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Underground Extreme Metal Fanzine


A new review section: Buried by Time And Dust

We added a new review section, coincidentally another Mayhem reference following 'The Past is Alive', with the title 'Buried by Time and Dust'. Over the years, a lot of promos have been gathering dust simply because a fresh wave of promos arrived the following month and they were consigned to oblivion. We will review them here to make a clear distinction with our other reviews. We will also use it to complete a discography in terms of reviews. Feel free to contact us if you would like to submit your music or would like to join the staff.

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Interviews

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Caustic Vomit – “Fresh purulence is already oozing… “

If you aren’t able to follow every demo release on Youtube, Bandcamp, Facebook or any other online social network / streaming service, we’re glad to help you out a bit. 2019 just started with a maelstrom of nice demos and Caustic Vomit from Russia released one of them, spewing the putrescence hailing at the altar of ancient morbid Death/Doom of late 80’s and early 90’s as they describe it themselves…we just had to send them a couple of questions and an introduction is unavoidable…(Ricardo)

Caustic Vomit is a putrefying death/doom gathering that was (de) formed on the ashes of our previous black metal project which didn’t end well and went into total obscurity. All members came from that project and the whole decomposition started around 2017, with a new approach and direction that is late 80’s and 90’s death/doom.

You’ve recently released your new killer demo “Festing Odes To Deformity. Tell us more about it.
We recorded it at our rehearsal room, which is actually a quite small basement-like space with no windows or sound isolation, so the overall mix sounds as raw and as brutal as when we’re playing on rehearsals. Everything was mixed/mastered/produced only by us. This was a concious approach which led to exact type of sound that we wanted to capture and emit through the record. The reactions have been well responsive so far and we hail every fiend who spoke/wrote/vomited on our demo.

You’ve released the demo digitally yourself and Redefining Darkness Records released it on cassette not long after…
We already knew Thomas because of his connections with some Russian bands such as PYRE and CIST, he was repressing a PYRE record and releasing the new, absolutely slaying, CIST record THE FROZEN CASKET. Our collaboration was imminent, so once we put our slimy stuff on bandcamp we got in touch with him and you already know the rest. As you mentioned, we are totally into tape format, considering it perfect for demos and ofcorpse we’re appealing to ancient times of death metal and metal underground at all, when tapes and tape trading had a cult meaning. It still remains so for us and for many braindead maniacs like us. Also it definitely would be SICK to press the little foul thing on wax but nothing is on the horizon yet…

Let’s talk about the near future of Caustic Vomit, like expectations or new material even?
Can’t tell if they differ much or not at this point, but fresh purulence is already oozing… once it will get to the appropriate stage of decomposion (meaning the most ROTTEN one) somehow it will leak into the world… slowly but surely.

No expectations but gradually liquifying into a bloody pulp and infesting human every way possible, such as playing shows with rotten fiends like us and doing the next rec(reek)ord.

Thanks for introducing the guys behind your Ancient Death/Doom to our readers!
We hail every mindrotten death/doom freak who supported us in any way, also we can assure Caustic Vomit will emanate more catacomb gloom this year. Submit to putrefaction…

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  • Bands: Cremate
  • Review Date: May 6, 2019

Cremate – “A demo has to be pressed on tape”


Obscure Death Metal slaughter from the grave! As I mentioned in my review, Cremate from France are describing themselves with this slogan and they aren’t far from it. With a fine demo called “Ripped to Death” they managed to capture the rotten magic and rawness of mid/late 1980s Death Metal in the vein of Sepultura and Nihilist. It’s time to get to know these fine gentlemen… (Ricardo)

Dave: The band was created some years ago during our teenage years by Cam, Max and Tom but it was just about rehearsal and it was not a very serious project. The band was not very active and freezed, in a way. It became serious when they “reformed” the band in 2017, and seeked for another drummer. We are all friends and I knew them for years so I proposed to join the band as a drummer and we started to rehearse and reworked the old songs (that became “Ripped To Death” and “Morbid Disembowelment” on the demo tape).

Cam: Nekrosfera, Doomsower and I are close friends for many years. During our teenage-years We basically lived in the same city and wanted to start a band to play death metal in the vein of old Sepultura, Asphyx, Nihilist etc… The serious stuff started some years after when Dave (who is a close friend too) joining the band as a drummer. At this moment, we couldn’t expect better.

Dave: As death metal maniacs, we always wanted to play that kind of music. The four of us has basically the same influences.

Cam: We first wanted to mix asphyxiating riffs and voxkilling darkness and playing death metal in his purest form. Later, Nekrosfera and I started to add some morbid melodies. Our passion and dedication to music does the magic.

Alright, let’s move on to your fine demo “Ripped to Death”…
Dave: The demo contain two “older” songs (Ripped to Death and Morbid Disembowelment), the Sepultura cover and a newer song we wrote when I joined the band (the eponymous one). It was recorded by Set from Antaeus who is a friend between March and August of last year. Feedbacks on the demo are great as we get a lot of contact when we released it. 100 tapes were pressed and it was sold out pretty quickly.

Cam: Demo was recorded/mixed/produced by mighty Set from Antaeus. We recorded drums part at Pulsar Studio then recording all guitars/vocals at Set’s house. He did a fantastic works and demo sounded better than I expected. Hails Set! I wrote all the lyrics from “Ripped to Death” demo. There is no particular concept or something like that on it. darkness, death et morbidity. The most important is that the lyrics harmonize with our music. We first wanted to play raw and primitive death metal.

Dave: I think the lyrics are important, it’s undoubtely a part of the aura or the identity that a band can have.

I love the Sepultura cover on it, tell me the “why” behind covering “Funeral Rites”.
Cam : Thank you! The choosing of the cover cames naturally. They used to be one of the best bands ever in death/black metal and they really influenced us. They are part of our roots in some ways. Whe recorded the drums at Pulsar Studio within three hours then recording all bass/guitars/vocals in Set’s home.

Now let’s talk about tapes, as you have released the demo in that format…
Cam : Yeah of corpse tape should be the most iconic support for demo’s pressing. We choose to press a very few amount of this to keep the exclusivity of the release. Maybe it would be pressed in a most important amount soon in LP format… we’ll see.

Dave: Of course the media is important, a demo has to be pressed on tape. From my personal point of view, I enjoy analog support, so I like tape. Moreover we are too young so we didn’t knew the tape trading golden years, but we have some respect to that time and in a way, we want to keep that “tradition” alive. We have been contacted by labels for CD reissues mostly but we want to keep the tape as the exclusive support for now.

After the release of the demo, did labels contact you for any further releases? Or would you like to keep it D.I.Y.?
Cam : A couple of label contacted us in the past months, mainly to show interressed for a possible “Ripped to Death” repress. As soon as we have a label to produce our new material I think we will be ready. I am personally a huge fan of SPV records and Iron Bonehead. We also got some great labels in France likes Triumph of Death, Forgotten Wisdom… and of corpse Seasons on Mist!

SPV Records? Didn’t see that one coming to be honest. But as we are talking about any future endeavours…
Cam: Yes. There are new songs actually. I think that their are something different from the demo. You know, sources of inspiration lie everywhere without any boundarie.

Dave: There is a new song already written and played live which is more in the vein of the Cremate song than Ripped To Death or Morbid Disembowelment.

Cam:  You can expect new releases and some hot stuff soon.

Some of you are active in other bands like Deathroned and Funeral Desekrator…
Dave: Deathroned is my first band, I started it with my brother and two friends, we recorded a demo, an EP and a split LP. We used to play raw and speed thrash metal but we are currently inactive.. More news to come later this year.

Let me pick your brain about your favourite releases for a bit. Shoot!
Dave: I don’t like top cause it’s a bit subjective and it can change with time ahaha but here is the All time one: IRON MAIDEN – The Number of the Beast, ENTOMBED – Left Hand Path, EXODUS – Bonded by Blood, KING CRIMSON – The Court of Crimson King, MORBID ANGEL – Altars of Madness.

And for current records, I’ll pick up : BLOOD INCANTATION – Starspawn, DEATHHAMMER – Onwards to the Pit, OBLITERATION – Black Death Horizon, BLACK MAGIC – Wizard’s Spell, SKELETHAL – Interstellar Knowledge of the Purple Entity.

Cam: Ufff… pretty impossible just to pick 5, but I would say in no particular order : Iron Maiden – Powerslave, Bathory – st, Morbid Angel – Altars of Madness, Judas Priest – Screaming for Vengeance, Sodom – In the Sign of Evil EP Current favourite records who comes to my mind… Venenum – Trance of Death, Master’s Hammer – Fascinator, Necrowretch – Satanic Slavery, Judas Priest – Firepower, Taphos – Come Ethereal Somberness

Thanks for your time!
Cam: UP THE IRONS!

