around Polluted Inheritance. What happened after the tour, are you still signed to DSFA? As you probably have written new tracks, tell us in which way (if any) the new stuff differs from you old stuff?
It got quiet around us in the media, but what can you do about it when the sale numbers don’t come up to the expectations and when a new album has to be waited for. We always continue writing and playing music so new songs are made constantly. The new songs are a step further again and are more of a mixture between ‘Ecocide’ and ‘Betrayed’. The song structure is less experimental and the songs aren’t stuffed with all kinds of techniques.

What’s the band’s opinion of today’s underground- or metalscene? Is there alot of contact with other bands, also bands who play a different style? What’s the band members occupation nowadays as they still were studying when ‘Ecocide’ was released?
For many years I’ve been in contact with many people in the scene, however this has become less. I still keep track on it as much as I can. We’ve good contact with friends from the past en that will remain as these people still are active in the scene. Nowadays everybody works.

To what music/bands do the band members listen to/get influenced by? Could you give me a top 5 of your all-time favorite albums and a top 5 of your current favorite albums?
-Our personal preferences are very diverse, we still listen to metal but other music styles are also to be found in our CD-collections.
all-time albums:
1 Slayer-Reign in blood
2 Death-Human
3 Death-Symbolic
4 Death-Individual thought patterns
5 Morbid Angel-Altars of madness

current albums:
1 Death-The sound of perseverance
2 Delinquit Habits-Delinquit Habits
3 S.O.D.-Speak English or die
4 Morbid Angel-Formulas fatal to the flesh
5 Cypress Hill-Black Sunday

What are Polluted Inheritance’s future plans, will you release a new album or is a contract of bigger importance?
Polluted Inheritance will enter the studio to record a new album next year. We are still searching for a deal or distribution but it’s certain that the album will be recorded and unleashed.

Okay, that’s all I could think of right now, here’s some space to give your best Jimmy Hopper final thoughts, merchandise, promotion, contact address or whatever you wanna let us know!
Polluted Inheritance will release another quality album who will be worth the wait.
Greetz Menno
 

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Fleshcrawl – “The work and support from Black Mark was fuckin’ shitty – they just didn’t know or even want to really build the band up”

One of Germany coolest Death Metal bands released their 5th album which is a must if you like the old Swedish Death Metal style.

I know it’s a fuckin’ bore but please give us your biography, were the band members in other bands before Fleshcrawl and were there any line-up changes?
The band was founded in 1987, but existed under a couple of different names at that time. The renaming into Fleshcrawl happened in 1991 when we also released a 7″EP for Morbid Records. In 1992, we signed to Black Mark Production and released our debut album “Descend into the absurd” also in 1992. The following albums for Black Mark have been “Impurity” (1994), “Bloodsoul” (1996) and “Bloodred Massacre” (1997). Apart from a lot of single shows and mini tours, we played 2 European tours so far. The first one was in april 1995 together with Deicide, Cathedral, Brutal Truth, Sinister and Kataklysm, the second one in october 1998 together with Cannibal Corpse, Vader, Monstrosity, Dark Funeral, Infernal Majesty and Kataklysm. In fall 1998, we parted company with Black Mark because we were really unhappy with their work for a long time. Shortly after that, we signed a contract with Invasion Records which turned out to be mysterious cause the label office kinda ‘disappeared’ totally. The consequence was that we got ourselves out of this contract via lawyer. This happened shortly before our recording session for the new album “As blood rains…” We got in touch with the guys from Metal Blade Europe and they offered us a new record deal. In the meantime, we entered Studio Fredman in Gothenburg, Sweden, to record “As blood rains”. This was done in July 1999. The Metal Blade deal was signed in October 1999 and the release of the new record scheduled for January 2000. In spring 1998, we found a new bass player (Tobias Schick) after a long time playing without bass at all. Tobias also plays guitar in an underground band called “True Obsession”. Apart from that line-up change, everything is constant now for 3 years.

Your debut album “Descend into the absurd” came out in 1992. Where was it recorded, who produced it and are you still satisfied with the songs, production and artwork? How were the reactions on this one? Did you release some demos before this album?
The debut was recorded in Montezuma Studio Stockholm, Sweden. The so-called ‘producer’ was Börje Forsberg (Black Mark President) himself, but in fact Rex Gisslen, the studio engineer, did most of the productional work. Of course, we still are satisfied with the material from the debut although it does not reflect our style of nowadays. Our music became much more extreme compared to that from the beginning days. The production of the debut album is pretty clear, but flat if I listen to the album today. It lacks a bit of sound pressure, I think. We still like the artwork because it is a great painting. It was done by the same guy who now did the cover for “As blood rains…” The reactions in the metal press for our debut album really were great. Also, at that time (1992) Death Metal was still at its top. We released a demo “Festering Flesh” under the band name “Suffocation “in 1990 and one 7″EP “Lost in a grave” as Fleshcrawl in summer 1991.

