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Soulseller Records proudly presents the new ful-length of Swedish Death Metal sickos Repuked.

Join the Club! This 4th album of Repuked serves as your personal premium membership allowing you full access to ‘Club Squirting Blood’. Every room designed to bring extreme pleasure and hard on pain. Sensually orchestrated Death Metal filth, smeared with sleazy grease.
Mixed by Nico Elgstrand (Entombed AD, Murder Squad etc.) into a thick chunky soundscape of body fluids gone bad. Voyeur through the stunning artwork made from the photographic memory of Necromaniac. As the guest conferenziere, Steve “Dr. Heathen Scum” Broy of The Mentors, says it on the title track of the album: Welcome in, welcome f*cking nude, let´s feast!

Helldprod Records marks November 29th as the release date for Inverted Cross’s debut album, ‘Eternal Flames of Hell’, in CD format.

Steel Passion & Burning Leather

Another nail in the cross is what we have for your banging neck. Yes, hailing from Catalonia, Barcelona, since 2017 that these maniacs spread their hammering madness into our ears. Inverted Cross have it all and they are committed to keep the extreme classic flame of steel alive.

After two demos and two splits, it’s about time to reveal their first full length untitled ‘Eternal Flames of Hell’. Cruising at the speed of darkness and conjuring the nether arts, these four roaring apocalyptic horsemen present themselves in the form of armoured evil Thrashers deeply rooted by the classic Teutonic metal mastering, like the ones created by Destruction, Sodom, Kreator, Deathrow and Violent Force. That’s the Inverted Cross way to raise their horns unto the underground.

Like the unholy inquisition, ‘Eternal Flames of Hell’ is a lesson of how to smash purity without repent. These nine new songs invoke a riot of violence with spell bonding melodies, aggressive vocal thorns and raging fiery solos that will rust your bones and twist your flesh like never before. Also, be sure to feel this hellish, powerful, and violent production, undoubtedly, mandatory to provide the necessary eternal unrest for the faintest.

Believe us, ‘Eternal Flames of Hell’, from Inverted Cross, has less than half an hour, but it’s a destructive whirlwind with the perfect time to raise turmoil and insanity among all raging horned ones. As a sharped whiplash, the bullet belt headbangers troops surely will embrace this call with rejoice. Open the Pit!

Me Saco Un Ojo Records and Extremely Rotten Productions are proud to present Stenched’s highly anticipated debut album, ‘Purulence Gushing From the Coffin’. Me Saco Un Ojo will handle the vinyl LP version while Extremely Rotten will handle the CD version.

Following a single demo in 2023, Mexican Death Metal soloist Stenched vomits forth their debut album, ‘Purulence Gushing From the Coffin’! Punching into life with an avalanche of pulsating drums and oozing riffs, lovers of the abominable and disgusting will be ecstatically pulled into the abyssal sounds of Stenched. This ruthless and gargantuan Death Metal not only has twisted instrumentals, but some of the most fetid vocal spewing you will hear, perfect to vomit your guts up with. Those first moments will having you swaying like a corpse in concrete slippers stood in the sea. If you like slow-dragging Death Metal, D-beating fury, or simple old-school malevolence, then this record will please you, as there is plentiful savagery in every form while keeping it true. Barbarically charging onward, expect no mercy, because none will be shown.

As the half-hour of pugnacious torment continues to pummel and putrefy, there is no respite from the hammering decay and delightful gore of this album. Its blend of doomy atmospherics and mangled grooves are tied together by lacerating bouts of grinding extremity to give a diverse range to its methods of inflicting pain. Your bloated corpse will be mutilated and violated if you get close to Stenched, so be careful: this is a hideous deformity you are going to encounter. But you’re still here? Good, so let’s delve into the underground’s filthiest offering: ‘Purulence Gushing From the Coffin’, an album that sounds as its title describes.

Hells Headbangers is proud to present Mercenario’s striking debut EP, ‘Tormented Souls’, on cassette tape format.

Mercenario is a cross-country team-up between vocalist Tomas Stench of underground legends Morbosidad and multi-instrumentalist Erikk Stroude (AKA Belial Infernum), a scene veteran currently in The Black Temple and Terror By Night, among others.

Short but most definitely sweet, ‘Tormented Souls’ is the duo’s debut recording, featuring four songs in 16 minutes. Not surprisingly, the EP is a finely honed warhead of Blackened Death Metal bestiality, surging with old-school Grindcore fervor and a griminess steeped in three decades of underground extremity.

Mercenario keep proceedings concise and catchy, above all, with Stench in particular plumbing the ritualistic depths of his throat, bringing a unique aspect to this sepulchral style.

As such, ‘Tormented Souls’ should find favor with maniacs of Finland’s Belial, Brazil’s Impurity, Canada’s Necroholocaust, and of course Morbosidad.