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False Prophet – “The bands and musicians that like to bitch and air their dirty laundry is not doing themselves any favours”


Chris Forbes from MetalCore Fanzine (est. 1986) stepped up as a contributor and suggested to (re-)publish his interviews. And here you go….(Ricardo)

Paul Ray is the lead singer/guitar player of the great 80’s Thrash band False Prophet who I actually used to write to back in the day of my print zine. Well they are back, well I wanted to do an interview with the band, and Paul said sure and well prepare to read this great interview. (Chris Forbes)

Where were you born and where did you grow up?
Was born and raised in Greensboro, North Carolina.

What sort of kid were you growing up? Were you shy or more outgoing?
I guess just a typical kid was kinda a gear head into cars and bikes because of my dad. Started playing guitar around my teens I’m still a gear head. I was definitely shy as a kid and still am to a point as an adult. I kinda hang either by myself or with close friends, I don’t need to be the center of attention.

What sort of kid were you in grades 6 through say 8?
Still basically the same but I was definitely starting to get more into music. In 6th grade that’s where me and Chris Lyndon became good friends, he was one of the founding members of Prophet. So him and myself along with a few other metal heads in school would just trade tapes and talk bands. At that time, I was discovering bands like King Diamond, Venom, Celtic Frost and a kind list of others.

So how did you discover these bands? Did you read about them or did Chris tell you about them?
All of the above at the record stores, in magazines and a lot of word of mouth in those times.

Was this music easy to get into right away or did it take a few spins to really get into it?
Yeah it was easy for me I seem to gravitate toward heavier music. There are only a few bands that I had to listen to a few times to get into them. Most the time if I didn’t like the first time I heard it I knew I wasn’t gonna like it.

Me the same way. What were some early concerts you saw? Did many or any underground tours roll your way back then?
When I was younger the typical shows Iron Maiden, Ozzy and so on. As I got a little older, I would hit a lot of the underground clubs either as a spectator or with False Prophet. We played with Dark Angel, Danzig, Forbidden, Cannibal Corpse, Death Angel, Demolition Hammer, Corpse Grinder, Confessor , Nile and a ton of other bands. As a spectator I’ve seen Overkill, Kreator, Coroner, Morbid Angel, Sepultura, Napalm Death, Megadeth, Metallica, COC and probably a ton of others I can’t remember. Yeah a whole lot of bands came through the Raleigh and Charlotte area back in the day and still do now.

So at what point in your life did you want to start up a band?
In high school was when Chris and I started talking about getting something serious going.

So when did you take up guitar and decide you were going to sing?
I had been playing guitar on and off since I around 12 I was just more serious about playing as I got older. It wasn’t until we had a band together that I started doing vocals. At that time around our area, no one was really into thrash and death metal so we had no one wanting to do any vocals. So, after talking to friends of mine in other bands we just decided to try doing the vocals ourselves everyone in the band trying it. I ended up doing it for some reason.

So how did you and Chris recruit other members for the band? How long did it take to get a steady line-up?
We had approached Tim Haisman, a drummer that was in our school he had turned us down wasn’t really interested. So Chris and I just started writing music and lyrics between the two of us and I guess word got around and later on Tim hit us up to see what we were doing. So, we started off as a three piece called Abattoir we played out a few shows as a three piece. We already knew we wanted a second guitar player so through a mutual friend I was introduced to Mike Morrison he came and jammed with us and everyone seemed to click so as he joined we changed the name to False Prophet

Why did you change the name and who thought up the name change? I used to be a pen pal with Mike back in your demo days…I meant from Abattoir to False Prophet.
There was already a band called Abattoir so I came up with the False Prophet name when Mike joined the band.

What were the early practices like? Did you mess with any cover tunes and how soon did you start to write original tunes?
Yeah we did a few covers some Venom, Slayer, Kreator and Sepultura, but always did original material since the beginning.

So how did a song come together?
We would always write the lyrics first then write the music around the lyrics. Before Tim joined, the band Chris and I would work on the lyrics then writ the music together. After Tim joined and we had a complete band Chris and I would still write the lyrics first then write the music altogether as a band. And for the most part we still do it that way today.

So what would you say your musical influences were back then?
Back then my personal influences I would have to say would be Possessed, Megadeth, Morbid Angel, Dark Angel and Slayer.

Now how soon was the band together when you thought about doing a demo? If you did, did you know a studio and what songs you wanted to use?
We were together probably a year at the most when we decided to record a demo. Mike had already joined the band we had changed the name to False Prophet and had been playing out quite a bit. It was till we opened for Dark Angel that Gene Hoglan approached us after the show and asked if we had anything recorded. At that time we were just a bunch of dumb kids wanting to play our music we really didn’t think anyone else would be interested in buying anything we recorded. But after a long talk with Gene we decided maybe it’s time to do this. So, we went with the best local studio at the time where other metal bands had recorded Acoustic Creations with Kip Williams. We took a few of the songs we had already had written and been playing a while and added False Prophecy which we had just written that song showed our growth and the direction we were going to go.

Now did you know all about the underground scene, by meaning, tape trading, fanzines etc, passing out flyers in the mail, etc?
Yeah we knew about all that stuff. We were doing a few interviews with fanzines at that time and trading tapes with other bands even before our material was released. That’s how I found out about bands in different states.

So when the “Sign of the Cross” demo came out in 1989 how many fanzines do you think you sent it to and how many did you initially print up?
We only did 500 copies of “Sign if the Cross”. As far as how many zines we sent it to there is no telling it been a long time ago. I honestly have no idea how many we sent out.

What was the feedback like on it at the time? Did the demo lead to you opening for many national acts when they rolled through town?
Feedback seemed to be good. Especially for a budget demo of 500.00. There were even a lot of people that preferred “Sign of the Cross over “Second Death” (bands 2nd demo-Chris). We were opening for national bands before we ever had a demo and we continued to get national shows after the demo. That part really didn’t change I think we were a really good live band.

So did you send the demo to any labels? If so do you remember who and any feedback from them?
We sent them out to a few labels I can’t really remember who. As far as feedback we were just too young of a band to get real label interest.

Got ya. So at what point did you start to get the idea for demo #2?
After a few member changes back in the day, Tim our original drummer had left the band and returned a year or so later. So with his return we had written a lot of new songs and decided to it was time to release a recording with all new material.

So was it easier this time around do you feel and looking back which demo do you like better, number one or 2?
Yeah “Second Death” was a little easier to record. We had been in the studio before so we knew what to expect. We tracked the drums live went back and recorded bass, guitar all leads and overdubs and vocals. On “Sign of the Cross” we recorded everything together and went back and did vocals. I personally prefer “Second Death” over “Sign of the Cross”. I always wanted to be more of a death metal band instead of thrash, but I kinda had to push other members to that direction.

How was the response within the underground from fans and fanzines back then to this new release?
The response was awesome to “Second Death”. We got a lot of good reviews and college stations playing it. Fans seemed to really enjoy the new material. That’s when we started getting label interest.

So what labels were interested at the time? I imagine the morale of the band was doing great at the time?
I can’t remember all the labels we were dealing with but a few were Peaceville, Earache, Mausoleum (name I hadn’t heard in years-Chris) and Relativity Records are a few we were talking to. Yeah moral was good, reviews coming in were positive fan response to “The Second Death” was good. Things were looking up.

So did you manage to play out of state at all back then?
Yeah we played out of state all the time back then.

So now with all this label attention what were you guys thinking back then?
Just thinking maybe we can move on to the next step of the band and turn this into something more serious.

Ok so why the name change and was there several member changes at this time?
The name change came about because of a couple of issues. One being the band “The False Prophets” they were threatening a lawsuit which they most likely didn’t have the cash to pursue the other is that musically we had changed a lot and just thought it was time for a new start. There were no member changes at that point.

Now what was the new name and how did you come up with it and the logo? Was this a total band decision to change the name?
The new name was Infernal Hierarchy. I saw the name reading some book can’t recall the name. Mike Morrison designed the logo as he did with False Prophet. And yes it was a total band decision to change the name

How soon after you changed the name did you record some material?
Right away Ed Farshtey at Rage Records wanted us to do a 7” and at the same time a few labels we were talking to wanted to hear some new material so we wrote “First Born” and recorded it with an updated version of “False Prophecy” on the back side.