Your second album “Impurity” came out in 1994, your third album “Bloodsoul” came out in 1996, your fourth album “Bloodred massacre” came out in 1997. Where were they recorded, who produced them and are you still satisfied with the songs, production and artwork? How were the reactions on them?
Impurity (1994): Recording studio: Unisound, Finspang, Sweden; engineer Dan Swanö Producer: Fleshcrawl & Dan Swanö
Bloodsoul (1996): Recording studio: Abyss, Nyhammar, Sweden; engineer Peter Tägtgren Producer: Fleshcrawl & Peter Tägtgren
Bloodred Massacre (1997): Recording studio: Abyss, Nyhammar, Sweden; engineer Peter Tägtgren Producer: Fleshcrawl & Peter Tägtgren
I still like all our albums from the past although there are some songs which we probably wouldn’t write again in the same manner. We always had a good and powerful production on these albums, I think because we only used good studios with people behind the board who exactly knew what they were doing. The ideas for the artwork differed of course. On “Impurity” we had a simple photography which fitted best to the album and the songs. “Bloodsoul” also had a photo on the cover, but we fucked around with it a lot in the computer and stuff. For “Bloodred massacre” we wanted to use a painting again and therefore got in touch with a Finnish artist called Juha Vuorma who did the cover for “Bloodred Massacre”. Most of our press in the past was really good. Of course we also had some bad reviews and stuff, but you always have that somewhere – you cannot please everybody. The best critics from the old albums received “Bloodred Massacre” which also meant album of the month in Czech “Spark” Magazine and a CD track for the famous French “HardRock Magazine”.

Your first 4 records were released by Black Mark. Were you content with their work/promotion for you? You’ve signed a contract with Invasion Records but this label apparently disappeared from the face of the planet. How did you get in contact with Metal Blade, were more labels interested in signing Fleshcrawl? For how many albums is the deal?
The work and support from Black Mark was fuckin’ shitty – they just didn’t know or even want to really build the band up. This state became worse and worse especially for “Bloodsoul”. We tried to get out of the contract at that time, but there was no chance. They even promised to do better work for the follow-up “Bloodred Massacre”; they also improved a little, but that was just like a drop in the sea. We were really happy as we got out of the contract in fall 1998 and shortly after signed to Invasion Records. Under mysterious circumstances however, the label disappeared and we were forced to search for a new label once more cause they didn’t confirm us our studio time even 3 weeks before the recording time. So we got out of the contract via lawyer. In the meantime, we also had to change the studio from the Abyss Studio to the Fredman Studio because Peter Tägtgren cancelled our already booked time. He signed a major deal with his project band “Pain” and the majorlabel forced him to record an album right away. So we started looking for a new recording studio. We couldn’t stick to May 1999 which was our preferred recording time. We got in touch with the guys from Studio Fredman and they were not booked for July, so we fixed this time at once. Shortly after we got in touch with the Metal Blade Office Europe (we know a couple of them for years already) and they wanted to help us right away. So we received the contract and signed it in October 1999 for an amount of 5 albums. Before that in July 1999, we entered the Fredman and did 14 days of recording for the new album. We also had offers from other labels, but those were far not that interesting and promising for us than the Metal Blade deal.

Recently your new album “As blood rains from the sky…” was released. Were was it recorded, who produced it and are you still satisfied with the songs, production and artwork? How were the reactions on this one? This album came out on Metal Blade, are you content with their work/ promotion for you sofar?
As blood rains: Recording Studio: Fredman, Gothenburg, Sweden; engineer: Anders Friden, Rune Johansson Mixed by: Fredrik Nordström Producer: Fleshcrawl
This album is out since a couple of days only and it is too early to tell anything about reactions and stuff. The first couple of reviews however really turned out to be the best ones we ever received. The fact that we are on Metal Blade now is the fuckin’ best what could have happened to us! They are doing a great job to support the new album – everything is just killer!

