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Underground Extreme Metal Fanzine


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Singapore’s Metal underground had its own history long before the names now associated with the country’s Extreme Metal scene began circulating overseas. Nuctemeron were already active in 1987, and their 1988 demo, ‘The Unxpected’, is credited as the first metal demo recorded in Singapore. They came from a generation of local musicians who were putting bands together, recording their material and finding their own way into Extreme Metal at a time when there was no established blueprint for doing any of this. Nuctemeron split up in 1991, but their recordings remain an important document of those early years.

The musicians had roots in the earlier Singapore scene, with connections to False Melissa, Transgressor and Metallik Storm before Nuctemeron emerged alongside Stukas. Khalid handled bass and vocals, Jani played guitar, and Omar was behind the drums on the first demo. Ali took over the drum position by the time the band recorded ‘Demo II’ in 1990. Jani also appeared in the histories of Decius, Istidraj and Qhafir, when tracing the links between different periods of Singapore’s underground.

The first four tracks were recorded and mixed at Quad Studio in 1988. ‘Legacy’, ‘Transitation’, ‘Swirling Blackness’ and ‘Silent Sorrow’ capture Nuctemeron in their earliest recorded form, playing Black/Thrash Metal with a rough, hostile sound. The guitar work is abrasive, the rhythm section keeps the songs moving, and Khalid’s vocals carry the material without trying to make it sound more refined than it is. There is a clear connection to the primitive strain of Extreme Metal that was developing internationally during the eighties, but these recordings also belong to a specific moment in Singapore’s history. The band was documenting its music locally, rather than waiting for someone overseas to decide that it was worth hearing.

By September 1990, Nuctemeron were recording again, this time at Boss Studio. ‘Demo II’ contributes four more songs: ‘Unknown Destination’, ‘Out for Shredded Soul’, ‘The Unexpected’ and ‘Euthanasia’. With Ali replacing Omar, the lineup had changed, although Khalid and Jani remained. Chan is credited as the engineer for this session. The recordings have a fuller sound than the first demo, but the band had not abandoned its raw approach. The music remains rooted in aggressive Black/Thrash Metal, with the guitars and drums doing the heavy lifting and the vocals adding to the hostile atmosphere. Hearing these sessions together makes it possible to follow the band across two years instead of judging them from a single demo.

The final two tracks, ‘Nuctemeron’ and ‘Power, Freedom, Invincible!’, were recorded at Boss Studio in 1991. They were intended for a Peaceville compilation that never materialised, leaving these songs as an overlooked part of the band’s recording history. Their inclusion here is one of the strongest reasons to revisit the collection. These tracks extend beyond the two demos and bring the chronology to Nuctemeron’s final year, when the band was approaching the end of its short existence. There is no need to invent a dramatic story around the abandoned compilation; the simple fact that these recordings were made for a release that never happened is interesting enough.

The reissue history has its own place in the story. Devil Slut Records brought the material together as ‘Legacy of Swirling Blackness’, a CD compilation released in 2013, with the recordings remastered at Studio 47 in Singapore. Basement Records subsequently issued a cassette version in 2014. Zzooouhh Records revived the collection under the title ‘The Unxpected 1987–1991’, releasing it on vinyl in 2022 before issuing this CD edition on 21 December 2025. Limited to 250 copies, the latest version puts all ten tracks in one place, covering the 1988 demo, the 1990 recordings and the two songs from 1991.

‘The Unxpected 1987–1991’ gives those recordings another lease of life, including the two tracks that were meant for Peaceville but never made it onto the planned compilation.

For those interested in where Singapore’s Extreme Metal history began, this is a valuable one from the vault.