What would you say is the biggest difference between the 2 bands? What would you say the new band sounded like?
The biggest difference would transitioning from a thrash band to a death metal band. The newer songs were getting heavier and shorter.

How was the response to the 7” and easy was it coming up with new songs?
Response to the 7” was good that’s the recording that got a lot of labels interested. Yeah writing the new material was pretty easy.

So after the 7” was released and you had labels interested where did the band go from there?
We were approached by several labels long story short we ended up signing with Mausoleum.

So did you end up recording anything with this label?
No, they were just going to rerelease “Second Death” and add “First Born” to it, but that never happened.

So what happened with the band at this point?
The whole reason we lost this deal was our drummer at the time Tim had decided to quit the band so Mausoleum wasn’t interested in us replacing Tim and continuing with the recording deal. So that was the end of that.

That sucks. So did the band continue on or break up shortly after this?
We brought in a replacement drummer and when we figured out Mausoleum didn’t want to follow through we ended just calling it quits at that point.

Looking back do you regret packing it in that quickly?
No not really.

So what did you do with yourself after the band broke up?
Like I said earlier I was a gearhead so I got into repairing and building custom Harley’s. I opened my own shop and did that for years. And here recently have started making custom guitar knobs and other accessories.

During your time away, did you get any offers to join any bands?
No, I didn’t get or entertain any offers. I was just burned out from the music scene and the band and was done. I never sold my gear I knew as long as I’m breathing there was a chance I might do this again. I think a lot of musicians go through this at some point but in the long run it did me a lot of good I’m playing again and actually enjoying it. I’m not just a bitter musician. If I would have kept pushing in the music industry I’m afraid that’s how I would have turned out.

So what led to the reforming of the band?
Over the years we had been approached by small labels wanting to rerelease “Second Death most of them I really didn’t want to deal with, but Jeremy with Heaven and Hell Records hit us up and we talked on the phone for hours and he seemed really cool and sincere about wanting to rerelease the old material and to do it right. So we decided to let him go with it. Now the answer to the question. Jeremy also wanted False Prophet to at least do one reunion show and at first I was against it but after hashing everything out with two of the other original members we decided to give it a go. Not just for one reunion show but playing out again as False Prophet.

That’s great to know. Heaven and Hell is a great label too. Now what was it like all being in the same room for your first meeting/practice?
We didn’t do anything that official when we talked. We all met at a local club where some friends of ours was playing and kinda just shot the shit about getting back together and everyone’s concerns and problems that might come up with a reunion. Everyone was pretty laid back like I said everyone else wanted to do it I was the one kinda being hesitant about the whole getting the band back together.

So from what you know how was the response to your Heaven and Hell release?
I guess it was good Blood Harvest Records approached Heaven and Hell about releasing an album at the same time The cd was to come out and we did a second run of the cd’s.

Very cool. Now correct me if I am wrong you have done some re-union shows already correct?
We did one real reunion show for the cd release we played our hometown in Greensboro, North Carolina. We brought in our good friends Confessor and had an amazing show. Since then we have just continued to play a small number of shows mainly focusing on festivals and bigger shows with national bands. And we still enjoy playing local shows with our friends in bands around here.

Any chance of new music or are you just gone play shows here and there?
We already are playing new songs live and are gonna start booking some studio time to record the newer stuff.

What would you say the new stuff sounds like and will you being for a possible label to release it or are you gonna put it out on your own?
I think the newer stuff is a little more aggressive than some of the material we wrote in the earlier years and there are some songs that are a little different from what we normally do. We are writing more for ourselves than just what we think everyone wants to hear and that’s the fun part.  But people seem to like the new material. Most likely we will release all the new material ourselves he haven’t decided if we want to go the label route yet.

Now obviously the band isn’t a full time thing these days, but how long do you see it lasting?
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It’s pretty much full time we just traveled from east to west coast to play with Possessed and are booking shows all the time. We are mainly playing festivals or bigger shows. And as long as everyone in the band now wants to keep going   I’m good to go.

What are your thoughts on the underground metal scene these days?
Not sure which part of the scene you want me to comment about. The band part or crowd part. But for the most part the scene all the way around seems good. There are a lot of awesome bands new and old kicking around and the metal crowd is always true to the scene and supporting by supporting shows and buying merchandise.

Did you ever see any of your demos or that 7” go for big money on any sites?
Yeah I know there for a while on eBay people where asking ridiculous prices for “Sign of the Cross” and “Second Death” tapes. And there were a few people just straight up selling bootleg cd’s.

Wow that’s crazy. What are some of your favorite memories or the band and not so favorite?
There are a ton of good memories like just meeting all sorts of people in the world industry either in bands or not. The best memories are my good friends Confessor getting signed to Earache or playing with Dark Angel and getting to be good friends with those guys we used to hang with Gene and everyone else every time they came around our hometown. Or it could be just not long ago playing on Florida and reconnecting with Mike Browning from Nocturnus and just shooting the shit or meeting Lee Harrison from Terrorizer for the first time and him remembering False Prophet when we used to write back and forth to each other in the early years. We talked about the whole music scene present and past. I guess my not so favorite is at the end when we were finally getting some real label interest and was ready to sign with Mausoleum having our drummer quit and basically lose everything everyone in the band worked so hard for. That was a big kick in the balls.

Does it amaze you in some ways how the music industry has changed? Nobody buying music anymore, people downloading stuff for free? Way too many bands and labels. Demo days are gone and look how social media has exploded. Does that blow you away in some ways?
Yeah it definitely is amazing how the industry has changed but people still buy music and merch and of course since music is on line some people are always gonna download it but for the most part I think the metal fans support the bands by buying their albums and cd’s and trying to buy official merchandise. As far as way too many bands I’m not sure that’s the case there are probably a ton of bands that were playing back in the day that people never heard of I just think now with the instant access of the internet you just think there’s a over abundance of bands (if you saw my weekly email box, you might think different ha ha and I got lots of demos back in the day-cf). Young bands I know are still putting out singles and demos and with the latest technology recording is way cheaper than back when I was younger. So a lot of new bands can even release full length cd’s on a decent budget. Social media has exploded in some ways that’s awesome in some ways it’s very detrimental. The bands and members that can stay professional and positive on social media is a good thing. It’s a quick and easy way to connect with exiting fans and create new and younger fan bases. The bands and musicians that like to bitch and air their dirty laundry is not doing themselves any favors. People are always trolling to get you to say or do something stupid we even have a few always wanting to start shit with us. I just ignore them. The internet is a good tool to help but bands still need boots on the ground in the scene. (it’s a shame we don’t have the closeness as we did back in the day. Your right too many stupid bands or people bitching about this or that as well-Chris)

In your wildest dreams did you think in 2019 you would be doing an interview for Metal Core Fanzine? (Oi! Hold on…and VM-Underground, dammit! (Ricardo))
There are a lot of things I didn’t think I would be doing in 2019. Number one playing in False Prophet. Number two playing with some of the best bands out there like Possessed, Obituary, Cannibal Corpse, Morbid Angel and a lot of others and more to be announced. I’ve been fortunate to have these opportunities. And it’s great to have people interested in hearing about us and wanting interviews. So being a part of Metal Core Fanzine is awesome.

Please plug any social media or websites the band has.
Probably the best way for anyone to keep up with us is Facebook False Prophet NC or the website www.falseprophetofficial.com

Any last words, horns up for the interview?
Yeah man just thanks for taking the time for the interview it was awesome.

 

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Faithxtractor – “…Basically a “fuck your beliefs” motif…whatever they are”

Faithxtractor are a great old school Death/Thrash metal band and here is an interview with band member drummer/singer Ash Thomas.

Have you lived in the Cincinnati, Ohio area all your life? How is it there these days? Is it a good metal scene with many clubs, fans, etc?
Yes, I’ve lived here my whole life. Things are fine here at the moment… still surprisingly cheaper in the cost of living department compared to other cities. The scene is decent these days. More good bands than say 7-10 years ago, which is nice. Definitely had some trying shit times in the late 90s through the early 2000s. Much better now.

So early on how did you discover the underground metal scene and what were some of the first bands you heard? Did you take right to this kind of music or did it take a few listens before you really got into it?
As far as the tape trading scene, that would have been early 1991. But I was already into Death Metal heavily by this point with bands like Autopsy, Death, Morbid Angel, Grave, Entombed, Carcass, Obituary, etc. First demo bands I got into thru fanzines were Phantasm, Morta Skuld, & Mortal Dread. Great stuff!! I got into Death Metal right away from when I heard it in I would say 89. There was no ‘learning to like or understand it’ for me. I always gravitated to the next extremity, & to me it was naturally progression from say Kreator & Sodom who I also loved.