Me Saco Un Ojo Records, in conspiracy with BlackSeed Productions, is proud to present a brand-new mini-album from Trollcave, ‘Adoration of the Abyssal Trespasser’. Me Saco Un Ojo will release the 12″ vinyl version while BlackSeed will handle the CD version.

Trollcave, Spain’s funereal death-doom titans, are back with a new record. Following their 2021 EP, 2022 debut LP, and recent split with Putridarium, here comes another crowing opus of decay.

Brooding atmospherics begin with some unnerving synths – this record promises a descent into the crypts. After these tense few minutes, monolithic guitars and thunderous drums reanimate a slew of fetid compositions. Gurgling vocals blend into hypnotic rhythmic sludge to convey a drudging sense of dread. This is one of those records that will make you feel entombed from the start to the end with its convulsive swaying gloom, mesmerizing you with its grotesque atmosphere and crushing delivery. Ever wondered what it would feel like to have your head pulverized by a sledgehammer of Death-Doom perfection? Then stick around – your answer lies in this record!

Prepare to be bound to the spot by a spectral apparition of Death Metal much darker and more despairing than most. This Spanish horde craft a duo of spellbinding and dynamic songs which fill the air with a sepulchral stench yet manage to retain an interesting range of ideas. For those seeking the most doomed realm of Death Metal, this is the final destination: no hope, only crawling rot and restless melancholy. Every sound seems to roar from the deepest abyss, and with each passing moment, you will find yourself pulled further into it…

Invictus Productions is proud to present the highly anticipated debut album of Norway’s Abhorration, ‘Demonolatry’, on CD and vinyl LP formats. The CD version will be released on October 4th while the vinyl LP version will follow on November 1st.

Formed in early 2020 in Oslo, Norway’s Abhorration feature members hailing from such bands as Condor, Nekromantheon, Hecatomb, Resonaut, Purple Hill Witch, and Obliteration. While one could reasonably expect what sound might result from such a conglomeration, the power-trio’s first public recording, 2021’s ‘After Winter Comes War’ EP, aimed for an olde-world Metal of Death that abounded with a refreshing sense of the “new”. Now, Abhorration are prepared to go deeper into the olde vs. “new” with their first full-length.

Simply and elegantly titled ‘Demonolatry’, Abhorration’s debut album immediately sets forth the same foundation as its short-length predecessor, invoking and rearranging trace elements of classic Sadistic Intent, Morbid Angel, Possessed, and early Vader into something uniquely labyrinthine. But the execution here is impossibly sharper and, frankly, blanching: you literally FEEL each note and drum hit as the quartet bleed for the Devil before their own altars of madness. That the production’s suitably rough ‘n’ raw but clear(ly analog) ably benefits the band’s bursting-at-the-seams attack, which also sees an infusion of Vomitor-esque solo-squall. If one difference is to be made to ‘After Winter Comes War’, save for the slow-burn stomp of “The Grace of Immolation,” it’s that ‘Demonolatry’ excises anything haunting in favor of an equally epic but far-more-coiling style of songwriting that’s always moving, moving, MOVING. The wicked angularity of prime Axis of Advance is still in there, but Abhorration leave no breath for pause; an inexorable descent into oblivion is sought, and achieved – quickly. Will you be able to keep up? AAARRRGGGHHH!

Behold ye disciples of sepulchral darkness, with utmost pride Sepulchral Voice Records annunciate Black Curse’ sophomore album, entitled ‘Burning in Celestial Poison’, to be released internationally on the 25th of October 2024.

4 years have passed since ‘Endless Wound’ left stigmatas on mankind, but be sure, the quartet will cut even deeper now. ‘Burning in Celestial Poison’ is not only a statement and lesson in audio-violence, it is a 44 minutes long manifest of radical DEATH Metal causing mental lacerations and chaos!

A record supposed to shock, because of its ecstatic ruthlessness and massive fanatical malevolence, hovering deep below the compositions. It opens the doors to a world that is so unbelievable vast, that you risk to lose yourself in it, its depths defy exegesis.
4 curses are woven into 4 hymns of utter death-magic, which will lead you into the black abyss of the grand divine. ‘Burning in Celestial Poison’ truly is an agonized infernal within, shattered and re-jointed into the darkness of the physical. Extreme intensity pointed cruelly towards the soul to extinguish the spirit.

The album was again produced by master Arthur Rizk, who cuts through all expectations with extraordinarily dense and destructive fidelity and production. ‘Burning in Celestial Poison’ sounds like created with the magick, formulas, codes and keys of a world beyond.

In order to understand the dark sublimity of this album, maybe other perspectives must be considered, which are not yet defined properly. In our world, it will be considered ugly and oppressive by those, who are not able to succumb to its glorious depths.