If I’m correct you’ve recorded a cover on each album sofar, on the new album there are even 2 covers: Exicter’s “Swords of darkness” and “The day man lost” from Carnage. Tell us which songs from what bands you covered and why?
That’s right! We have “Swords of Darkness” from Exciter as our regular cover song on the album. Kinda bonus track is “The day man lost” from Carnage. We fuckin’ liked the “Swords…” song and we saw that it fits great to Death Metal, even the non Death Metal vocal style from the original version was no problem to convert to our sound and transport it to Death Metal in general. The Carnage song was a little bit of a left-over from the plans Invasion Records had cause they wanted that song to be a bonus track for a possible Japan release. Well, we had the song done already (pretty easy one) and we didn’t want to just discard it, so we decided to record it anyway and wait what happens. So now it’s coming out anyway.

Who writes the lyrics, what are they about? Is there any concept in them? Are the lyrics an important aspect of the band or are they just there to guide the music?
I am writing 90% of the lyrics. There is no real concept or story behind it. It is just good sounding phrases and words which are perfectly trimmed to the music and the vocal lines. In fact, the lyrics are there to guide the music and have absolutely no priority.

How is the underground in the Germany, is everyone familiar with each other? Are you in contact with other metal bands, and bands who play different kinds of music?? What’s the band’s opinion of today’s underground- or metalscene?
It is alright, there are quite a lot of bands here, but not everybody has a deal and has the chance to reach more people by releasing albums. We know a couple of bands in our area and some more in areas which are further away from us, but the scene is not as strong as years ago.

To what bands do the band members listen to, is it mainly metal or also stuff like Jewel or jazz?? By what bands is Fleshcrawl influenced, would you agree with a description as “Swedish Death Metal from Germany”?
“Swedish Death Metal from Germany” is a pretty good description for our sound. I would call it “straight-forward-in-your-face” Death Metal. We are definitely inspired by the Swedish scene and this sound in general. That’s the music we like to play for years now and we will keep on going. Concerning the music I listen to is pretty much everything from all kinds of styles except folk and classical music. I think it is important to be open minded for different stuff also. And so far this fact didn’t keep Fleshcrawl from writing extreme music, right?

Could you give me a top 5 of your favorite albums of all-time and a top 5 of your current favorite records?
all time: 1 Obituary – Cause of Death, 2 Slayer – everything, 3 Death – Human, 4 Judas Priest – Sin after Sin, 5 Entombed – Left Hand path
current ones: 1 Slaughter – Back to Reality, 2 Stuck Mojo – Snappin’ Necks, 3 Carnal Forge – Who’s gonna burn, 4 Ozzy – No more tears, 5 Pink Cream 69 – Electrified

How many times have you played live already, tell us some tour experiences and are there plans for a tour through Europe or elsewhere? What are your expectations for Fleshcrawl in the future?
We played a lot of single shows in the past and 2 European tours, one in April 1995 with Deicide, Cathedral, Brutal Truth, Sinister and Kataklysm. The second one took place in October 1998 together with Cannibal, Dark Funeral, Vader, Monstrosity, Kataklysm and Infernal Majesty. The best show reactions and experiences we ever had have been in Paris, Kopenhagen and Slovenia. The fans there are really crazy and give everything. We will do a tour for the new album as well, but it is too early right now as there is nothing confirmed yet. We’ll see in the next weeks…

As you already had recorded the new album before you signed the deal with Metal Blade: have you already written any new songs? If so, in what way do they differ from the “old” stuff if they differ at all?
No, we don’t have any new songs ready at the moment. I think, we’ll start writing again in the next upcoming months.

What do the band members do in order to make a living? Are they studying or do they have a job?
We all have to work to make a living, of course. Stefan is doing graphical stuff (designing media things, e.g. CD booklets), Mike is supporting online services, Tobs is doing civil service, Sven is taking care of old people and I am doing administration of computer networks.

What’s your opinion on black metal? Are there bands you like and some you don’t like or do you hate them all, musically, production-wise and band-image?
I am no fan of Black Metal, so I don’t have an eye on this scene. It is just not my type of music and therefore I really cannot say anything to judge black metal bands and stuff.

A non-musical question: if you like football, please tell us who’ll win the European Champion- ship? Any favorite countries for the title?
Sorry man, I am also no football fanatic! I don’t have a clue about the teams or who is top or flop!

What’s your opinion on the Internet? It seems that many bands and labels are featured on it and have websites which anyone can visit, although there remain some bands who dislike the Internet. I think it’s great BUT only if the bands/labels update their site regularly.
Well, the internet is definitely important for the music scene to present their stuff and information all the time. Of course, the sites should be updated regularly, same with ours, but sometimes it is not that easy. We also will update our site again, but not before the middle or end of February cause the graphic designer who is doing it is unavailable before that time.