Ash your 1st release you did everything yourself. Why was this? Looking back what are your thoughts on your 2006 demo? Can you listen to it these days?
My main band at this time that I played guitar for was Estuary. This band had a full line up, & was pretty active during 2003 to 2009. However, I had a desire play some really stripped down, no frills Death Metal. Estuary musically was/is more technical & musically involved with heavy Thrash leanings mixed with Death Metal. I always played drums on the side & in other bands as well as guitar, & it seemed logical & fun to just write some songs & knock it out. Yeah, I can still jam it from time to time. The tunes are essentially just more raw versions of the 1st album tunes.

Before I go on, Ash your in several other bands, Shed the Skin, The Vladimirs, and Crucified Mortals. How in the hell do you find time to rotate all 4 bands????
Well, I just love to play, & it’s not like all these bands are rehearsing all the time weekly. The Vladimirs is on hiatus, Crucified Mortals is still just a studio only band, & for Shed the Skin we all do our homework on our own & just come together for gigs usually doing a quick rehearsal day of show. Haha.

Now in 2008 you released a split on Hells Headbangers with one of your other bands your in, Crucified Mortals. You also added another band member, Marquis Thomas. Where did you find him from and how did the songs for this split release come together and are you happy with this split release and is it still for sale these days?
Well, I wasn’t in Crucified Mortals at the time of the split LP. Just good friends with Craig ‘Reaper’ Horval. He was really into the Faithxtractor demo, & actually just wanted to use those songs for the split. We did use those songs, but also wrote 2 exclusive tunes for the split LP for a total of 4 songs. As for Marquis, he’s my younger brother, so I’ve known him basically my whole life minus 2 years hahaha. I asked if he wanted to get involved with writing some songs for the full length, which he did. As for the 2 exclusive split LP songs, I wrote them, but he did do some vocals & instrumentation.

Now also in 2008, you 2 released a full length on Aphotic Records called “Razing The World of Myth”. Who put together the killer cover for this release? How come this didn’t come out on Hells Headbangers? How was it working with Aphotic Records?
A friend of mine Tony Koehl did the cover art based off a detailed concept I came up with. He also did the Estuary “Craft of Contradiction” cover art a year or so earlier. He’s a real standup, good dude. I don’t think the guys at HHR even heard Faithxtractor until the split LP with Crucified Mortals. Even though both the 1st full length & the split came out in 2008 the album was finished by late spring of 2007. It just didn’t surface until about a year later. Aphotic Records was ran by the same people who ran Blood & Guts Records. B & G had released some The Vladimirs material, but wanted to do a more Metal devoted label as well, so they started Aphotic. I sent them the demo, & they offered to put it out. They were really cool about everything, but things just kind of ended for the label suddenly and it was dissolved. The only 2 releases they did were the Faithxtractor “Razing…” & TME (A Swedish Thrash band) records.

How easy did the songs come together for this release? What are your thoughts on this release these days and is it still for sale? Did you start to feel that the Faithxtractor sound was starting to come together?
“Razing…” was very easy to write. The idea was to make simple, hateful, catchy Death Metal songs, & that’s what it is. A ton of D-beat & head bangage, that was the sound & that’s what it is. The only limitation was my drumming ability at the time. I did just fine for what is was, but I’m light years from this album as a drummer now.

How did you come up with your band name and logo? Were a bunch of other names thrown around?
I thought of the name while at work one day. Just running my printing press, & trying to come up with something that encompassed what the band was to be about. Basically a “fuck your beliefs” motif…whatever they are. Going with the X as opposed EX kind of revolved the logo. I was just fucking around with logo ideas & using the X simply looked better & more symmetrical. It’s funny these days… People seem to have a problem with the X. Are people more retarded now than they used to be? Or maybe they relate it the ‘straight edge’ scene?…Something I couldn’t care less about. Hahaha I like X’s in Metal band names…. Silenxce, X-creta , plus it has a starring role in tic-tac-toe… You happy now you fucking X!!??!!

Now it took 5 years before we heard some new music from the band why was this?
Ah man, life was just happening. I was taking care of my aging Grandparents, working a shit ton, & just not sitting down & jamming that much. It just kind of happened that way. We did do a 3 song promo in 2011, but didn’t distribute it widely at all. All those songs ended up on “The Great Shadow Infiltrator” anyway.

Now finally in 2013 we got a new full length from the band called “The Great Shadow Infiltrator” on Deathgasm Records. How did you end up on Deathgasm Records? How was it working with them and had your sound changed at all from 2008 till 2013?
Well, Evan is a long time friend, & he was into putting it out. Another good old time friend of mine, Billy Nocera, was originally going to put it out on Razorback Records. This didn’t end up happening, because Billy wasn’t into the original cover art at all. It was too modern & computer generated for him. No worries…it didn’t affect our friendship at all. But being as I had the cover art, I still wanted to use it, I hit up Evan, & he was down with putting it out. As for the sound, I think the songwriting is stepped up from “Razing…”. “Razing…” has zero guitar solos, where “The Great Shadow Infiltrator” has a bunch. I definitely progressed as a drummer, & was able to do some better blasting & double bass stuff. I also recorded the whole thing at my house, which was a personal achievement. I definitely was living in a bubble & didn’t have a ton of contact with people during this album’s recording. Weird times…

How did you come up with the title for your album and again who came up with the killer cover for this release?
The great shadow to me is the veil that enshrouds our human existence. The illusions, the bullshit lies, etc. So, “The Great Shadow Infiltrator” is the Faithxtractor. Basically, it sees through all the falsehoods. The original cover art was done once again by Tony Koehl. Has a very sci-fi, modern look to it. A lot of people really dislike this cover, but I’m cool with it. I should’ve had him remove the shooting scientist, but it reminded me of the old “Smash TV” arcade game…hahaha . I did have Mark Riddick do an alternate version of the cover art, & it’s just more fitting for our sound. Although, they look different they still portray the same concept more or less. Tony’s is just more modern whereas Mark’s version kind has an ancient meets future look. That’s more on point with the band’s philosophy I would say. The cassette version of “Great Shadow…” has the Riddick art. The CD, Koehl’s art.

This release marked the final release with singer/guitar player Marquis Thomas. What happened between the 2 of you and was the parting away from you 2 on cool terms? I mean obviously it is your band so did you just kinda wanna go in a different direction of sorts?
Oh yeah, we’re brothers, so we’re good for life…haha. Basically, he didn’t want to be part of the live stuff, & that’s the road the band was going to be heading down. I totally understand all that on his part. Up to late 2013 the band was strictly a studio project band.

In 2015 we got a 2 song Ep from you. Who played on this independent release?
This EP has myself on drums/vocals, Zdenka Prado on bass, & Cody Knarr on guitar

Now in 2016 Austenitized Records put this out as a limited 7”. Is this release still for sale or is it sold out?
The 7” version is still available. You can still get it through Luke at Austenitized & Hells Headbangers carries it still as well I believe. I also have some copies that we sell at gigs, etc. The original cassette version is sold out though.

Now before the recording of the bands latest album, “Proverbial Lambs to the Ultimate Slaughter”, Ash you got 2 new members. First off, how did you find bass player Zdenka? Did you think of her right away as you played in one of her bands (Estuary)? And then how did you find guitar player Cody Knarr?
Zdenka has been in the band since we decided to go live with the band in 2013. Cody joined in 2014 after the drummer & other guitarist decided it wasn’t for them & left the band. Zdenka actually helped generate the idea of taking the Faithxtractor material live. Estuary had gone on hiatus, & we both just wanted to do something & play live. We met Cody here in Cincy through his old band Unkured. He was a cool kid, & into much of the same stuff we are into. Zdenka asked if he wanted to join, & he was into the idea.

Now you stopped playing guitar and are just playing drums and singing. Is it hard to sing and play drums? Did you ever give the thought of having Zdenka sing at all as she has sang in the band Estuary in years past?
I started playing drums live out of necessity originally, because drummers are always the hardest to find. I do enjoy it though…love it actually. Surprisingly, for me, playing drums & doing vocals isn’t that difficult…I actually find playing guitar & doing vocals more challenging at times. For whatever reason, the body to action separation is easier when playing drums & doing vocals.

Now how soon when you got the 3 of you together did you start to put material together for your newest and killer release on Hells Headbangers called “Proverbial Lambs to the Ultimate Slaughter”? Did any of them 2 help with any of the music or lyrics at all?
I had been writing “Proverbial…” during the first incarnation of the live band, so I had a lot of material already. Most of the music & all the lyrics are my creation, but Cody did write the riffs to “The Slaughter Ultimate” & came up with a ton of killer guitar solos. Everyone’s input was invaluable, & helped shape the album.