Intentionally breaking with modern listening habits (and avoiding all rules of songlength and structure), it achieves the best result when experienced in darkness and at maximum volume. ‘Burning in Celestial Poison’ meanders and finishes with a prophetic roaring sound that surely comes from the world we have to face, which is the world in fire.

Ceremony formed in 1989 in the Rotterdam area of the Netherlands and recorded their debut demo ‘Victims of Morbidity’ in 1991. On this demo you’ll hear 4 tracks of brutal, slightly technical Death Metal done the America way! 2 of the tracks would later appear on their debut album ‘Tyranny From Above’ (tape release scheduled for next year!).

Although this demo didn’t have the best sound we had it remastered which sure improved things a lot! The original demo came in 2 different covers and we chose the one drawn by Mike Chung, who was the guitarplayer for the band for a short period of time.

Ceremony are still active today although they’re a different sounding band now, playing a cool form of Blackened Death Metal. A new album is on the way!

On October 31st internationally, W.T.C. Productions is proud to present Shaarimoth’s highly anticipated third album, ‘Devildom’, on CD and vinyl LP formats.

Formed in 2004 but tracing its origins back to 1998, Shaarimoth emerged from the then-barren Norwegian Death Metal underground, and along with it, so did new incantations of darkness, death, and destruction. Both dark and ecstatic, furious and violent, defying genres, but at the same time paying tribute to its predecessors of the black arts, Shaarimoth’s goals were firm from the very beginning.

To date, Shaarimoth have released two albums, a full 12 years apart: 2005’s ‘Current 11’ and 2017’s ‘Temple of the Adversarial Fire’. Indeed not ones to rush things, the Norwegians maximize “delayed gratification” and embrace bold & brazen reinvention. Such was the case for the universally celebrated ‘Temple of the Adversarial Fire’, which saw Shaarimoth evoking the album’s namesake: a wholesale stripping-down their aesthetic to its barest essentials, only to be rebuilt into an incendiary, black-smoke-billowing monolith of blackened Death Metal majesty. Rarely in the nowadays metal underground will one hear a Death Metal record this pure and reverential in its intent whilst being so suffused with the blackest of blood…that is, until the arrival of ‘Devildom’.

Almost elegantly simple in its title, ‘Devildom’ nevertheless reveals the fullest depth(s) of Shaarimoth’s ever-entrancing vision. The template remains unyielding and limitless – technical Morbid Angel-esque Death Metal given unique twists in texture, ambience, and authentically occult lyrical content – but the execution of such is taken, impossibly, up to yet another level. ‘Devildom’ delves into themes of darkness, death, rebellion, and the acosmic forces of the infernal, guiding the listener on a journey through the boundless abyss, beyond the illusions of creation. It reveals a path to transcendence, returning to the true darkness from which all things arise and to which they will eventually return. Grounded in esoteric philosophies and dark spiritual doctrines, the music acts as a conduit to an otherworldly domain where reality’s limitations are cast aside to embrace the forbidden light of the dark gods. More than just a collection of songs, ‘Devildom’ offers a ritualistic experience meant to invoke the Devil’s presence and power, immersing the listener in a realm of liberating madness. This journey celebrates the sinister and the spiritual, inviting exploration of the shadow self and crossing the boundaries between the mundane and the mystical to confront the darker aspects of existence.

Thankfully, a dozen years were not necessary for Shaarimoth to continue the glorious new epoch they ushered in with ‘Temple of the Adversarial Fire’. Patiently and painstakingly crafted all the same, ‘Devildom’ soundly cements Shaarimoth’s status as the Devil’s Death Metal ELITE.

Belgian Speed Metallers Bütcher have exploded onto the scene and have been making a name for themselves internationally. Their music caters to the blackened souls who love old-school Speed, Thrash, Heavy, and Black metals. Cuts such as ‘Iron Bitch,’ ’45 RPM Metal,’ and ‘666 Goats Carry My Chariot’ are now part of the canon of the old-school Metal community.

After an avalanche of successful shows and festivals throughout Europe, Bütcher are proud to present their third album, ‘On Fowl of Tyrant Wing’. After the rabid debut ‘Bestial Fükkin’ Warmachine’ (Babylon Doom Cult Records, 2017) and the heralded sophomore album ‘666 Goats Carry My Chariot’ (Osmose Productions, 2020), they delve deep into their specific mixture of the golden ’80s and extreme ’90s.

Bütcher have always mixed ancient Speed and Thrash metal with NWOBHM, classic Hard Rock and Black Metal. On side A of the new album, they continue their very own legacy. On side B, they double down on that premise. It’s a concept side with an overarching unique story (written by R Hellshrieker) and a fully composed tour de force (by KK Ripper) where tempo changes, interwoven melodies, sitars, organs, and various percussion instruments create an unexpected musical journey.

Heavy, Death, and Black Metals counter the Speed Metal, and nobody will see it coming. Both progressive and very traditional, this album is sure to opiate fans and critics alike.