Okay, that’s all I could think of right now, here’s some space to give your best Jerry Springer final thoughts, merchandise, promotion, contact address or whatever you wanna let us know! Cheerzz, may the banana be with you!!
Thanx for the interview. If you are addicted to good, killing Death Metal, you gotta get “As blood rains…” It blasts your fuckin’ brains out…

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Rebaelliun – “I’ve been seeing many bands doing things like that just to hide their weak music and their mediocre talent…”

Brazil is Back! Ronaldo Lima of Rebaelliun will tell why…

Tell something about the band’s history.
Rebaelliun’ was created almost 2 years ago. In march ’98, me and Penna (we played together before from 92  to 96 in another Death Metal band) decided to return to the Metal scene (after a break of 2 years – from 96 to 98) and start with a band which the main purpose is play a kind of extreme, brutal, fast and chaotic music. As we didn’t get any support from anyone in our country, we decided to rehearse just some months to record our legendary “Promo Tape ‘98” and to go to Europe 1 month later to spread the name of the band (we sold everything we had to do that).  When we landed in Europe we worked hard to get some gigs and to show people our music, so we played 19 gigs during 3 months in countries like Holland, Belgium and Germany. Two of these concerts we played as open act for Deicide. After 400 tapes spread in Europe in a few weeks, and very good responses from the crowd where we played, we finally signed a deal with Hammerheart Rec. In April ’99 our Promo Tape was re-released in an MCD called ‘At War’, which got superb reviews in magazines all over the world… Back to Brazil we started to work in a full length album which one was released in November ’99, it’s called ‘Burn The Promised Land’.

You just record a full length, tell something about the recording.
We recorded it between June/July ’99 in Brazil at a modest studio we knew (the same studio where we’ve recorded our “Promo Tape ’98”). It contains 9 tracks of hellish and pure extreme music. We’re very satisfied about the sound of this record but I have to say you we had lots of work mixing and finishing the songs… it was like a probation for us. At the end of mixing we were totally exhausted but satisfied with the results as well. Now that’s released we hope people enjoy it as we do.

You named influences of Mozart and Bach, do you want to let that it come forward in your music?
We really have some influence from classical music and instrumental music as well… but it’s just like a particular delight listening to the great composers and their music. Mainly, Rebaelliun’ has influences of extreme Metal music with regard the compositions….always brutal and powerful music.

You’re going on tour with Satyricon. Do you think is that a good band to tour with?
I can’t answer it ’cause I don’t know personally these guys. But I’ve heard very well about this band and their last release. However, it was changed and Hammerheart is arranging another tour over Europe beside Limbonic Art.It’ll be between January/February 2000. All the info about this tour can be found at Hammerheart Home Page and also soon on the Rebaelliun’ official homepage (http://rebaelliun.cjb.net)

What band would you really like to tour with?
There are so many bands we’d like to tour with… but the favourite are: Morbid Angel (the great masters of brutality) or Krisiun (Kings of killing)

How did you get in touch with Hammerheart?
They heard about us thru a tape we sent them when we were touring Europe. Also, we met them several times at some gigs and they were blown out by our music, so they did an offer to sign with us. We already had received some offers from several companies but Hammerheart did the best one, so we decided to sign with them.

Your homepage was made in Belgium, Christophe Szpajdel promotes you…how did you get in touch with all these guys?
Well…we landed in Belgium (Brussels) when we arrived in Europe and we just got a few addresses and telephone numbers from some Belgian bands and pubs ’cause Christophe Szpajdel was in touch with us some months before the trip. He is in contact with many bands from Brazil and he’s very interested in Brazilian acts from a long time. He was one of the most important people who supported us when we arrived in Europe. However, we knew many guys during our tour including Johan Andries – who makes the Unofficial Home Page. Belgian metalheads gave us all their support and respect, so we’re proud to call them our friends and we’re very glad for them for everything they did for us. Thank you!

You’ll play new written songs on tour. Are they different to your other material?
We are gonna play the songs from ‘Burn The Promised Land’ of course, and another one totally new which we’re finishing. We put this one on the set list ‘cause we wanna show people how amazing will be the next songs of Rebaelliun. The Songs from the debut-album are in the same vein of the ‘At War’ MCD, but more extreme and faster with much better production as well. We will never change our music, we’ll just try to improve it even more each album.

Brazil has always had some good bands (Sepultura, Krisiun, Sarcofago). How are things at the moment?
Name some good new bands from Brazil. I think it’s rising a new conception of extreme, fast and brutal music overhere. It’s happening ‘cause new bands are influenced by acts like Krisiun and maybe Rebaelliun’ as well…they’re watching the ascension of these bands and felling like an enthusiasm about how could be the new sonic universe of the extreme Metal music played nowadays by Brazilian bands. Think it’s a fact that is happening all over the world in respect the extreme Metal… About new good bands from here, I’d say: Abhorrence, Anesthesia, Ophiolatry, Mental Horror and Interior Soul.