Speaking of lyrics, what are some of the things that you write about and are lyrics easy for you to write? How about music is music easy to come by and how do you decide what is a Faithxtractor song and not a song from one of your other 3 bands?
Faithxtractor lyrics reflect my life philosophy, my outlook on the world, my thoughts of loss & death, & good chunk of them are based on conspiracy theories that interest me. Whether you’re in to that sort of thing or not is one thing…regardless…I find many of the concepts behind conspiracy theories very interesting & song worthy. Lyrics sometimes are easy, & sometime take a bit longer for inspiration. It’s just depends on how I’m feeling at the time. Riffs are always coming, just from sitting down & playing guitar. Faithxtractor is the main band I write for these days, so there’s no question of whether to use a riff or not for this band anymore. My role in the other bands I’m in is to do a good job with my instrument & help convey the ideas of the main writers in those bands.

So was it easy to hook back up with Hells Headbangers after the band being away from them so long?
Craig Horval helped a lot with that, & the solid release that was the “Total Death Illumination” EP also got the rest of guys at HHR into putting out the “Proverbial…” record. I love the label. They are great people.

Now Ash, are Zdenka and Cody full time members of the band now? If not what do you consider them then?
Yes, they are definitely full time members.

Now you recorded this at your own studio, Frequenscream. Did Hells Headbangers give you a budget or did the recording come out of your pocket? How long were you in the studio and did anybody else produce it or did you produce it yourselves?
I tracked everything here at the house, which is Frequenscream. The deal was we would handle the entire recording, & HH would handle all the layout & manufacturing costs. We had a local friend named Luke Sackenheim do all the mixing & mastering for the album & that was a great choice. He was able to get such a way better result than I could have achieved with this release. It’s nice sometimes to have someone else’s input to get a different/better vibe. In the case of “Proverbial…” it was huge!

For those who have never heard of the band, what would you say the band sounds like? Who came up with that killer cover for your new album?
The band’s sound is dark & haunting Death fucking Metal. The cover art for “Proverbial…” was done by Mark Riddick & dates back to 2014. I had him work this up, so long ago & we just recently were able to use it. I love it.

Has the band played live much and do you hope to do any type of touring behind this release? Have you ever had 2 of your bands play on the same show in one night?
Yeah, we’ve played a lot of gigs since 2013. Definitely hope to do some kind of touring for this album even if it’s just small runs. And yes, I’ve definitely played shows were 2 of the bands I’m in play the same night. I’ve done that quite a bit actually.

Please plug any band websites and merchandise.
Check out our bandcamp page & bigcartel page for merch. Also, check out Austenitized Records & Hells Headbangers for other items.
https://faithxtractor.bandcamp.com/ & https://faithxtractor.bigcartel.com/

Ash, thanks for putting out your amazing latest release. Horns up for the chat and any last words, the floor is yours?
Thanks for the interview!!! And thanks for the kind words on the new album!! To everyone else, check out our newest album “Proverbial Lambs To The Ultimate Slaughter”. If you’re into total death, you won’t be disappointed. ONLY RIFFS ARE REAL….

Info

  • Bands: Aempyrean
  • Review Date: December 5, 2018

Aempyrean


AEMPYREAN are the latest Indian metal act to send ripples through the metal blogosphere. Since forming in early 2015, the band have slowly built a reputation with their live act. I managed to catch Aempyrean at the Trendslaughter IV earlier this year supporting Cult of Fire and they put on a engaging show. “Fireborn”, their highly anticipated debut EP releases today via Cyclopean Eye Productions. The band’s intense sound will appeal to fans of old school death metal. I spoke to vocalist BR about Fireborn, their inspirations and also the current state of death metal. (Peter ‘Trendcrusher’ K.)

Your debut release Fireborn releases worldwide next week, how does it feel now that the release date is near?
Greetings! We’re glad that maniacs worldwide can finally get their hands on the record. We recorded this EP in 2016-17, so even from our perspective; it has been a long time coming.

How did the present line up of the band get together?
The lineup on the record is the original lineup formed in 2015. Ajay N and I had been playing in bands since 2007 and I’m a huge fan of his other band Dhwesha. I was playing for a band called Witchgoat. Both our bands were on a hiatus then for various reasons and we’d been wanting to work together for a while. We knew exactly what direction we wanted to take this project in and the sort of personnel we’d need. Sailesh K and I were colleagues at our day job and he brought in Clinton S from their band Sarcophagus. Avi S came highly recommended from our friends in the circle. Everyone was in on what we were trying to accomplish and were absolute warriors.

What inspired you to start a death metal act? What about the genre appeals to you?
I wouldn’t say we’re strictly death metal. However, to answer your question, the sound we have is the one we found adequate to convey our message. As for death metal itself, the fact that it does doesn’t have to be confined in defined structures the way traditional/thrash metal is, has always been greatly appealing.

“Fireborn” has an intense sound that will appeal of old school death metal fans. Tell us a bit more about the EP.
We’re really into this music as fans first and musicians second and we wrote this record for ourselves, hoping it would be something we’d like listening to. We were very clear about the sound and concept of it from the beginning before we’d even played a single note. I’m not surprised if it appeals to old school death metal fans. As one myself, this is what I’d expect from the genre.

The EP features a tribute to Morbid Angel’s legendary track “Chapel of Ghouls”. Which are the bands that have influenced you?
Possessed, early Morbid Angel (of course), Necrovore, Angelcorpse, Sarcofago, Absu, Morbid Scream, Destroyer 666, etc. are some of our influences.

“Fireborn” is being released by Cyclopean Eye Productions. How did the deal with come about?
Sandesh Shenoy, our label boss, has been an old komrade and I know first-hand his passion for extreme metal and the work he puts in for bands on his roster. He was familiar with the project from the beginning and he knew about us being in the studios, recording this EP in 2016. The deal was made when he watched us playing live in 2017 and liked what he heard. It’s that simple.

What’s currently on your playlist?
The Omegavortex promo tape, the new Chthe’ilist EP, Mournful Congregation, the new Portal full-length, Desolation Realm, Infernal Execrator, Tomb Mold, Tetragrammacide, etc.

What are your thoughts on the current state of death metal?
Lots of really good death metal records being put out in the last 8-10 years or so courtesy labels like Iron Bonehead, Invictus, Dark Descent, etc. Also, it’s good to see bands going back to the ‘80s and early ‘90s sound from the sterile, overproduced tech death sound that was plaguing the mid-late ‘00s.

Do you have any shows in the coming months?
No, we don’t. We’re open to playing shows if the timing and opportunities are right. For now, we’re just looking forward to writing again, this time for a full-length.

Thanks for answering all our questions. Do you have any final words?
“Fireborn” releases worldwide on 05th December via our label Cyclopean Eye Productions. Thanks for your time and the interview. Hails!

Info

  • Bands: Typhonian
  • Review Date: November 8, 2018

Typhonian

Death Metal Chameleon. That’s how I described TYPHONIAN in my review of their debut album. “A showcase they can play anything between Intestine Baalism, Cannibal Corpse, Bolt Thrower, Asphyx and Morbid Angel”, needless to say I was quite surprised hearing all this and I want to know more about these fine Germans….(Ricardo)

Typhonian was formed in early 2017 by Prometheus and Typhon. We (Prometheus and Typhon) know each other already for years and played music together for several years. Also, we know the local scene for several years. Our vocalist M. W. Styrum joined Typhonian a few months later when the first songs for our debut album were recored. By now, we are a complete band with Charybdis as bassist and Charon as drummer. More information regarding the full line-up will follow soon.

What inspired you to start a band in this genre?
Typhon already played in a local death metal band which disbanded, so we wanted to form a new band which combines the traditional old school sound with a more sophisticated concept.

Which bands grabbed you by the throat? Which bands have influenced Typhonian and its sound at the beginning?
We were mainly influenced by Bolt Trower, Fleshcrawl, old Cemetary, Dismember, Darkthrone’s “Soulside Journey”, Entombed, Brutality and Gorement. The rotten old school sound was especially appealing for us because it delivers the message from our songs in an appropriate way.

