Ossements is a new discovery for me, but this project caught my attention since I’ve heard some people describe their work as a somewhat more atmospheric version of Revenant Marquis. And since the aforementioned band has also been one of my newest musical ventures, I’ve decided to give ‘IV’ a try. And I’m definitely glad I did!
The dense and foggy atmosphere here is definitely similar to what we’ve already experienced in Revenant Marquis. However, there are many more variations and experimental passages throughout the album, like choirs and some somber and almost baroque instrumental segments that makes this particular outing by Ossements a work worthy of notice.
In ‘IV’ we’re confronted with the dissonant contrast between the beautiful and the unsettling sense dread that permeates the whole duration of the album. A very inviting listen to any Black Metal fan who’d like to try something different, but that still preserves a crude and evil sounding music.
I’d also like to note the artwork for this album which, in so many levels, complements the music in a way that can only be described as mesmerizing. The choice of John Everett Millais’ portrayal of Jeane D’arc is a perfect fit, since it brings out a deep sadness and introspection mixed with a sense of melancholic urgency and religious fanaticism that fits so well the profound mood that only Black Metal can convey.
The Quebecois scene is full of gems, and Ossements is another example that some of the best Black Metal of the past decade continues to be made in the colder fringes of the world.