What do you think of the Metal scene in general?
I think things are going better nowadays…more gigs, labels, tours, zines and mags. Bands get more production and much more support than before. But, it’s not fucking great yet… there are a lot of things to be improved with respect union and anti-fascism attitude. We must be united to be strong and to avoid narrow-minded thoughts .

What are you 5 favorite new albums and your 5 all-time favourite albums?
The new ones are:
“Burn the Promised Land” – Rebaelliun
“Apocalyptic Revelations” – Krisiun
“Formulas Fatal to the Flesh” – Morbid Angel
“Choronzonic Chaos Gods” – Centurian
“Among the Catacombs…” – Nile

The all-time favourite are:
“Altars of Madness” – Morbid Angel
“Covenant” – Morbid Angel
“Reign In Blood” – Slayer
“Legion” – Deicide
“Beneath the Remains” – Sepultura

You already received a lot of good critics. Any negative things, too?
We didn’t received any negative critic until now. All the reactions and reviews are superb and extremely positives. So, we’re proud, people understand our musical conceptions and enjoy it as well.

How do you write songs? The whole band at once or does everybody come with ideas he made up individually?
Actually, most of songs come from the guitar, so me and Penna create almost all songs (guitars parts) as a draft. The mainly idea is there, on that parts, but
the arrangements (very important, too) are made by all the band members in the rehearsals. Sandro (drummer) put the drums arrangements and Marcello works with the vocal and bass parts until we reach a good result in a view of everybody.

Do you have any special live acts, like a lot of Black Metal bands do?
We don’t have any special thing at now…I think it’s cool when you do that to improve the concert or to turn the show more aggressive but, I don’t like if you use too much things like tons of nails and make up or something. I’ve been seeing many bands doing things like that just to hide their weak music and their mediocre talent…this bores me!

In what way do you want Rebaelliun’ to develop: more brutal or more melody or something completely different?
We’ll be always fast and brutal… extreme is our music ‘cause extreme we are and we fell this damned life that way. Of course we wanna put other elements
into our music as well…but it’ll be always in the name of the most blaspheme and chaotical way we could do that!

Last words…
I’d like to say thank you for this interview! To all Metal maniacs all over the world: A warmachine called Rebaelliun’ will unleash their wrath on this damned land in a pure demonstration of fury and hellish havoc on stage!! European manicas – See you on “Burning Europe – The Promised Tour 2000”!!

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Immolation – “We have been successful in many ways, but we would like to get to the point where we can actually make this a second business in some way”

Immolation’s first release ‘Dawn of Possession’ became an instant classic. With their latest album ‘Failures for Gods’, they have certainly deserved an interview with VM. Guitar player Bob Vigna was kind enough to answer all my questions. First let’s find out how he’s doing right now…

Everything is going great right now. We just got home from our tour with Six Feet Under in the States, and it was a really good one for us. We picked up a lot of new fans and had a great time. The Six Feet guys were totally cool too and their crew helped us out a lot.

Excellent. And how do you look back on last year’s European tour?
That tour was great as well. We did that one on our own and did it full force with our light show and all. We did about 20 shows throughout Europe, all were good, even the light crowds kicked ass!! We will be heading back in August to do a few dates on our own and also do the Wacken Open Air as well as a Belgium fest. Can’t wait!

Actually, neither can I. I saw you in Tilburg, and the night before that you spent some time at a party, right? How was that?
It was awesome. We hung out with a lot of cool people in an outdoor field with a bonfire and all these bands playing. It was really cool, a great way to start the tour in true metal fashion!

Something completely different… how’s it going with the composing of new material? New stuff yet?
Yes, we will now be getting the new album together and get it recorded. Then we will be doing a couple of fests in the States, followed by the European trip in August, then we will tour with Morbid Angel in September in the States, so we have a lot going on now. The new material will be very dark and unholy of course!

Many people see your debut album ‘Dawn of Possession’ as a Death Metal classic, and so do I. Does this haunt your mind? Is it a burden for you?
No, not at all, it’s a great compliment, because we feel that we have been improving with each album, so that’s a good thing!

I hope to see another Immolation album soon. It usually takes you quite some time to release an album. Any special reasons for that?
Well, like I said we are working on new material now and will try and release this new one at the end of the year! Good music takes time!

Well, that’s true. Another thing: the lyrics. They’re mostly anti-Christian. Why, and what’s your point of view on the subject?
Well, we take many points of view, if you read the lyrics you’ll see what it’s all about.