And what about your debut album: “Beneath the Streams of Life”…
The writing process was primary conducted in the studio, some of the ideas were composed individually by the band members before the recording process started.
Beneath the Streams of Life was recorded and produced in the studios of Prometheus and Typhon. For the recording process, we used a drum computer due to the fact we didn’t have a drummer at this time. We used a lot of different guitars for the recording, including 6 string baritone, 7 string, 8 string and 12-string acoustic guitars. Prometheus recorded the bass of the album with a 5-string fretless bass. All intros and orchestral parts were done by Typhon.  We received very good reviews and comments for our debut album. The sound and diversity of the songs were praised. We even appeared on the underground blog of the vocalist of The Black Dahlia Murder which was a big surprise and compliment for us.

Let’s move to your lyrical influences…
The lyrics are written by vocalist M. W. Styrum and guitarist Prometheus. While “Beneath the Streams of Life” is not a concept album, the songs themselves cover little stories. The lyrics are based on death and experiences with death, additionally we incorporate occult and philosophical themes in our lyrics. “Walking on Skulls” for example is based on an apocalyptic vision where “Temple of Impurity” is more nihilistic. We write lyrics in a way that they are not too one-dimensional and it is always interesting to follow them.
From movies, books to historical events, everything has an influence on us. For “Death Squad” we were influenced by the gruesome terror of World War II to write lyrics for this song. For the images provoked in “Walking on Skulls”, Prometheus lists the Terminator movies as influence.  So, they definitely are an important aspect of Typhonian and we want to focus even more on the lyrics in the future.

You’ve released your new album digital only…yet. Any news on the physical edition of it? And is or was a label interested to release it?
We got a lot of requests for a physical edition. We didn’t release a physical edition so far because we did it independently. We plan to release a physical edition as soon as we play live or join a label. So far we did not get an offer from a label that fits in our current focus.

What about the future for the band? If I’m right your next release will be an EP, right?
Yes, our upcoming release will be an EP and the songs are already completed. Currently we are in the mixing process and an individual cover art is done this time. It will be finished until the end of this year. This time, we want to release it with a label. At the moment, we are still looking for a fitting label. Besides that, the songwriting process for our second full album has already begun.

Before we wrap up this interview, do you have any final words or thoughts?
Thanks for giving us the opportunity to do this interview. We also want to thank all fans and supporters of old school Death Metal and everyone out there who listened and supported our album! You will hear from us very soon!

Info

  • Bands: Maligner
  • Review Date: October 25, 2018

Maligner

As you may know, we at VM-Underground are fans of Blood Harvest releases. One of the new bands on their roster is Maligner, once from Chili but now resides in Sweden. While the demo had a Merciless and Kreator kind of vibe going on, the debut album will attract people who likes good old Death and Sadus as well as you will get some furious and aggressive Death/Thrash from back in the day the Russians used CCCP as abbreviation for the Soviet Union.  Let the guys of Maligner introduce themselves…shall we begin with the Chile-Sweden connection? (Ricardo)

First of all, the band was actually formed in Sweden…

Oops, my bad….

…Patricio (Aztiak) moved to Sweden in 2013 for non-musical reasons and Rodrigo (Ertheb Somus-Ra) moved here when he was a kid, both long before the band was formed hahaha. Regarding Emanuel (Maligno), he’s born in the north of Sweden but moved south a couple of years ago to work. When Patricio was putting up a show for the Chilean metal band Sadism in Malmö, 2015, he was asking around for a venue and got in touch with Rodrigo through a mutual friend. After a few e-mails Rodrigo mentioned that he was interested in playing drums in a metal band and asked if Patricio was also a musician, that was the beginning! So since Patricio had a metal background but right now only played punk music, he was doubtlessly interested. They agreed on playing a compromise between death metal and thrash metal since Rodrigo wanted to play death metal and Patricio’s playing style was more thrashy at the moment. Emanuel, who Patricio had met before at punk gigs, found out about their new project through a mutual friend and got in touch with them right away to handle the bass duties in the band. After a few rehearsals and some persuasion, he wrote some lyrics and started to sing as well. His vocal style turned out to be a perfect match for death thrash.

And what about musical inspiration…?
Wise to say that we don’t want to create a new metal genre so that’s the obvious reason why we make the things “old school”. A mix between Thrash and Death Metal was the result of Rodrigo´s death metal desire with Patricio´s natural thrashy style on the guitar, and all of this together with Emanuel’s deathy singing abilities. Rodrigo wanted to play fast so bands like Sadus, Kreator and Merciless became an influence to the drums patterns. Patricio liked technical Thrash Metal so bands like Coroner and Forbidden were also important to the creative process. And Emanuel loves Death so Chuck’s style is very important to what Maligner is as music. Evidently we like a lot of bands but just to name a few more that we feel they inspire Maligner’s music, we can say Morbid Angel, Pestilence, Sepultura, Testament and Pentagram Chile. The best of playing a mix between two big metal genres is the flexibility we have for creating metal music. Right now our music has had the focus on aggressiveness and velocity with a bit of technicality, but with lack of “slow” parts. However, we know we can make more technique and “slow” parts when we want, without leaving our “own” style and sounding as Maligner does it, and that’s great.

Let’s move to your debut album: “Attraction to Annihilation”.  Tell us all about it!
The writing process was pretty much the same as with the Demon EP. When writing new material, Patricio writes the music, Emanuel writes the lyrics, and all together we produce and arrange the music rehearsal by rehearsal. We always make a crude demo recording of every song so we can listen to it and make possible changes. We change some parts depending on how the singing will be and off course Rodrigo changes the drums patterns when he wants.

Regarding the recording and production, most of these things were done by ourselves. Attraction to Annihilation was recorded, as well as Demon EP, in a small studio at a youth center in Lund, Sweden, where Rodrigo formerly used to work. Since all of us has a lot of studio experience, it felt natural to do it by ourselves. But we actually didn’t put much time in discussing the sound to aim for. The mixing and mastering was done by Mattias Persson, a friend of ours who has been recording a lot of bands in the area. We have great trust in him and he knows our style so we gave him quite free hands with the mixing.

The lyrics…lets talk about the lyrics….
Emanuel writes all the lyrical material. The themes are inspired by both the actual sound of each song and personal reflections on past and present events. For the Demon Ep he wanted to write about concrete stuffs that relate to our current world, or fairly recent events like warmongering, arms races, cold war, uprisings and crimes against humanity. He kept that style for most of the songs on the new album but has also started experimenting with more personal and psychological stuff like desperation, feelings of impending doom and the ambiguousness of the human mind. It can be such a huge disappointment listening to a musically good band and realizing the lyrics are complete crap, so we try to avoid that, hahaha. But after all we probably focus more on the instrumental efforts than the lyrics when enjoying music.

Happy with the reactions on the album?
The reaction of the album has been very good in most cases. A lot of people seem to appreciate our guitar work and compositions combined with the old-school sound. There was a couple of reviews that was more indifferent to the outcome, who thought the album was too fast with too many riffs. But it’s normal since our style of Death Thrash is not so trendy in the metal underground right now. But who cares, we make music because we love it.

Blood Harvest! As said we are fans…and it seems your drummer is the label owner, so you will not get screwed ha!
We guess it has its pros and cons. Either way Rodrigo always tries to keep both parties best interest in mind. But he would like to think he does that with the bands he works with and which are signed to the label. He usually says that he is a musician first and a label-boss second, hahaha. Well, we know who we are working with and the risk of getting screwed or communication problems is minimal. Fortunately, we have not had problems at all so far hehehe.

And what will the future behold for Maligner?
Right now we just have some ideas of new songs (riffs here and there), but nothing complete. The focus for new songs should begin in late 2019. So we think it’s maybe too early to talk about the differences between possible new songs and the old ones? Hehehe. In the near future (2019) we will try to play as much as we can next year and for promoting “Attraction to Annihilation”. At least playing some festivals and a mini tour outside of Scandinavia (Germany and Netherlands maybe?). After that we can focus on a new album. As we already said, we have new ideas for new songs so making more music is absolutely the future for us now.

Before we wrap up this interview, do you have any final words or thoughts?
We just want to thank VM-Underground and Ricardo for the support. Also invite all of you who like the most extreme Thrash Metal (almost Death Metal) to listen to Maligner. Demon EP and Attraction to Annihilation are in full streaming for free on Bandcamp and Youtube, as well as Spotify so there are no excuses! After that if you like our music you can buy the albums, merch, or simply go to the gigs we want to do next year. You can always find us here: malignerband@gmail.com, https://www.facebook.com/malignerband/, https://maligner.bandcamp.com/

Keep the metal underground alive!