I actually do wonder where your musical inspiration comes from. I mean, is it just other music or also stuff like movies, books etc.?
It comes from our minds, we are inspired by lots of things, different music, we just do what comes naturally. We always try and be as original and innovative as possible.

Is it difficult for you to still write original music?
Sometimes it’s hard, it’s always challenging for sure, but we like challenges, we are faced with them very often.

You have your own official homepage nowadays, at www.immolationdirect.com. I’ve visited it a couple of times now, but there’s not very much info on it yet. When is there going to be some more stuff on it?
There is a lot more on it now, we will be adding to it soon as we are now back home. We like to give it that personal touch, so it takes time.

Yezzz, here we go again: the standard VM zine question: the five all-time favourite records and the five favourite new records. Always interesting…
Iron Maiden – Powerslave (Godzz!)
Metallica – Ride the Lightning
Mercyful Fate – Melissa
Possessed – Seven Churches
Necrophagia – Season Of the Dead
My Dying Bride – The Light at the End of the World
Incantation – New Unreleased
Tori Amos – Venus
Cannibal Corpse – Bloodthirst
The Gathering – Live

It seems that extreme Death Metal is totally back on its feet. What do you think about it?
Everything has its ups and downs, we just keep doing what we do and let metal take place!

That’s the spirit. Back to the lyrics: is there a message you are trying to spread with them?
Everyone can get whatever they want, whether it be the deep messages, or just the enjoyment of the music, it’s up to the individual.

Immolation has been appreciated in the underground ever since the beginning. What more would you like to achieve?
To actually make some kind of income off of the band. We have been successful in many ways, but we would like to get to the point where we can actually make this a second business in some way.

Yeah, it’s always nice making money with doing what you like most. That wraps it up, the final words are for you…
Thanks for the great support and look for us on the road this year!!!

Will do! And thanks to you for answering the questions.

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Autumn Leaves – “…The Danish bands NEVER try to promote themselves outside the borders of Denmark…”

After being blast away by all their releases so far, I decided to give this fantastic Danish band some more promotion for their new 2d album ‘As Night Conquers Day’. It’s answered by Flemming, one of their guitarists. So here’s Autumn Leaves!

I know it’s a fuckin’ bore but please give us your biography, were the band members in other bands before Autumn Leaves? Is it true that there hasn’t been any line-up changes in Autumn Leaves since your demo?
To make along boring story short: 4 of us played in a band called Decrial which started up in 1992. In 1993 Decrial released the only demo tape ‘Desires Unfold’. Sometime after that we kicked out the other guitarist and changed name into Autumn Leaves. We found another guitarist and we recorded our only demo ‘Hope Springs Eternal’ in 1995. In 1997 our debut CD ‘Embraced by the absolute’ was released and on May 21st 1999 our 2nd CD ‘As Night Conquers Day’ will be released. It’s true, we haven’t had any line-up changes ever. We’re pretty proud of that.

Your first killer release was the ‘Hope springs eternal’ demo which saw the darkness of this world in 1995. Where did you record it, who produced it and are you still satisfied with it? Hoe were the reactions on it?
Jacob Hansen, who also has produced the new CD, produced the demo. It was recorded at the place where we used to rehearse. There were 3 rehearsal rooms + 1 studio, and the studio was o.k. and VERY cheap. I think the sound turned out o.k. on the demo. Yeah, I guess the demo is pretty cool. I haven’t listened to it for ages though! The reactions were killer. It secured us the deal with Serious Entertainment.

In 1997 you debut killer album named ‘Embraced by the absolute’ was unleashed by Serious Entertainment. Where was it recorded, who produced it and are you still satisfied the music, production and the cover? How were the reactions on it?
The CD was recorded at Borsing Recording with Tue Madsen of the Danish band GROPE as producer. He’s a killer guy, and he helped us a lot. We were quite happy about the production back then, but today we prefer the production we have on the new CD. The production on ‘Embraced…’ was too brutal (Saldiac: no way it’s great!), but that was what we wanted back then. I still like the front cover a lot. I’m a bit tired of the pictures in the booklet, but still the CD is much prettier that so many other CD’s. The reactions have been incredible. We have had the best reviews we could ever dream of. Hopefully people will like the new one just as much.

I read in another interview that the deal with Serious Entertainment was for only one album but your newest raging output is also released by Serious Entertainment. Did they offer you a good new deal for more albums? Did you get any other interesting offers from other labels? Are you satisfied with Serious Entertainment’s work for you?
Well, we were so satisfied with Serious Entertainment that I really didn’t send out the CD to other labels. I don’t know if anyone else would have signed us, but Serious Entertainment was interested in us again, and we agreed. The deal is pretty good I think. If we don’t get a killer offer from a big label I think we’ll release the next one on Serious Entertainment as well. We’ll just have to wait and see.

Now in the apocalyptic year 1999 you released the new album ‘As night conquers day’, tell us some more about it. You recorded it somewhere else than your debut album, why? Who produced it and tell our readers what they can expect on this majestic album! In my opinion you naturally developed into an even better band without losing the Autumn Leaves-sound which marked your previous stuff.
The new CD was recorded at the Aabenraa studio where Jacob Hansen (who also owns Serious Entertainment) always records. He has produced stuff like Illdisposed, Aurora, Without Grief etc. down there. He made exactly the sound we wanted: Brutal and heavy, yet very clear and melodic. He is by far one of the best producers in Metal. Dan Swanö has praised his work many times. We recorded with him because he’s cool and it was much cheaper. People can expect a total great piece of melodic Death Metal with a great production and artwork. The CD lasts more than 52 minutes, so it’s value for money! Also people usually praise our musicianship, so you won’t hear any crappy amateur songs! The new stuff is a bit more melodic than the old songs. They are also more ‘conscious’ and more like worked-through if you know what I mean?!?

Since I got a promo (thanxx a lot for it!) I don’t have the lyrics of the new songs. Could you tell us where the lyrics of the various songs are about? Is there any concept in them? Are the lyrics an important aspect of the band or are they just there to guide the music?
Well since we are 4 different guys who write lyrics the contents can vary a lot. Basically they are about religion, evil regimes, political questions, thoughts about the universe and our existence etc. Lyrics are always important, but I think the main thing is the music. That’s the first thing you pay attention to, and let’s face it, without a lyrics sheet it’s often impossible to hear the actual lyrics.

What are your expectations with the new album? Conquering the world with your music? Or starting by playing abroad a lot? Have you played a lot of concerts, tell us of some live experiences? Are there plans for a European tour?
Hopefully we’ll get as much positive response as we did with our debut. We’ll try to play and promote ourselves as much as possible. I guess we have played live about 15-20 times which really isn’t that much considering the fact that we have been playing for almost 5 years! Hopefully that’ll change in the future. As for a European tour we’ll just have to wait and see. Serious Entertainment is working on it. We were supposed to tour after ‘Embraced…’ but we were ripped-off!!!

What bands/music do the band members listen to and what bands influence you? Could you give me a top 5 of your all-time favourite records and a top 5 of your current favourite albums?
I always love questions like these! However I find it very hard to mention the top 5 records, because there are just sooo many cool albums and I love metal so much that it’s almost impossible. But here we go:
All time faves:
1. Arch Enemy – all
2. Children Of Bodom – Hatebreeder
3. Suffocation – all
4. Angelcorpse– Exterminate
5. Entombed – Left Hand Path
Current faves:
1. Darkane – Rusted Angel
2. Children Of Bodom – Hatebreeder
3. Carnal Forge – Who’s gonna burn
4. The Haunted – The Haunted
5. Tone Macalpine – Maximum security

How is the underground in Denmark? I don’t know that many bands from Denmark. Are you in contact with other bands, bands on Serious Entertainment (great bands such as Aurora and Without Grief), bands who play different kinds of music?
That’s the problem with Denmark: People who don’t live in Denmark have almost never heard about the great Danish bands mainly because of one thing: The Danish bands NEVER try to promote themselves outside the borders of Denmark, and that’s total idiotic. Except for Withering Surface and us I can’t really think of a Danish band that has done that lately. We have very cool bands here like: Illdisposed, Konkhra, Sacrificial, Iniquity, Withering Surface, Aurora, Mercenary, Panzerchrist, Saturnus, Invocator etc. We know most of the other bands on Serious Entertainment. They are all cool people.

Now for a total non-music question but nonetheless a very interesting one (at least in my opinion): Do you know the Danish filmmaker Lars Von Trier and what’s your opinion on his work? (In my humble opinion his movies are masterpieces!)
Yeah I know Lars Von Trier. I’m not that crazy about his work though. I guess he has made a few things that are o.k., but generally the stuff is too uninteresting and weird for me. One thing which is cool though is that he has another company that produces porn movies. That’s really cool. It was a really big thing in Denmark some months ago when the first porn movie was released. It was said to be a porn movie for women instead of the usual stuff that mainly men find interesting. Haven’t seen it yet, but I’ll be sure to do so soon.