Info

Godless [IND]

Indian Death/Thrash metal act Godless are one of the most hardworking bands in the country. In a short period of 3 years, the band have quite a few notable achievements – released an EP, “Centuries of Decadence”, supporting heavyweights acts like Behemoth & Jeff Loomis, an Indian tour with Psycroptic and recently representing India at the Wacken Metal Battle. Later this week, Godless add one more feather to their cap, their second EP “Swarm”. The release is a potent mix of Death and Thrash metal. I spoke to bassist Abbas Razvi about Swarm, performing at Wacken and their upcoming Indian tour. (Peter ‘Trendcrusher’ K.)

 

Hi guys, your second release “Swarm” is out soon. How does it feel?
It’s exciting. We’ve put a lot of work into this and have made no compromises at all. The reviews so far have been good and we’re looking forward to getting on the road and playing this material live.

“Swarm” is a potent mix of Death and Thrash metal. Do tell us more about the release.
The new EP will definitely retain the ‘Godless’ sound we had on the previous record. It’s an evolution of our sound. It definitely gets thrashier and a lot more aggressive. People can expect great production and more mature songwriting.

What was the writing and recording process for the EP?
“Swarm” was written over a period of a year and a half. We started work on it right after releasing our first EP. We didn’t really take a break from gigging so we didn’t really take time off to consciously work on this record. We took  things as they came and kept writing music whenever we could take some time off.

The track Empty Graves features a guest solo from renowned guitarist Tom ‘Fountainhead’ Geldschlager. How did he become a part of the track?
Tom had done an India tour earlier this year and a friend of ours was the promoter. We got in touch with our friend since we are really like the Obscura record he worked on as well as Defeated Sanity. We had a spot for a solo since one of our guitarists had quit the band and we decided to continue as a 4-piece. Tom was kind enough to check it out and lay down a slamming solo.

“Swarm” was mixed and mastered at the Hertz Studio. How was it working with the world famous studio?
Hertz took over the mixing and mastering responsibilities and we trusted them completely with the sound once we had a chat with them about the direction we were looking at. They really helped us evolve our sound and we’re really happy with the result.

Earlier this year, you won the Wacken metal battle and represented India at the competition. How was the experience?
The experience was surreal. To be at Wacken and play on that stage was a dream for all of us. The response we got was incredible. We expected a lot from Wacken but they exceeded our expectations by a mile. Got to watch some of our favourite bands and drink with people from all around the world which was really awesome.

You also played one more show in Kiel, Germany. How would you compare the audience in Europe and India?
The Kiel gig was great. It was a club gig so a lot more intimate with the audience. The crowd really seemed to enjoy our set and we ended up hanging out with everyone after the gig and drinking with them. We’ve been in touch with a lot of people we met at the gig as well. The audience there is obviously exposed to a lot more metal than India so they really pick and choose the bands they go out to watch. They’re spoilt for choice.

What are your thoughts on the current state of Death Metal?
There’s so much music coming out now so I think the Death Metal scene is alive and well. There’s been a lot of quality releases this year and bands are just raising the standard with each release.

What’s currently on your playlist?
Gorod, Psycroptic, Aborted, Obscura, Gruesome, Discarnate to name a few.

You have a tour across India coming up. What are you looking forward to at the shows?
We’re looking forward to giving everyone a dose of our new material. The new material is fast and aggressive and fun to play live. Apart from that we’re just looking forward to catching up with friends, making new friends and drinking lots of beer.

Do you have any more shows/tour planned in the coming months?
We will be taking up gigs around India but and working on another Europe tour in 2019.

Thanks for answering all my questions. Do you have anything else to add ?
Thanks for having us. You can find us online at – Facebook, Youtube and Instagram.

Info

  • Bands: Warmarshal
  • Review Date: September 27, 2018

Warmarshal

Warmarshal are an upcoming Death Metal band from India. A year after forming, the band are set to put out their debut release, “To Regain Lost Glory”. The EP is 5 tracks of war themed Death Metal and will appeal to fans of Bolt Thrower and Hail of Bullets. Find out more about the EP, old school death metal and their upcoming gigs in my interview with the band below.
(Peter ‘Trendcrusher’ K.)

Hi guys, you are nearing the release of your debut EP, To Regain Lost Glory. How does it feel?
Soumick : It feels great. Seeing months of work and sleepless nights materialise into something is a feeling that’s kind of hard to explain in words. We have put our heart and soul into this EP. Hopefully it will strike the right chord with the death metal fans of India. Fingers crossed.

For those not familiar with the band. How did you get together?
Debsubhro : Me and Soumick go way back. We used to have a band called Dead Veneration that disbanded when we moved out of Kolkata around 2013. But the yearning to make music was always there. Things started falling into place when we finally managed to move to the same city last year. We started working on some song ideas while looking for a like-minded drummer. Meeting Ankeet was sheer luck. His friend Himanshu saw an ad that Soumick had put up in a Facebook group and connected us.

What inspired you to start a death metal band? What about the genre appeals to you?
Debsubhro : The sound appeals to us, and we enjoy playing it. But when we sit down to write we are never consciously trying to create death metal. We just write what comes to us naturally. And speaking of inspiration, there are many. Bands like Obituary, Asphyx, Hail of Bullets, Sepultura, Death, Sodom, to name a few. But there’s one band that has been the biggest source of inspiration and is embedded in the DNA of Warmarshal. Bolt Thrower.

The singles from your Ep To Regain Lost Glory are a nod towards old school death metal. Tell us a bit more about it.
Soumick : Don’t know what to say. We love old school death metal and that’s why we try to play it. The lyrics for ‘…To Regain Lost Glory’ was written by our friend Abhishek Das, who is also an old school fan like us. So his words also had a very gritty 90s death metal vibe, thus the music came out to sound like that. The second single, ‘This Is War’, developed on that sound. The EP as a whole, has its own flow, a continuity, both lyrically and musically. ‘Armageddon Awaits’, the intro track, paves the way for ‘Vanguard’ which is written on those who are first in the line of attack. Then a nod to the snipers on ‘Dragunov SVD’, followed by ‘This is War’ and the title track. Musically, we are heavily inspired from the likes of Bolt Thrower and Obituary, so the listener can expect straight-up-no-frills OSDM.

What was the writing process of the album?
Ankeet : There is no formula as such. We start off with a song idea. That might come from reading an article, or a movie, or a book, some event that’s in the news, or even another song. Most of the times we pen down the lyrics, and that helps us picture a structure for the song. Then we start working on riffs and choose the ones that complement the words. After that we start jamming and experiment with different things until we arrive at a place where all three of us are more or less satisfied with what we have. Most importantly we feel like a song is done when we are having fun playing it.

What is currently on your playlist?
Debsubhro : The classics are always there. Sabbath, Slayer, Megadeth, Sepultura, Death, well you get the picture. Metal essentials. Then of course there is Bolt Thrower. We also dig Karl Willets’ new band Memoriam. Gojira is another band we like. Orator from Bangladesh and In Human from Kolkata are two bands that we look up to. So we listen to them a lot. It is kind of a difficult question to answer you know. We are very fickle minded guys. So our playlist keeps changing often.

Do you have any show ups planned in support of the EP release?
Ankeet : We are playing our entire EP at Maximum Carnage on 30th September in Kolkata, and the merchandise would be up for grabs at the gig before the first lot of pre-orders ship. Talks are also going on for another gig. Will announce as soon as the confirmation comes through.

Thanks for answering all our questions. Do you have any final words?
Soumick : A huge shout out to Brijraj for his patience and support and making us a part of his label. Secondly our families and friends, who supported us with food, beer and lulz during this whole creative process. And finally a thank you to you Peter, for having us.

Info

The True Plague

The True Plague is a black metal label based in North Carolina and have been putting out top-shelf releases ever since its inception in the mid ’90s. The following interview was conducted with D Wolf, the founder of the label. (Mongrel)

Hails. Let’s kick things off with a little introduction of yourself and some info about your respected outputs.
Hail! We run THE TRUE PLAGUE from Northern California. Always in support of the Underground. We always try to keep it as pure as possible. Blending all type’s of Metal from different parts of the world. Pure absolute Freedom. Fuck censorship…NO RESTRICTIONS!! NO FUCKIN’ MERCY.