Another non-music question. Do you like football? If so, you must really still be pissed that Brazil sent Denmark home at the World Championship ’98? Please let your hate and frustration out here!
I love football! It seems that the football team in the city Esbjerg in which I live will move up to the best row this year. I’m really excited about that. Other than that I play a lot of FIFA 99 on my computer. That game rules. Yeah, it really is sad that Brazil beat us. I think that we deserved to win because we played just as great as the Brazilians if not better. Remember when we scored the first goal after about 1 minute? That was totally insane. I squealed like a pig.

Are there any cool drinking experiences or other bizarre stories you would like to share with us?
I don’t really drink that much anymore, but every year we go to the Wacken Festival in Germany which is SOOO cool. We are pissed all the time down there.

Okay, that’s all I could think of right now, here’s some space to give your best Jerry Springer final thoughts, merchandise, promotion, contact address or whatever you wanna let us know!
-Thanks for the interview. You rule! Check out our new CD. You won’t regret it!!!

 

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Infernäl Mäjesty – “I wish that our first label, Roadrunner Records, had promoted us more…”

It’s been a while since we’ve heard from cult Death/Trashers Infernäl Mäjesty. Just to check out what they’re doing at the moment, I decided to get in touch. After a few e-mails between me and the very friendly guitar player Kenny Hallman, here are the answers to my burning questions…

Kenny, what have Infernäl Mäjesty been up to in the past year?
We’ve been looking for a new drummer since we did the Cannibal Corpse tour in October ’98, as Collin Furness was only a temp that we had hired for the tour. We now have a new drummer, Graham MacSkimming who had played with the two founding members of Annihilator (John Bates and Dave Scott).

We are working on new songs for our newest CD entitled ‘The History of Hell’ with him as well as older material so we can get back out and tour.

Could you tell us something about the new material?
We’re working on it right now, 75% of the material is complete. It will be a lot more like ‘None Shall Defy’ as the lyrics will pertain to Hell. Since Graham has joined us the new material has really gotten his own life as Graham’s a really technical drummer and has added some stuff that is truly awesome.

On your home page you claim to release a live album. I haven’t seen it yet. Why is that?
We have the live CD in our hands, it was recorded in Europe. We’ve had offers from labels to release it but we have turned them down as we will release it ourselves. We decided that it will be released on the internet, through MP3.com, our website and at live shows. We really don’t want the live CD in stores at the present time as it’s more of a keepsake for fans who know who we are.

Your home page has a direct link to the home page of the new band of some ex-members. Are you still good friends?
Yeah, we’re still good friends. I’m mainly in touch with Rick Nemes (former drummer) as I try and help out his band Castle of Pain in any way that I can.

I saw you live in Europe with Cannibal Corpse. You played a really short set. Why was that?
I don’t know….sometimes it’s the way we are slotted in the set, if you’re on first you only get 30-40 minutes but if you get slotted second you get more time. Also if the show starts late then everyone has to cut back on their time. Our tour manager handles that stuff, and it’s up to him as many cities in Europe have curfews on shows that have to end at a certain time.

Infernäl Mäjesty never got the recognition it deserved. What are your feelings about that?
I wish that our first label, Roadrunner Records, had promoted us more, without a lot of promo you really have a hard time getting any type of recognition. If they had promoted Infernäl Mäjesty from the start who knows where we would be today. But we are still happy to be around after all the shit that has happened to us in the last 10 years.

What is the difference between the metal scene of the 80’s and the metal scene of the 90’s, according to you?
There’s a lot more to choose from today than in the 80’s. There’s a lot of good bands out there now that interest me, but I still like the older bands like Slayer and Mercyful Fate. I find that in Europe the Metal scene is still huge while here in Canada there isn’t one really.

Would you say Infernäl Mäjesty has a stable line-up now?
We’ve had a stable line-up for the last 4 or 5 years, the only real problem has been drummers. Kevin Harrison (our last drummer) is still in contact with us, and he’s basically packed in the drums.

What is the most memorable moment of your career?
Doing our last European tour with Cannibal Corpse and Dark Funeral. That tour took us to cities that haven’t had Metal in years and for us to be part of that was awesome. The fans in the eastern block of Europe were so thrilled to have a tour come to their city even with all the political and financial problems that they have.

Could you cough up some weird tour stories?
Too many to mention, every night something happens, and believe me, when you live on a tour bus for six weeks weird things happen all the time.

What would you like to say to the European fans?
Thanks for supporting Infernäl Mäjesty for all these years as without you guys there wouldn’t be much point in carrying on. Should be there in the early part of next year so we’ll see you all then. If you want to get hold of us or know what we are presently doing you can go to our website or you can e-mail me directly and I’ll get back to you as soon as I can.