Tell us about your label. How and when was it conceived? What is the ideology behind it?
Long ago (1997-98) I and a few Brothers of mine, wanted to group up all the extreme bands in the southern california area and gather under one banner.. to spread hatred and fear. But being young and without the proper knowledge how to actively keep a group of such like-minded guys together longer than a few months was hard, I figured trying to make a label that we could fly that banner together with would work; again, lack of money and knowledge made that fade away. We had Orosius / Sol Evil / Acid Enema / Kettle Cadaver / Nokturne / Pernicious / Xasthur / Eve Of Battle / Burning Moon & I’m sure a few others all lined up. Between myself (back then known as D.Knyght), Crimson, Orcrist, L.Morder and E.Borsheim, we started “The Plague”. It grew and then faded off with people getting busted with the law, drugs / booze, a lot of unlawful acts and soon it turned into S.C.B.M. (Southern Califoria Black Metal). After a few years, we returned to the night… & faded away. So after many years, much travel, and wanting to do something for the underground once again, I came to my now wife and told her what I had in mind. And with her help and with the words of my Brother Crimson (wise in his ways) I got the distro started back up and for real this time. I added “True” to the name for myself because I’ve always had that name with me growing up in my teens, and I feel that on the second try it would help make it stick around longer than a quick couple of years.

Can you give us some info about all the materials you’ve put out so far?
Ya.. its all fucking PURE HELL.. go check it out! Here’s a list of everything I’ve put out / help put out with other distro’s / labels.. Also before I list this, I want to say Hail to Mike from Black Plague Records ( USA ), He really showed me the ropes early on and helped get me started along with Z from Vanguard Productions who has always done me RIGHT! Hails to My Brother from. the COLD NORTH!! JOHN VON FROST of Von Frost Records ( Canada ).. Also major Hails to Alex from Satanath Records ( Russia ) and to my partner in crime Brison, Owner / operator of Black Metal Records ( Store & Label USA ). All of them I have worked with personally and we wouldn’t be where we’re at today if it wasnt for the help, support and guidance of these true Brothers of the underground. These are in no particular order.. some can still be found and some are sold out or good luck finding..
TTP-666 Ritual Genocide S/T (Cd)
TTP-003 Ritual Genocide – Commencement Towards Annihilation (Cd)
TTP-008 Ritual Genocide / Defecrator – Anti Human Deathcult / Death Exalted (Cd)
TTP-004 Hostium – Pissing Incest On The Virginborn (Cassette)
TTP-001 Curse / Styggelse / Wan (Cd)
TTP-017 Soulrot – From My Grave (Cassette) TTP – Sivad /Funeral Of God – The Black Mass Covenant (Cd)
TTP – Humanitas Error Est -Human Pathomorphism (Cd)
TTP – The Projectionist – Poisonous Disengagement (Cd)
TTP – The Projectionist – The Gallowforest Eulogy (Cd)
TTP – The Projectionist – Exalted Solitude (Cd)
TTP-Hell Pernicious S/T (Cassette)
TTP/Goat Okultus Ritual – Spirit Death (Cd)
TTP/Virus Larvae – The Intelligent Machine (Cd)
TTP/War Totalitarian – Pathei Mathos (Cd)
TTP/Wolf Elegiac – Obsidian Moon (Cd)
TTP/Hate Pernicious S/T (S.C.B.M. Cd) 1st & 2nd Pressing
TTP-S.T.O.R.K. Sol Evil – Master Of Ascendancy (Cd)
TTP-Claw Aornos – The Great Scorn (Cd)
TTP-Fang Grimorium Verum – Revenant (Cd)

What is your opinion on the current state of the underground?  Are there any bands/labels worth supporting?
My Wife and I don’t get out to shows as much as we want, but when we do it seems good and healthy. Young bands that are really taking it to new levels (some of them). I think a lot of people judge whats actually happening on shit sites like facespace and whatever.. I hate that site.. but unfortunately It does keep me plugged in to people I enjoy meeting (Bands & Labels / distros) both good and shitty. FUCK IT ALL! HA

Can you tell us about all the bands you’ve played in and recordings that involved your input? Which releases are you most proud of?
Yes! lets see.. Orosius / Burning Moon / Sol Evil / Eve Of Battle / Kettle Cadaver / Pernicious / A.R.C. / and my most recent are M&D ( 2 man project with my Brother Crimson ) & my solo projects – Anthems Of Ancients & END.//div I think thats all.. I could be missing something.. regardless, I’m proud of them all, all for different reasons.. some serious and some just for the sake to play.

I understand you were in the military. What did your service amount to and for how long? Has it influenced your outlook on life in any sense?
I was in the Merchant Marine for 5 years.. its not the military but you have to go thru coast guard / boot camp / training, etc etc.. its a long process.. but in the end your basically a “legalized Pirate”. I worked in the Deck Dept. I love the sea, I’ve sailed every ocean on this rock, I’ve seen sunsets and sunrises from the endless sea’s all around the world. been to 3rd world countries as well as 1st world hell holes. I worked for Military Sealift Command, on A bomb carrier.. a ship..and its cargo.. bombs.. only bombs.. all types of bombs.. it was like being in VONDUR’s wet dream.. destruction boat city. I was salty as fuck too when I was a sailor.. i still drank back then, and everytime I took a step a handful of Mortons salt would fall out my starboard pant leg. And yes it did shape the way I look upon life and this world…but it’s wasnt a definate for me.. I view life day by day.. one day at time. Ever changing and with the mind’s artwork.. terrible and wonderful views and realities I have.

Do you think it’s common for people in extreme metal to go join the military?
Don’t know.. to each their own.. but I fully support any and all who have served.. weather they enjoyed it or not is none of my business.. but service is a selfless act upon most should consider.

What are the pros and cons of running a small label? And what would your advice be to anyone looking to do the same?
Pros.. it’s all about the underground.. I always want to be the guy that I wished I met while on tour, helpful and honest and wanting to actually get your music out there.. Cons.. Not really anything.. i guess once in awhile you have to deal with a nugget that is annoying or difficult to deal with.. but shit like that doesnt really bother me these days.. people are who they are, and if that’s how they want to be.. fine. I can also say, its a con.. BUT! it has to be expected.. you’ll end up spending a lot of your hard earned money doing this, I don’t technally make any money doing this.. i useally lose money in the long run.. but fuck it.. FULL SUPPORT!! Anyone looking to do the same… dont, just buy from those of us that are already doing it.. hahah

What is your stance on mainstream labels nowadays jumping the black and death metal bandwaggons, especially when they’ve been dabbling in alternative metal and other puke-inducing trends for over a decade?
fuck em’

Do you think there’s maybe a misconception that most people in metal bands are on drugs?
Well who know’s really.. none of my business to be honest.. and again to each their own. I believe theirs a lot more addicts that play / listen to other types of music ( if you can call it that ) than just metal. I have no problem with people and their addictions.. I can relate.. from my past.

10 albums you can’t live without.
MysticuM – in the streams of inferno.. and anything VONDUR .. and that’s it.

What are some killer black/death/thrash bands coming from the US right now? Also, are there any bands from other parts of the world that have caught your attention lately?
fuckkk.. so many.. top of my head.. ELEGIAC / DIABLOUS AMATOR / INDESIDERIUM / MASTURBATORY DYSFUNCTION / ACID ENEMA / DEFECRATOR / SARTORAAUS / THE PROJECTIONIST / RAW DOGS / THE BLACK SORCERY/ FVNERAL FVKK / BYYRTH / XUUN / SIVAD / FUNERAL OF GOD / SICARIUS / RITUAL / TIDELESS / UTU / ENTROPI / DEEPSEAORGANISM / etc etc… so fucking many haha

Do you have any memorable experiences to share with us regarding any of the bands you’ve played in?
I blow fire.. I was told that in order to blow fire you must first speak words so evil that god MUST ignite them as they leave your mouth so that his sheep’s ears wont be defiled. So I did that a lot while playing live and on tour.. other than that.. a lot of blood / piss / vandalism / laughter / sorrow / all that good shit when your young dumb and full of…

If I’m not mistaken, you’ve also toured a couple of times? Also, which bands have you shared the stage with?
Toured with Sol Evil back in 2001, along with the Mighty BLOOD STORM!! AND ENTHRONED ! Also toured with Kettle Cadaver on the west coast and it was Pure amazing HELL!

What’s the future plans for The True Plague including your other activities? Which of your releases are currently available?
D WOLF – We have a few remaining releases to do with my Brother from BMR ( Black Metal Records ) here soon, i say a few, but knowing me its hard to say no, and so I’m sure a lot more HELL will be coming down the pipeline soon.. Be on the look out for FEVER.. ( their fucking insanely badass ) as well as BLITZGEIST ( Zane from Elegiac.. he’s a madman and a true brother ) Along with the long awaited.. OKULTUS RITUAL!! ( i promise its coming Andy! )

Thanks for answering these questions! Best of luck to you and your endeavours.
Hey.. Thank you for taking the time to hit me up Brother. Hail!! AAF!-23